Australian Legendary Tales: folk-lore of the Noongahburrahs as told to the Piccaninnies — Background and Themes

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Parker, K. Langloh (Katie Langloh), 1856-1940 Project Gutenberg 2003
Folklore -- Australia Readers of public-domain and historical texts
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Words 36,622
Reading time 160 min
Text sections 5

Australian Legendary Tales: folk-lore of the Noongahburrahs as told to the Piccaninnies — Background and Themes can be approached with a clearer sense of reading commitment from its source measurements: 36,622 words, 2 hr 40 min estimated reading time, and 5 detected text sections.

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K. Langloh Parker's 1898 collection of Noongahburrah legends, recorded in English with an amateur ethnographer's care. Tales explain natural phenomena through animal characters, revealing social codes, gender roles, and the harsh consequences of violating kinship obligations.
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Dinewans were still feeding. When Dinewan saw her coming and noticed she had only two young ones with her, she called out: "Where are all your young ones?"

Goomblegubbon answered, "I have killed them, and have only two left. Those will have plenty to eat now, and will soon grow as big as your young ones."

"You cruel mother to kill your children. You greedy mother. Why, I have twelve children and I find food for them all. I would not kill one for anything, not even if by so doing I could get back my wings. There is plenty for all. Look at the emu bush how it covers itself with berries to feed my big family. See how the grasshoppers come hopping round, so that we can catch them and fatten on them."

"But you have only two children."

"I have twelve. I will go and bring them to show you." Dinewan ran off to her salt bush where she had hidden her ten young ones. Soon she was to be seen coming back. Running with her neck stretched forward, her head thrown back with pride, and the feathers of her boobootella swinging as she ran, booming out the while her queer throat noise, the Dinewan song of joy, the pretty, soft-looking little ones with their zebra-striped skins, running beside her whistling their baby Dinewan note. When Dinewan reached the place where Goomblegubbon was, she stopped her booing and said in a solemn tone, "Now you see my words are true, I have twelve young ones, as I said. You can gaze at my loved ones and think of your poor murdered children. And while you do so I will tell you the fate of your descendants for ever. By trickery and deceit you lost the Dinewans their wings, and now for evermore, as long as a Dinewan has no wings, so long shall a Goomblegubbon lay only two eggs and have only two young ones. We are quits now. You have your wings and I my children."

And ever since that time a Dinewan, or emu, has had no wings, and a Goomblegubbon, or bustard of the plains, has laid only two eggs in a season.

2. THE GALAH, AND OOLAH THE LIZARD

Oolah the lizard was tired of lying in the sun, doing nothing. So he said, "I will go and play." He took his boomerangs out, and began to practise throwing them. While he was doing so a Galah came up, and stood near, watching the boomerangs come flying back, for the kind of boomerangs Oolah was throwing were the bubberahs. They are smaller than others, and more curved, and when they are properly thrown they return to the thrower, which other boomerangs do not.

Oolah was proud of having the gay Galah to watch his skill. In his pride he gave the bubberah an extra twist, and threw it with all his might. Whizz, whizzing through the air, back it came, hitting, as it passed her, the Galah on the top of her head, taking both feathers and skin clean off. The Galah set up a hideous, cawing, croaking shriek, and flew about, stopping every few minutes to knock her head on the ground like a mad bird. Oolah was so frightened when he saw what he had done, and noticed that the blood was flowing from the Galah's head, that he glided away to hide under a bindeah bush. But the Galah saw him. She never stopped the hideous noise she was making for a minute, but, still shrieking, followed Oolah. When she reached the bindeah bush she rushed at Oolah, seized him with her beak, rolled him on the bush until every bindeah had made a hole in his skin. Then she rubbed his skin with her own bleeding head. "Now then," she said, "you Oolah shall carry bindeahs on you always, and the stain of my blood."

"And you," said Oolah, as he hissed with pain from the tingling of the prickles, "shall be a bald-headed bird as long as I am a red prickly lizard."

So to this day, underneath the Galah's crest you can always find the bald patch which the bubberah of Oolah first made. And in the country of the Galahs are lizards coloured reddish brown, and covered with spikes like bindeah prickles.

3. BAHLOO THE MOON AND THE DAENS

Bahloo the moon looked down at the earth one night, when his light was shining quite brightly, to see if any one was moving. When the earth people were all asleep was the time he chose for playing with his three dogs. He called them dogs, but the earth people called them snakes, the death adder, the black snake, and the tiger snake. As he looked down on to the earth, with his three dogs beside him, Bahloo saw about a dozen daens, or black fellows, crossing a Creek. He called to them saying, "Stop, I want you to carry my dogs across that creek." But the black fellows, though they liked Bahloo well, did not like his dogs, for sometimes when he had brought these dogs to play on the earth, they had bitten not only the earth dogs but their masters; and the poison left by the bites had killed those bitten. So the black fellows said, "No, Bahloo, we are too frightened; your dogs might bite us. They are not like our dogs, whose bite would not kill us."

Bahloo said, "If you do what I ask you, when you die you shall come to life again, not die and stay always where you are put when you are dead. See this piece of bark. I throw it into the water." And he threw a piece of bark into the creek. "See it comes to the top again and floats. That is what would happen to you if you would do what I ask you: first under when you die, then up again at once. If you will not take my dogs over, you foolish daens, you will die like this," and he threw a stone into the creek, which sank to the bottom. "You will be like that stone, never rise again, Wombah daens!"

But the black fellows said, "We cannot do it, Bahloo. We are too frightened of your dogs."

"I will come down and carry them over myself to show you that they are quite safe and harmless." And down he came, the black snake coiled round one arm, the tiger snake round the other, and the death adder on his shoulder, coiled towards his neck. He carried them over. When he had crossed the creek he picked up a big stone, and he threw it into the water, saying, "Now, you cowardly daens, you would not do what I, Bahloo, asked you to do, and so forever you have lost the chance of rising again after you die. You will just stay where you are put, like that stone does under the water, and grow, as it does, to be part of the earth. If you had done what I asked you, you could have died as often as I die, and have come to life as often as I come to life. But now you will only be black fellows while you live, and bones when you are dead."

Bahloo looked so cross, and the three snakes hissed so fiercely, that the black fellows were very glad to see them disappear from their sight behind the trees. The black fellows had always been frightened of Bahloo's dogs, and now they hated them, and they said, "If we could get them away from Bahloo we would kill them." And thenceforth, whenever they saw a snake alone they killed it. But Babloo only sent more, for he said, "As long as there are black fellows there shall be snakes to remind them that they would not do what I asked them."

4. THE ORIGIN OF THE NARRAN LAKE

Old Byamee said to his two young wives, Birrahgnooloo and Cunnunbeillee, "I have stuck a white feather between the hind legs of a bee, and am going to let it go and then follow it to its nest, that I may get honey. While I go for the honey, go you two out and get frogs and yams, then meet me at Coorigel Spring, where we will camp, for sweet and clear is the water there." The wives, taking their goolays and yam sticks, went out as he told them. Having gone far, and dug out many yams and frogs, they were tired when they reached Coorigel, and, seeing the cool, fresh water, they longed to bathe. But first they built a bough shade, and there left their goolays holding their food, and the yams and frogs they had found. When their camp was ready for the coming of Byamee, who having wooed his wives with a nullah-nullah, kept them obedient by fear of the same weapon, then went the girls to the spring to bathe. Gladly they plunged in, having first divested them selves of their goomillahs, which they were still young enough to wear, and which they left on the ground near the spring. Scarcely were they enjoying the cool rest the water gave their hot, tired limbs, when they were seized and swallowed by two kurreahs. Having swallowed the girls, the kurreahs dived into an opening in the side of the spring, which was the entrance to an underground watercourse leading to the Narran River. Through this passage they went, taking all the water from the spring with them into the Narran, whose course they also dried as they went along.

Meantime Byamee, unwitting the fate of his wives, was honey hunting. He had followed the bee with the white feather on it for some distance; then the bee flew on to some budtha flowers, and would move no further. Byamee said, "Something has happened, or the bee would not stay here and refuse to be moved on towards its nest. I must go to Coorigel Spring and see if my wives are safe. Something terrible has surely happened." And Byamee turned in haste towards the spring. When he reached there he saw the bough shed his wives had made, he saw the yams they had dug from the ground, and he saw the frogs, but Birrahgnooloo and Cunnunbeillee he saw not. He called aloud for them. But no answer. He went towards the spring; on the edge of it he saw the goomillahs of his wives. He looked into the spring and, seeing it dry, he said, "It is the work of the kurreahs; they have opened the underground passage and gone with my wives to the river, and opening the passage has dried the spring. Well do I know where the passage joins the Narran, and there will I swiftly go." Arming himself with spears and woggarahs he started in pursuit. He soon reached the deep hole where the underground channel of the Coorigel joined the Narran. There he saw what he had never seen before, namely, this deep hole dry. And he said: "They have emptied the holes as they went along, taking the water with them. But well know I the deep holes of the river. I will not follow the bend, thus trebling the distance I have to go, but I will cut across from big hole to big hole, and by so doing I may yet get ahead of the kurreahs." On swiftly sped Byamee, making short cuts from big hole to big hole, and his track is still marked by the morilla ridges that stretch down the Narran, pointing in towards the deep holes. Every hole as he came to it he found dry, until at last he reached the end of the Narran; the hole there was still quite wet and muddy, then he knew he was near his enemies, and soon he saw them. He managed to get, unseen, a little way ahead of the kurreahs. He hid himself behind a big dheal tree. As the kurreahs came near they separated, one turning to go in another direction. Quickly Byamee hurled one spear after another, wounding both kurreahs, who writhed with pain and lashed their tails furiously, making great hollows in the ground, which the water they had brought with them quickly filled. Thinking they might again escape him, Byamee drove them from the water with his spears, and then, at close quarters, he killed them with his woggarahs. And ever afterwards at flood time, the Narran flowed into this hollow which the kurreahs in their writhings had made.

When Byamee saw that the kurreahs were quite dead, he cut them open and took out the bodies of his wives. They were covered with wet slime, and seemed quite lifeless; but he carried them and laid them on two nests of red ants. Then he sat down at some little distance and watched them. The ants quickly covered the bodies, cleaned them rapidly of the wet slime, and soon Byamee noticed the muscles of the girls twitching. "Ah," he said, "there is life, they feel the sting of the ants."

Almost as he spoke came a sound as of a thunder-clap, but the sound seemed to come from the ears of the girls. And as the echo was dying away, slowly the girls rose to their feet. For a moment they stood apart, a dazed expression on their faces. Then they clung together, shaking as if stricken with a deadly fear. But Byamee came to them and explained how they had been rescued from the kurreahs by him. He bade them to beware of ever bathing in the deep holes of the Narran, lest such holes be the haunt of kurreahs.

Then he bade them look at the water now at Boogira, and he said:

"Soon will the black swans find their way here, the pelicans and the ducks; where there was dry land and stones in the past, in the future there will be water and water-fowl, from henceforth; when the Narran runs it will run into this hole, and by the spreading of its waters will a big lake be made." And what Byamee said has come to pass, as the Narran Lake shows, with its large sheet of water, spreading for miles, the home of thousands of wild fowl.

5. GOOLOO THE MAGPIE, AND THE WAHROOGAH

Gooloo was a very old woman, and a very wicked old woman too, as this story will tell. During all the past season, when the grass was thick with seed, she had gathered much doonburr, which she crushed into meal as she wanted it for food. She used to crush it on a big flat stone with small flat stones--the big stone was called a dayoorl. Gooloo ground a great deal of the doonburr seed to put away for immediate use, the rest she kept whole, to be ground as required.

Soon after she had finished her first grinding, a neighbouring tribe came along and camped near where she was. One day the men all went out hunting, leaving the women and the children in the camp. After the men had been gone a little while, Gooloo the magpie came to their camp to talk to the women. She said, "Why do you not go hunting too? Many are the nests of the wurranunnahs round here, and thick is the honey in them. Many and ripe are the bumbles hanging now on the humble trees; red is the fruit of the grooees, and opening with ripeness the fruit of the guiebets. Yet you sit in the camp and hunger, until your husbands return with the dinewan and bowrah they have gone forth to slay. Go, women, and gather of the plenty that surrounds you. I will take care of your children, the little Wahroogabs."

"Your words are wise," the women said. "It is foolish to sit here and hunger, when near at hand yams are thick in the ground, and many fruits wait but the plucking. We will go and fill quickly our comebees and goolays, but our children we will take with us."

"Not so," said Gooloo, "foolish indeed were you to do that. You would tire the little feet of those that run, and tire yourselves with the burden of those that have to be carried. No, take forth your comebees and goolays empty, that ye may bring back the more. Many are the spoils that wait only the hand of the gatherer. Look ye, I have a durrie made of fresh doonburr seed, cooking just now on that bark between two fires; that shall your children eat, and swiftly shall I make them another. They shall eat and be full ere their mothers are out of sight. See, they come to me now, they hunger for durrie, and well will I feed them. Haste ye then, that ye may return in time to make ready the fires for cooking the meat your husbands will bring. Glad will your husbands be when they see that ye have filled your goolays and comebees with fruits, and your wirrees with honey. Haste ye, I say, and do well."

Having listened to the words of Gooloo, the women decided to do as she said, and, leaving their children with her, they started forth with empty comebees, and armed with combos, with which to chop out the bees' nests and opossums, and with yam sticks to dig up yams.

When the women had gone, Gooloo gathered the children round her and fed them with durrie, hot from the coals. Honey, too, she gave them, and bumbles which she had buried to ripen. When they had eaten, she hurried them off to her real home, built in a hollow tree, a little distance away from where she had been cooking her durrie. Into her house she hurriedly thrust them, followed quickly herself, and made all secure. Here she fed them again, but the children had already satisfied their hunger, and now they missed their mothers and began to cry. Their crying reached the ears of the women as they were returning to their camp. Quickly they came at the sound which is not good in a mother's ears. As they quickened their steps they thought how soon the spoils that lay heavy in their comebees would comfort their children. And happy they, the mothers, would feel when they fed the Wahroogahs with the dainties they had gathered for them. Soon they reached the camp, but, alas! where were their children? And where was Gooloo the magpie?

"They are playing wahgoo," they said, "and have hidden themselves."

The mothers hunted all round for them, and called aloud the names of their children and Gooloo. But no answer could they hear and no trace could they find. And yet every now and then they heard the sound of children wailing. But seek as they would they found them not. Then loudly wailed the mothers themselves for their lost Wahroogahs, and, wailing, returned to the camp to wait the coming of the black fellows. Heavy were their hearts, and sad were their faces when their husbands returned. They hastened to tell the black fellows when they came, how Gooloo had persuaded them to go hunting, promising if they did so that she would feed the hungry Wahroogahs, and care for them while they were away, but--and here they wailed again for their poor Wahroogahs. They told how they had listened to her words and gone; truth had she told of the plenty round, their comebees and goolays were full of fruits and spoils they had gathered, but, alas! they came home with them laden only to find their children gone and Gooloo gone too. And no trace could they find of either, though at times they heard a sound as of children wailing.

Then wroth were the men, saying: "What mothers are ye to leave your young to a stranger, and that stranger a Gooloo, ever a treacherous race? Did we not go forth to gain food for you and our children? Saw ye ever your husbands return from the chase empty handed? Then why, when ye knew we were gone hunting, must ye too go forth and leave our helpless ones to a stranger? Oh, evil, evil indeed is the time that has come when a mother forgets her child. Stay ye in the camp while we go forth to hunt for our lost Wahroogahs. Heavy will be our hands on the women if we return without them."

The men hunted the bush round for miles, but found no trace of the lost Wahroogahs, though they too heard at times a noise as of children's voices wailing.

K. Langloh Parker's Australian Legendary Tales opens with a neighbor's question—'But have the blacks any legends?'—that frames the collection as a salvage effort. Parker, a settler on a station, presents herself as an amateur motivated by interest rather than scientific training, yet her preface insists that the folklore of the Noongahburrahs is worth recording. The tales that follow are spare, direct, and often brutal: emus and bustards trick each other into fatal fires, a mopoke refuses to share his rugs and drowns in a flood, a curlew cuts flesh from his own legs to feed his hungry mother. These are not gentle animal fables but stories about the consequences of selfishness, laziness, and broken reciprocity.

Reciprocity Refused, Punishment Delivered

Several tales turn on a refusal to share or help, followed by catastrophic retribution. In 'Mooregoo the Mopoke, and Bahloo the Moon,' the mopoke denies the moon a rug or weapon, insisting 'I never lend my rugs.' Bahloo builds his own shelter, then unleashes endless rain that drowns Mooregoo and destroys his possessions. The punishment is not supernatural but natural—a flood—and it matches the crime of hoarding. Similarly, in 'Dinewan the Emu, and Goomblegubbon the Bustard,' the bustard's wives and children cross a river to join another camp, leaving him stranded because he cannot swim. He calls for help, but no one answers; the next morning the opposite camp is burned, and he never sees his family again. The pattern is consistent: a character refuses a request or violates a social bond, and the narrative eliminates them or leaves them isolated. These are cautionary tales about the necessity of generosity within a kinship network.

Pain as Provision: Self-Mutilation and Social Pressure

In 'Ouyan the Curlew,' the hawk mother berates her son for not hunting, saying 'You must not stay always in the camp like an old woman; you must go and hunt as other men do, lest the women laugh at you.' Unable to kill an emu, Ouyan cuts flesh from his own legs, reasoning that 'sharper would cut the tongues of the women, and deeper would be the wounds they would make.' The women eat the flesh hungrily, fall ill, and the next day send him out again—and again he returns with his own flesh. The tale is remarkable for its explicit depiction of self-harm as a response to gendered shame. The mother's hunger and the women's jeers are more terrifying than physical pain. Parker records Ouyan's cries—'Yuckay! Yuckay'—as a repeated refrain, anchoring the story in aural detail. The narrative does not moralize; it simply presents the cycle of demand and desperate compliance.

Material Culture and the Weight of Objects

Parker's tales are dense with named artifacts: boomerangs, nullah-nullahs, neilahmans, opossum rugs sewn with sinew and threaded with emu-bone needles. In 'Mooregoo the Mopoke,' the mopoke's pride in his craftsmanship is emphasized—'Well had he carved the weapons with the teeth of opossums, and brightly had he painted the inside of the rugs with coloured designs.' The objects are not props but extensions of character: Mooregoo's refusal to share them is what destroys him. In 'Dinewan the Emu,' the bustard's spears are picked up as he tracks his wives. The material world is precise and functional. Parker's glossary at the end defines terms like dardurr (a bark shelter) and comebo (a wooden knife), grounding the English text in Noongahburrah vocabulary. These details give the tales a tactile specificity that generic animal stories lack.

Parker's collection is best read as a document of encounter—a settler's attempt to transcribe oral narratives for a distant audience. The tales resist easy moralizing; they are stark, repetitive, and often unresolved. Readers should attend to what is not explained: the gaps in motivation, the abrupt endings, the unexplained customs. The glossary and the single native-text appendix offer a glimpse of the original language, but the English versions remain mediated. Approach these stories as fragments of a system of knowledge, not as children's entertainment.

I found myself thinking about Langloh Parker's old tales—how the Noongahburrah stories held such weight in their caution, each animal paying for broken trust—and it drifted me toward Johnny Nut and the Golden Goose — Story, Setting & Ideas. There's a similar quiet sternness there, a reckoning hiding behind whimsy. Both feel less like entertainment, more like remembered warnings passed along in a hushed voice.

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    Yolanda Ellis - 1 month ago
    The stories themselves are valuable for their cultural significance, and the title is uniquely intriguing. However, the original text shows its age; some language and spellings are outdated. The structure is episodic, making it more a reference than a continuous read. Still, it's an important work for scholars and those wanting to understand the Dreamtime. Worth exploring for its heritage.

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    Debra Miles - 1 month ago
    This is a cornerstone of Australian Indigenous storytelling, beautifully preserved in this edition. The tales are told with a rhythm that echoes real oral tradition, and the illustrations (where present) are evocative. The stories are both entertaining and educational, providing insights into Aboriginal culture and the natural world. A must-read for anyone interested in folklore or Australian heritage.

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    Tina Jessica Owens - 1 week ago
    Dated and often patronizing towards the Aboriginal people. The title itself uses outmoded terms, and the framing feels condescending. While the folktales are interesting, the presentation is stiff and academic, lacking the magic of real storytelling. The book could have been a treasure, but the colonial perspective ruins the experience. Better to seek out modern retellings.


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