The Man-Wolf and Other Tales — Inside the Classic
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Uncle Christian's Inheritance
A Night In The Woods:--
PRELIMINARY NOTE BY THE TRANSLATOR.
It has often been remarked, with perfect justice, that the eminent French writers, a translation of one of whose works is here attempted, are singularly faithful in their adherence to historic truth. Remove the thread of obvious fiction which is indispensable to make these admirable productions romances or tales, and what we have left is perfectly reliable history. It is this feature mainly which gives the indescribable charm to their historical tales--a charm powerfully realised in the original, though less appreciable in an imperfect translation.
The same claim to perfect truthfulness in all essential points may be placed to the credit of the following "Roman Populaire," notwithstanding the startling supernatural element on which the story is founded. Erckmann-Chatrian have not thought it right or necessary to depart in this case from their practice of abstaining from all prefaces or notes in every edition of their works. Yet perhaps the translator may be forgiven, and even condoned with thanks, if he ventures upon an explanation tending to show that the tale of _Hugh the Wolf_ is not entirely founded upon superstition and the supernatural.
"Let his heart be changed from man's, and let a beast's heart be given unto him!" Such was the sentence pronounced and executed upon him of Babylon whose pride called for abasement from the Lord. Dr. Mead (_Medica Sacra_, p. 59) observes that there was known among the ancients a mental disorder called lycanthropy, the victims of which fancied themselves wolves, and went about howling and attacking and tearing sheep and young children (_Aetius, Lib. Med_. vi., _Paul Ægineta_, iii. 16). So, again, Virgil tells of the daughters of Prætus, who fancied themselves to be cows, and running wildly about the pastures, "implêrunt falsis mugitibus agros."--Ecl. vi. 48. This horrible disease appears happily to have been a rare one, and recoveries from it have taken place, for it is not destructive of the sufferer's life. It has even been thoroughly cured after a lapse of many years.
Dr. Pusey (_Notes on Daniel_, p. 425), in a disquisition of great fulness upon the disease of Nebuchadnezzar, refers to a communication which he received from Dr. Browne, a Commissioner of the Board of Lunacy for Scotland, in which he says, "My opinion is that in all mental powers or conditions the idea of personal identity is but rarely enfeebled, and that it is never extinguished. The ego and non-ego may be confused; the ego, however, continues to preserve the personality. All the angels, devils, dukes, lords, kings, "gods many" that I have had under my care remained what they were before they became angels, dukes, etc., in a sense, and even nominally. I have seen a man declaring himself the Saviour or St. Paul sign himself _James Thomson_, and attend worship as regularly as if the notion of divinity had never entered into his head."
Esquirol, a very trustworthy writer, has a description of an extraordinary outbreak of lycanthropy in France (in the Jura, at Dole, and other places in Eastern France) in the 16th century.
"This terrible affliction began to manifest itself in France in the 15th century, and the name of '_loups-garous_' has been given to the sufferers. These unhappy beings fly from the society of mankind and live in the woods, the cemeteries, or old ruins, prowling about the open country only by night, howling as they go. They let their beard and nails grow, and then seeing themselves armed with claws and covered with shaggy hair, they become confirmed in the belief that they are wolves. Impelled by ferocity or want, they throw themselves upon young children and tear, kill, and devour them." (Esquiról, _Des Maladies Mentales_, Paris, 1838, vol i., p. 521.) Those whom the French called _loups-garous_ were in German termed _werewolves_.
It may be observed on this that when the nails of the fingers and toes are cut they grow indefinitely; but if they are allowed to grow unchecked they soon curve over the extremities, form talons or claws, and cease to grow--answering to the Scriptural account of the effects of the mental disorder of Nebuchadnezzar.
Of course for every case of real malady many were imputed or charged upon poor creatures, who were driven to madness by groundless charges of witchcraft and sorcery, and being _loups-garous_ in secret. Many innocent people were in the fifteenth and sixteenth centuries burnt at the stake as wolves in human form.
A correspondent has kindly supplied the following information:--"When in Oude in India, twenty-six years ago, we heard of several instances of native babies being carried off out of the villages by she-wolves, and placed with their whelps, and brought up wild there; there was one about when we were there, partially reclaimed, but retaining much of the savage nature imbibed with the wolf's milk, and having been accustomed to go on all-fours--_i.e._, knees and elbows; but I conclude these were not affected with 'Lycanthropy.'"
With a few touches of his magic pencil the Laureate has drawn a powerful picture of such a state of things in ancient Britain, of which we can scarcely deny the literal faithfulness. It is not a poetic conception; it is historic truth:--
"And ever and anon the wolf would steal The children and devour; but now and then, Her own brood lost or dead, lent her fierce teat To human sucklings; and the children, housed In her foul den, there at their meat would growl, And mock their foster-mother on four feet, Till, straightened, they grew up to wolf-like men, Worse than the wolves."
The following tale, in which the lycanthropy is far from being altogether a mere effort of the imagination, appears to be founded upon the belief in the continued existence of this rare species of madness down to our own day--or near it--for the story seems to belong to the year 1832.
The English reader will not fail to notice the correspondence between the title and the well-known designation of the illustrious head of the noble house of Grosvenor. Whatever connection there may or may not be between that German Hugh Lupus of a thousand years ago and the truly British Hugh Lupus of our day, all the base qualities of his supposed progenitor have disappeared in him who is adorned with all the qualities which make the English nobility rank as the pride and the flower of our land.
_The Vicaraqe, Broughton-in-Furness_.
About Christmas time in the year 18--, as I was lying fast asleep at the Cygne at Fribourg, my old friend Gideon Sperver broke abruptly into my room, crying--
"Fritz, I have good news for you; I am going to take you to Nideck, two leagues from this place. You know Nideck, the finest baronial castle in the country, a grand monument of the glory of our forefathers?"
Now I had not seen Sperver, who was my foster-father, for sixteen years; he had grown a full beard in that time, a huge fox-skin cap covered his head, and he was holding his lantern close under my nose. It was, therefore, only natural that I should answer--
"In the first place let us do things in order. Tell me who you are."
"Who I am? What! don't you remember Gideon Sperver, the Schwartzwald huntsman? You would not be so ungrateful, would you? Was it not I who taught you to set a trap, to lay wait for the foxes along the skirts of the woods, to start the dogs after the wild birds? Do you remember me now? Look at my left ear, with a frost-bite."
"Now I know you; that left ear of yours has done it; Shake hands."
Sperver, passing the back of his hand across his eyes, went on--
"Of course I do--by reputation; what have you to do there?"
"I am the count's chief huntsman."
"And who has sent you?"
"The young Countess Odile."
"Very good. How soon are we to start?"
"This moment. The matter is urgent; the old count is very ill, and his daughter has begged me not to lose a moment. The horses are quite ready."
"But, Gideon, my dear fellow, just look out at the weather; it has been snowing three days without cessation."
"Oh, nonsense; we are not going out boar-hunting; put on your thick coat, buckle on your spurs, and let us prepare to start. I will order something to eat first." And he went out, first adding, "Be sure to put on your cape."
I could never refuse old Gideon anything; from my childhood he could do anything with me with a nod or a sign; so I equipped myself and came into the coffee-room.
"I knew," he said, "that you would not let me go back without you. Eat every bit of this slice of ham, and let us drink a stirrup cup, for the horses are getting impatient. I have had your portmanteau put in."
"My portmanteau! what is that for?"
"Yes, it will be all right; you will have to stay a few days at Nideck, that is indispensable, and I will tell you why presently."
So we went down into the courtyard.
At that moment two horsemen arrived, evidently tired out with riding, their horses in a perfect lather of foam. Sperver, who had always been a great admirer of a fine horse, expressed his surprise and admiration at these splendid animals.
"What beauties! They are of the Wallachian breed, I can see, as finely formed as deer, and as swift. Nicholas, throw a cloth over them quickly, or they will take cold."
The travellers, muffled in Siberian furs, passed close by us just as we were going to mount. I could only discern the long brown moustache of one, and his singularly bright and sparkling eyes.
They entered the hotel.
The groom was holding our horses by the bridle. He wished us _bon voyage_, removed his hand, and we were off.
Sperver rode a pure Mecklemburg. I was mounted on a stout cob bred in the Ardennes, full of fire; we flew over the snowy ground. In ten minutes we had left Fribourg behind us.
The sky was beginning to clear up. As far as the eye could reach we could distinguish neither road, path, nor track. Our only company were the ravens of the Black Forest spreading their hollow wings wide over the banks of snow, trying one place after another unsuccessfully for food, and croaking, "Misery! misery!"
Gideon, with his weather-beaten countenance, his fur cloak and cap, galloped on ahead, whistling airs from the _Freyschütz_; sometimes as he turned I could see the sparkling drops of moisture hanging from his long moustache.
"Well, Fritz, my boy, this is a fine winter's morning."
"So it is, but it is rather severe; don't you think so?"
"I am fond of a clear hard frost," he replied; "it promotes circulation. If our old minister Tobias had but the courage to start out in weather like this he would soon put an end to his rheumatic pains."
I smiled, I am afraid, involuntarily.
After an hour of this rapid pace Sperver slackened his speed and let me come abreast of him.
"Fritz, I shall have to tell you the object of this journey at some time, I suppose?"
"I was beginning to think I ought to know what I am going about."
"A good many doctors have already been consulted."
"Yes, some came from Berlin in great wigs who only asked to see the patient's tongue. Others from Switzerland examined him another way. The doctors from Paris stared at their patient through magnifying glasses to learn something from his physiognomy. But all their learning was wasted, and they got large fees in reward of their ignorance."
"Is that the way you speak of us medical gentlemen?"
"I am not alluding to you at all. I have too much respect for you, and if I should happen to break my leg I don't know that there is another that I should prefer to yourself to treat me as a patient, but you have not discovered an optical instrument yet to tell what is going on inside of us."
"How do you know that?"
At this reply the worthy fellow looked at me doubtfully as if he thought me a quack like the rest, yet he replied--
"Well, Fritz, if you have indeed such a glass it will be wanted now, for the count's complaint is internal; it is a terrible kind of illness, something like madness. You know that madness shows itself in either nine hours, nine days, or nine weeks?"
"So it is said; but not having noticed this myself, I cannot say that it is so."
"Still you know there are agues which return at periods of either three, six, or nine years. There are singular works in this machinery of ours. Whenever this human clockwork is wound up in some particular way, fever, or indigestion, or toothache returns at the very hour and day."
"Why, Gideon, I am quite aware of that; those periodical complaints are the greatest trouble we have."
"I am sorry to hear it, for the count's complaint is periodical; it comes back every year, on the same day, at the same hour; his mouth runs over with foam, his eyes stand out white and staring, like great billiard-balls; he shakes from head to foot, and he gnashes with his teeth."
"Perhaps this man has had serious troubles to go through?"
"No, he has not. If his daughter would but consent to be married he would be the happiest man alive. He is rich and powerful and full of honours. He possesses everything that the rest of the world is coveting. Unfortunately his daughter persists in refusing every offer of marriage. She consecrates her life to God, and it harasses him to think that the ancient house of Nideck will become extinct."
"How did his illness come on?" I asked.
"Suddenly, ten years ago," was the reply.
All at once the honest fellow seemed to be recollecting himself. He took from his pocket a short pipe, filled it, and having lighted it--
"One evening," said he, "I was sitting alone with the count in the armoury of the castle. It was about Christmas time. We had been hunting wild boars the whole day in the valleys of the Rhéthal, and had returned at night bringing home with us two of our boar-hounds ripped open from head to tail. It was just as cold as it is to-night, with snow and frost. The count was pacing up and down the room with his chin upon his breast and his hands crossed behind him, like a man in profound thought. From time to time he stopped to watch the gathering snow on the high windows, and I was warming myself in the chimney corner, bewailing my dead hounds, and bestowing maledictions on all the wild boars that infest the Schwartzwald. Everybody at Nideck had been asleep a couple of hours, and not a sound could be heard but the tread and the clank of the count's heavy spurred boots upon the flags. I remember well that a crow, no doubt driven by a gust of wind, came flapping its wings against the window-panes, uttering a discordant shriek, and how the sheets of snow fell from the windows, and the windows suddenly changed from white to black--"
"But what has all this to do with your master's illness?" I interrupted.
"Let me go on--you will soon see. At that cry the count suddenly gathered himself together with a shuddering movement, his eyes became fixed with a glassy stare, his cheeks were bloodless, and he bent his head forward just like a hunter catching the sound of his approaching game. I went on warming myself, and I thought, 'Won't he soon go to bed now?' for, to tell you the truth, I was overcome with fatigue. All these details, Fritz, are still present in my memory. Scarcely had the bird of ill omen croaked its unearthly cry when the old clock struck eleven. At that moment the count turns on his heel--he listens, his lips tremble, I can see him staggering like a drunken man. He stretches out his hands, his jaws are tightly clenched, his eyes staring and white. I cried, 'My lord, what is the matter?' but he began to laugh discordantly like a madman, stumbled, and fell upon the stone floor, face downwards. I called for help; servants came round. Sébalt took the count by the shoulders; we removed him to a bed near the window; but just as I was loosening the count's neckerchief--for I was afraid it was apoplexy--the countess came and flung herself upon the body of her father, uttering such heartrending cries that the very remembrance of them makes me shudder."
Here Gideon took his pipe from his lips, knocked the ashes out upon the pommel of his saddle, and pursued his tale in a saddened voice.
"From that day, Fritz, none but evil days have come upon Nideck, and better times seem to be far off. Every year at the same day and hour the count has shuddering fits. The malady lasts from a week to a fortnight, during which he howls and yells so frightfully that it makes a man's blood run cold to hear him. Then he slowly recovers his usual health. He is still pale and weak, and moves trembling from one chair to another, starting at the least noise or movement, and fearful of his own shadow. The young countess, the sweetest creature in the world, never leaves his side; but he cannot endure her while the fit is upon him. He roars at her, 'Go, leave me this moment! I have enough to endure without seeing you hanging about me!' It is a horrible sight. I am always close at his heels in the chase, I who sound the horn when he has killed the forest beasts; I am at the head of all his retainers, and I would give my life for his sake; yet when he is at his worst I can hardly keep off my hands from his throat, I am so horrified at the way in which he treats his beautiful daughter."
Sperver looked dangerously wroth for a moment, clapped both his spurs to his mount, and we rode on at a hard gallop.
I had fallen into a reverie. The cure of a complaint of this description appeared to me more than doubtful, even impossible. It was evidently a mental disorder. To fight against it with any hope of success it would be needful to trace it back to its origin, and this would, no doubt, be too remote for successful investigation.
All these reflections perplexed me greatly. The old huntsman's story, far from strengthening my hopes, only depressed me--not a very favourable condition to insure success. At about three we came in sight of the ancient castle of Nideck on the verge of the horizon. In spite of the great distance we could distinguish the projecting turrets, apparently suspended from the angles of the edifice. It was but a dim outline barely distinguishable from the blue sky, but soon the red points of the Vosges became visible.
At that moment Sperver drew in his bridle and said--
"Fritz, we shall have to get there before night--onward!"
But it was in vain that he spurred and lashed. The horse stood rooted to the ground, his ears thrown back, his nostrils dilated, his sides panting, his legs firmly planted in an attitude of resistance.
"What is the matter with the beast?" cried Gideon in astonishment. "Do you see anything, Fritz? Surely--"
He broke off abruptly, pointing with his whip at a dark form in the snow fifty yards off, on the slope of the hill.
"The Black Plague!" he exclaimed with a voice of distress which almost robbed me of my self-possession.
Following the indication of his outstretched whip I discerned with astonishment an aged woman crouching on the snowy ground, with her arms clasped about her knees, and so tattered that her red elbows came through her tattered sleeves. A few ragged locks of grey hung about her long, scraggy, red, and vulture-like neck.
Strange to say, a bundle of some kind lay upon her knees, and her haggard eyes were directed upon distant objects in the white landscape.
Spencer drew off to the left, giving the hideous object as wide a berth as he could, and I had some difficulty in following him.
"Now," I cried, "what is all this for? Are you joking?"
"Joking?--assuredly not! I never joke about such serious matters. I am not given to superstition, but I confess that I am alarmed at this meeting!"
The translator's preliminary note immediately establishes a distinctive frame: it argues that Erckmann-Chatrian's fiction, despite supernatural elements, adheres to 'perfect truthfulness in all essential points.' This claim is supported by references to historical accounts of lycanthropy, from Dr. Mead to Virgil, positioning the tale within a tradition of mental disorder rather than mere superstition. The note itself becomes part of the reading experience, a scholarly preface that colors how the subsequent narrative is received.
Voice and the Translator's Intervention
The translator's voice intrudes with unusual authority. The preliminary note is not a brief apology but a mini-essay citing Aetius, Paul of Aegina, and Dr. Pusey. This scholarly apparatus creates a tension: the reader is told the story is 'not entirely founded upon superstition,' yet the tale itself will likely embrace the supernatural. The note's language—'startling supernatural element,' 'horrible disease'—prepares us for a narrative that oscillates between rational explanation and folkloric dread. The translator's presence is felt throughout, shaping expectations before a single fictional sentence is read.
Pacing and the Hunt Sequence
The excerpt from 'The Man-Wolf' demonstrates a deliberate shift in narrative pace. Early in the hunt, the prose is brisk and dialogue-driven: Sperver's impatient commands ('Don't speak—it bothers me!') and the detailed tracking of the she-wolf's feints create a rhythm of action. The description of the wolf's habits—'three paces to the right; then she retraces her steps four, five, or six'—is precise, almost technical. But as the hunters ascend into the mountains, the pace slows dramatically. The landscape is rendered in long, static sentences: 'Vast grey rocks, sparkling with long icicles, raised here and there their sharp peaks like breakers amidst a snowy sea.' The narrative pauses for philosophical reflection on 'man's nothingness in the vastness of creation,' a stark contrast to the earlier urgency.
Silence and Sensory Detail
The excerpt repeatedly emphasizes silence as a physical presence. The narrator notes that 'the silence is so profound that you hear a dead leaf rustling on the snow, or the needle of the fir dropping to the ground.' This auditory precision—the leaf, the needle—grounds the supernatural in acute sensory observation. Later, the silence becomes oppressive: 'Such a silence is oppressive as the tomb.' The characters feel a 'necessity to be saying something if only to show that we were keeping up our spirits,' revealing how the environment affects their psychology. The absence of wood-cutters or charcoal-burners deepens the isolation, making the forest feel both real and otherworldly.
Readers may find it useful to attend to the shifts in rhythm between the preliminary note and the tale itself. The translator's clinical references to lycanthropy give way to a narrative that immerses us in the physical sensations of cold, silence, and exhaustion. The hunt is as much an interior journey as an external one, and the pacing—from clipped dialogue to expansive landscape description—mirrors the characters' changing states of mind.
That rainy afternoon, Erckmann-Chatrian’s translator lingered on the geographer’s slow map-drawing, until snow wiped everything clean—I felt that sudden quiet again, later, in the retold tale of Arthur’s knights, where the round table’s clamor fades to a lone hoofbeat. The same stillness, waiting. King Arthur's Knights The Tales Re-told for Boys & Girls — A Reader’s Guide caught me off guard, like frost on a window.
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