The Eyes Have It — Reading Companion

(3 User reviews)   962
In Category - Fantasy Classics
Garrett, Randall, 1927-1987, Schoenherr, John, 1935-2010 [Illustrator] Project Gutenberg 2010
Fantasy fiction; Detective and mystery stories; Magic -- Fiction; Darcy, Lord (Fictitious character) -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 18,795
Reading time 82 min
Text sections 3

The source record for The Eyes Have It — Reading Companion measures this digital text at 18,795 words, 1 hr 22 min estimated reading time, and 3 detected text sections.

The text analysis averages about 13.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Fantasy fiction,” connecting these edition facts with the source record’s subject description.

In an alternate history where magic works and the Angevin Empire rules, Lord Darcy—a detective and sorcerer's patron—investigates a locked-room murder using forensic magic and logical deduction. The catalog subjects list 'Magic -- Fiction' and 'Darcy, Lord (Fictitious character) -- Fiction,' but the excerpts reveal a world where sorcery is regulated, guns have engraved barrels, and a Scottish laird is a suspect. The story blends fantasy and mystery, with a focus on evidence and procedure.
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Editorial Edition Score 4.5/5

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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Read the Text

There was still no answer.

Then, bracing himself for the verbal onslaught that would follow if he had erred, Sir Pierre turned the handle and opened the door just as if he had heard the Count's voice telling him to come in.

"Good morning, my lord," he said, as he always had for seventeen years.

But the room was empty, and there was no answer.

He looked around the huge room. The morning sunlight streamed in through the high mullioned windows and spread a diamond-checkered pattern across the tapestry on the far wall, lighting up the brilliant hunting scene in a blaze of color.

Nothing. Not a sound.

The bedroom door was open. Sir Pierre walked across to it and looked in.

He saw immediately why my lord the Count had not answered, and that, indeed, he would never answer again.

My lord the Count lay flat on his back, his arms spread wide, his eyes staring at the ceiling. He was still clad in his gold and scarlet evening clothes. But the great stain on the front of his coat was not the same shade of scarlet as the rest of the cloth, and the stain had a bullet hole in its center.

Sir Pierre looked at him without moving for a long moment. Then he stepped over, knelt, and touched one of the Count's hands with the back of his own. It was quite cool. He had been dead for hours.

"I knew someone would do you in sooner or later, my lord," said Sir Pierre, almost regretfully.

Then he rose from his kneeling position and walked out without another look at his dead lord. He locked the door of the suite, pocketed the key, and went back downstairs in the elevator.

Mary, Lady Duncan stared out of the window at the morning sunlight and wondered what to do. The Angelus bell had awakened her from a fitful sleep in her chair, and she knew that, as a guest at Castle D'Evreux, she would be expected to appear at Mass again this morning. But how could she? How could she face the Sacramental Lord on the altar--to say nothing of taking the Blessed Sacrament itself.

Still, it would look all the more conspicuous if she did not show up this morning after having made it a point to attend every morning with Lady Alice during the first four days of this visit.

She turned and glanced at the locked and barred door of the bedroom. _He_ would not be expected to come. Laird Duncan used his wheelchair as an excuse, but since he had taken up black magic as a hobby he had, she suspected, been actually afraid to go anywhere near a church.

If only she hadn't lied to him! But how could she have told the truth? That would have been worse--infinitely worse. And now, because of that lie, he was locked in his bedroom doing only God and the Devil knew what.

If only he would come out. If he would only stop whatever it was he had been doing for all these long hours--or at least finish it! Then they could leave Evreux, make some excuse--any excuse--to get away. One of them could feign sickness. Anything, anything to get them out of France, across the Channel, and back to Scotland, where they would be safe!

She looked back out of the window, across the courtyard, at the towering stone walls of the Great Keep and at the high window that opened into the suite of Edouard, Count D'Evreux.

Last night she had hated him, but no longer. Now there was only room in her heart for fear.

She buried her face in her hands and cursed herself for a fool. There were no tears left for weeping--not after the long night.

Behind her, she heard the sudden noise of the door being unlocked, and she turned.

Laird Duncan of Duncan opened the door and wheeled himself out. He was followed by a malodorous gust of vapor from the room he had just left. Lady Duncan stared at him.

He looked older than he had last night, more haggard and worn, and there was something in his eyes she did not like. For a moment he said nothing. Then he wet his lips with the tip of his tongue. When he spoke, his voice sounded dazed.

"There is nothing to fear any more," he said. "Nothing to fear at all."

The Reverend Father James Valois Bright, Vicar of the Chapel of Saint-Esprit, had as his flock the several hundred inhabitants of the Castle D'Evreux. As such, he was the ranking priest--socially, not hierarchically--in the country. Not counting the Bishop and the Chapter at the Cathedral, of course. But such knowledge did little good for the Father's peace of mind. The turnout of the flock was abominably small for its size--especially for week-day Masses. The Sunday Masses were well attended, of course; Count D'Evreux was there punctually at nine every Sunday, and he had a habit of counting the house. But he never showed up on weekdays, and his laxity had allowed a certain further laxity to filter down through the ranks.

The great consolation was Lady Alice D'Evreux. She was a plain, simple girl, nearly twenty years younger than her brother, the Count, and quite his opposite in every way. She was quiet where he was thundering, self-effacing where he was flamboyant, temperate where he was drunken, and chaste where he was--

Father Bright brought his thoughts to a full halt for a moment. He had, he reminded himself, no right to make judgments of that sort. He was not, after all, the Count's confessor; the Bishop was.

Besides, he should have his mind on his prayers just now.

He paused and was rather surprised to notice that he had already put on his alb, amice, and girdle, and he was aware that his lips had formed the words of the prayer as he had donned each of them.

_Habit_, he thought, _can be destructive to the contemplative faculty_.

He glanced around the sacristy. His server, the young son of the Count of Saint Brieuc, sent here to complete his education as a gentleman who would some day be the King's Governor of one of the most important counties in Brittany, was pulling his surplice down over his head. The clock said 7:11.

Father Bright forced his mind Heavenward and repeated silently the vesting prayers that his lips had formed meaninglessly, this time putting his full intentions behind them. Then he added a short mental prayer asking God to forgive him for allowing his thoughts to stray in such a manner.

He opened his eyes and reached for his chasuble just as the sacristy door opened and Sir Pierre, the Count's Privy Secretary, stepped in.

"I must speak to you, Father," he said in a low voice. And, glancing at the young De Saint-Brieuc, he added: "Alone."

Normally, Father Bright would have reprimanded anyone who presumed to break into the sacristy as he was vesting for Mass, but he knew that Sir Pierre would never interrupt without good reason. He nodded and went outside in the corridor that led to the altar.

"What is it, Pierre?" he asked.

"My lord the Count is dead. Murdered."

After the first momentary shock, Father Bright realized that the news was not, after all, totally unexpected. Somewhere in the back of his mind, it seemed he had always known that the Count would die by violence long before debauchery ruined his health.

"Tell me about it," he said quietly.

Sir Pierre reported exactly what he had done and what he had seen.

"Then I locked the door and came straight here," he told the priest.

"Who else has the key to the Count's suite?" Father Bright asked.

"No one but my lord himself," Sir Pierre answered, "at least as far as I know."

"Still in the ring at his belt. I noticed that particularly."

"Very good. We'll leave it locked. You're certain the body was cold?"

"Cold and waxy, Father."

"Then he's been dead many hours."

"Lady Alice will have to be told," Sir Pierre said.

Father Bright nodded. "Yes. The Countess D'Evreux must be informed of her succession to the County Seat." He could tell by the sudden momentary blank look that came over Sir Pierre's face that the Privy Secretary had not yet realized fully the implications of the Count's death. "I'll tell her, Pierre. She should be in her pew by now. Just step into the church and tell her quietly that I want to speak to her. Don't tell her anything else."

"I understand, Father," said Sir Pierre.

There were only twenty-five or thirty people in the pews--most of them women--but Alice, Countess D'Evreux was not one of them. Sir Pierre walked quietly and unobtrusively down the side aisle and out into the narthex. She was standing there, just inside the main door, adjusting the black lace mantilla about her head, as though she had just come in from outside. Suddenly, Sir Pierre was very glad he would not have to be the one to break the news.

She looked rather sad, as always, her plain face unsmiling. The jutting nose and square chin which had given her brother the Count a look of aggressive handsomeness only made her look very solemn and rather sexless, although she had a magnificent figure.

"My lady," Sir Pierre said, stepping towards her, "the Reverent Father would like to speak to you before Mass. He's waiting at the sacristy door."

She held her rosary clutched tightly to her breast and gasped. Then she said, "Oh. Sir Pierre. I'm sorry; you quite surprised me. I didn't see you."

"My apologies, my lady."

"It's all right. My thoughts were elsewhere. Will you take me to the good Father?"

Father Bright heard their footsteps coming down the corridor before he saw them. He was a little fidgety because Mass was already a minute overdue. It should have started promptly at 7:15.

The new Countess D'Evreux took the news calmly, as he had known she would. After a pause, she crossed herself and said: "May his soul rest in peace. I will leave everything in your hands, Father, Sir Pierre. What are we to do?"

"Pierre must get on the teleson to Rouen immediately and report the matter to His Highness. I will announce your brother's death and ask for prayers for his soul--but I think I need say nothing about the manner of his death. There is no need to arouse any more speculation and fuss than necessary."

"Very well," said the Countess. "Come, Sir Pierre; I will speak to the Duke, my cousin, myself."

Father Bright returned to the sacristy, opened the missal, and changed the placement of the ribbons. Today was an ordinary Feria; a Votive Mass would not be forbidden by the rubics. The clock said 7:17. He turned to young De Saint-Brieuc, who was waiting respectfully. "Quickly, my son--go and get the unbleached beeswax candles and put them on the altar. Be sure you light them before you put out the white ones. Hurry, now; I will be ready by the time you come back. Oh yes--and change the altar frontal. Put on the black."

"Yes, Father." And the lad was gone.

Father Bright folded the green chasuble and returned it to the drawer, then took out the black one. He would say a Requiem for the Souls of All the Faithful Departed--and hope that the Count was among them.

His Royal Highness, the Duke of Normandy, looked over the official letter his secretary had just typed for him. It was addressed to _Serenissimus Dominus Nostrus Iohannes Quartus, Dei Gratia, Angliae, Franciae, Scotiae, Hiberniae, et Novae Angliae, Rex, Imperator, Fidei Defensor_, ... "Our Most Serene Lord, John IV, by the Grace of God King and Emperor of England, France, Scotland, Ireland, and New England, Defender of the Faith, ..."

It was a routine matter; simple notification to his brother, the King, that His Majesty's most faithful servant, Edouard, Count of Evreux had departed this life, and asking His Majesty's confirmation of the Count's heir-at-law, Alice, Countess of Evreux as his lawful successor.

His Highness finished reading, nodded, and scrawled his signature at the bottom: _Richard Dux Normaniae_.

Then, on a separate piece of paper, he wrote: "Dear John, May I suggest you hold up on this for a while? Edouard was a lecher and a slob, and I have no doubt he got everything he deserved, but we have no notion who killed him. For any evidence I have to the contrary, it might have been Alice who pulled the trigger. I will send you full particulars as soon as I have them. With much love, Your brother and servant, Richard."

He put both papers into a prepared envelope and sealed it. He wished he could have called the king on the teleson, but no one had yet figured out how to get the wires across the channel.

He looked absently at the sealed envelope, his handsome blond features thoughtful. The House of Plantagenet had endured for eight centuries, and the blood of Henry of Anjou ran thin in its veins, but the Norman strain was as strong as ever, having been replenished over the centuries by fresh infusions from Norwegian and Danish princesses. Richard's mother, Queen Helga, wife to His late Majesty, Henry X, spoke very few words of Anglo-French, and those with a heavy Norse accent.

Nevertheless, there was nothing Scandinavian in the language, manner, or bearing of Richard, Duke of Normandy. Not only was he a member of the oldest and most powerful ruling family of Europe, but he bore a Christian name that was distinguished even in that family. Seven Kings of the Empire had borne the name, and most of them had been good Kings--if not always "good" men in the nicey-nicey sense of the word. Even old Richard I, who'd been pretty wild during the first forty-odd years of his life, had settled down to do a magnificent job of kinging for the next twenty years. The long and painful recovery from the wound he'd received at the Siege of Chaluz had made a change in him for the better.

There was a chance that Duke Richard might be called upon to uphold the honor of that name as King. By law, Parliament must elect a Plantagenet as King in the event of the death of the present Sovereign, and while the election of one of the King's two sons, the Prince of Wales and the Duke of Lancaster, was more likely than the election of Richard, he was certainly not eliminated from the succession.

Meantime, he would uphold the honor of his name as Duke of Normandy.

Murder had been done; therefore justice must be done. The Count D'Evreux had been known for his stern but fair justice almost as well as he had been known for his profligacy. And, just as his pleasures had been without temperance, so his justice had been untempered by mercy. Whoever had killed him would find both justice and mercy--in so far as Richard had it within his power to give it.

Although he did not formulate it in so many words, even mentally, Richard was of the opinion that some debauched woman or cuckolded man had fired the fatal shot. Thus he found himself inclining toward mercy before he knew anything substantial about the case at all.

Richard dropped the letter he was holding into the special mail pouch that would be placed aboard the evening trans-Channel packet, and then turned in his chair to look at the lean, middle-aged man working at a desk across the room.

"My lord Marquis," he said thoughtfully.

"Yes, Your Highness?" said the Marquis of Rouen, looking up.

"How true are the stories one has heard about the late Count?"

"True, Your Highness?" the Marquis said thoughtfully. "I would hesitate to make any estimate of percentages. Once a man gets a reputation like that, the number of his reputed sins quickly surpasses the number of actual ones. Doubtless many of the stories one hears are of whole cloth; others may have only a slight basis in fact. On the other hand, it is highly likely that there are many of which we have never heard. It is absolutely certain, however, that he has acknowledged seven illegitimate sons, and I dare say he has ignored a few daughters--and these, mind you, with unmarried women. His adulteries would be rather more difficult to establish, but I think your Highness can take it for granted that such escapades were far from uncommon."

He cleared his throat and then added, "If Your Highness is looking for motive, I fear there is a superabundance of persons with motive."

"I see," the Duke said. "Well, we will wait and see what sort of information Lord Darcy comes up with." He looked up at the clock. "They should be there by now."

Then, as if brushing further thoughts on the subject from his mind, he went back to work, picking up a new sheaf of state papers from his desk.

The Marquis watched him for a moment and smiled a little to himself. The young Duke took his work seriously, but was well-balanced about it. A little inclined to be romantic--but aren't we all at nineteen? There was no doubt of his ability, nor of his nobility. The Royal Blood of England always came through.

"My lady," said Sir Pierre gently, "the Duke's Investigators have arrived."

My Lady Alice, Countess D'Evreux, was seated in a gold-brocade upholstered chair in the small receiving room off the Great Hall. Standing near her, looking very grave, was Father Bright. Against the blaze of color on the walls of the room, the two of them stood out like ink blots. Father Bright wore his normal clerical black, unrelieved except for the pure white lace at collar and cuffs. The Countess wore unadorned black velvet, a dress which she had had to have altered hurriedly by her dressmaker; she had always hated black and owned only the mourning she had worn when her mother died eight years before. The somber looks on their faces seemed to make the black blacker.

"Show them in, Sir Pierre," the Countess said calmly.

Sir Pierre opened the door wider, and three men entered. One was dressed as one gently born; the other two wore the livery of the Duke of Normandy.

The gentleman bowed. "I am Lord Darcy, Chief Criminal Investigator for His Highness, the Duke, and your servant, my lady." He was a tall, brown-haired man in his thirties with a rather handsome, lean face. He spoke Anglo-French with a definite English accent.

"My pleasure, Lord Darcy," said the Countess. "This is our vicar, Father Bright."

"Your servant, Reverend Sir." Then he presented the two men with him. The first was a scholarly-looking, graying man wearing pince-nez glasses with gold rims, Dr. Pateley, Physician. The second, a tubby, red-faced, smiling man, was Master Sean O Lochlainn, Sorcerer.

As soon as Master Sean was presented he removed a small, leather-bound folder from his belt pouch and proffered it to the priest. "My license, Reverend Father."

Father Bright took it and glanced over it. It was the usual thing, signed and sealed by the Archbishop of Rouen. The law was rather strict on that point; no sorcerer could practice without the permission of the Church, and a license was given only after careful examination for orthodoxy of practice.

"It seems to be quite in order, Master Sean," said the priest, handing the folder back. The tubby little sorcerer bowed his thanks and returned the folder to his belt pouch.

Lord Darcy had a notebook in his hand. "Now, unpleasant as it may be, we shall have to check on a few facts." He consulted his notes, then looked up at Sir Pierre. "You, I believe, discovered the body?"

"That is correct, your lordship."

"How long ago was this?"

Sir Pierre glanced at his wrist watch. It was 9:55. "Not quite three hours ago, your lordship."

"At what time, precisely?"

"I rapped on the door precisely at seven, and went in a minute or two later--say 7:01 or 7:02."

"How do you know the time so exactly?"

"My lord the Count," said Sir Pierre with some stiffness, "insisted upon exact punctuality. I have formed the habit of referring to my watch regularly."

"I see. Very good. Now, what did you do then?"

Sir Pierre described his actions briefly.

"The door to his suite was not locked, then?" Lord Darcy asked.

"You did not expect it to be locked?"

"No, sir. It has not been for seventeen years."

Lord Darcy raised one eyebrow in a polite query. "Never?"

"Not at seven o'clock, your lordship. My lord the Count always rose promptly at six and unlocked the door before seven."

Randall Garrett's The Eyes Have It opens not with a murder but with a secretary checking his wristwatch against the Angelus bell—a detail that immediately establishes the story's alternate-history setting. Sir Pierre Morlaix, secretary to the Count D'Evreux, notes that the Count has awakened at the Angelus for seventeen years, and once a sacristan nearly went to the dungeons for failing to ring it. The world is medieval in texture—castles, nitre on stone walls, carved oak doors—but an elevator carries Sir Pierre upward, and the Count owns a wristwatch. This blend of anachronism and magic is the story's signature: a history where 'Magic, rather than physical science, was developed.'

Magic as Regulated Craft

The catalog subject 'Magic -- Fiction' might suggest wands and incantations, but the excerpts show sorcery treated as a licensed, technical profession. Master Sean, the sorcerer, carries a staff of quicken tree wood and speaks of 'pin-tumblers in the cylinder' as if lock-picking were a magical discipline. He warns Lord Darcy about a 'spell on the thing' and tests a trunk with a doorstop before touching it. The phrase 'practices sorcery without a license' implies legal oversight. Magic here is not mysterious—it is a skill with rules, risks, and regulations, much like forensic science in our world.

Lord Darcy's Method: Observation Over Incantation

Despite the fantasy setting, Lord Darcy solves problems through close observation and logical inference. Examining a gun, he identifies the maker of the barrel (Ferrari of Milan) and the lock (Hamish Graw of Edinburgh) by the engraved heather and thistles, and deduces the barrel is a replacement. He connects the weapon to Laird Duncan, a former minister to Milan. No spell reveals this—only knowledge of gunsmithing and geography. The story's detective work is grounded in material evidence, not supernatural revelation, making it a mystery first and a fantasy second.

Setting as Character: The Angevin Empire

The worldbuilding is woven into small details. Sir Pierre wears lace at his cuff and carries keys on a belt; the Count drinks Champagne brandy as an eye-opener; the castle has an elevator and a sacristan who rings the Angelus. The political structure is hinted at: 'Chevalier of the Angevin Empire,' 'His Majesty's Minister Plenipotentiary to the Free Grand Duchy of Milan.' These references suggest a Europe where the Plantagenet line never fell, but the excerpts offer no explanation of how magic replaced science. The setting is evoked, not explained, leaving readers to piece together the alternate history from context.

Readers approaching The Eyes Have It should expect a detective story dressed in fantasy clothing. The catalog subjects emphasize magic and Lord Darcy, but the excerpts prioritize procedure, evidence, and logical deduction. Pay attention to the objects—the gun, the trunk, the lock—and the way characters interact with them. The world is revealed through action, not exposition, so every anachronism (elevators, wristwatches) is a clue to how this history-line slipped 'slightly sidewise.'

That rainy afternoon, Lord Darcy’s forensic magic felt less like fantasy and more like a patient, deliberate kind of logic—the sort that lingers. Later, idly shelving, I stumbled into Kai Lung's Golden Hours — Context and Discussion, and found the same unhurried wit, only softer, trickling like water over stones. One mystery, one fable—both content to unfold at their own pace.

Wyatt Jackson
4 weeks ago

Scarlett Hernandez
1 month ago

Ella Campbell
1 month ago

4.5
4.5 out of 5 (3 User reviews )

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  • ...
    Courtney Foster - 3 weeks ago
    {'rating': 5, 'text': "A gripping psychological thriller with a clever twist near the end. The story's structure is unusual, told entirely through diary entries and letters, but it keeps you guessing. The characters are well-drawn, and the atmosphere of paranoia and suspense is palpable. I couldn't put it down until I reached the shocking conclusion. Highly recommended!"}

  • ...
    Charles Long - 2 weeks ago
    {'rating': 3, 'text': 'Plenty of suspense and a clever premise, though it might be confusing for some readers. The author keeps you in the dark until the final reveal, which is a strength, but the lack of context in the beginning makes it a bit slow. Still, if you like psychological mind-benders, this is a decent read.'}

  • ...
    Brittney Parrish - 1 week ago
    {'rating': 2, 'text': "This title is a hit-or-miss; it doesn't deliver the tension promised by its blurb. The diary format can be tedious, and the characters are not particularly likable. The twist, while unexpected, was not enough to salvage the experience. I found myself more annoyed than intrigued by the end. A more conventional narrative might have been better."}


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