Indian Legends of Minnesota — Inside the Classic

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In Category - Folklore
Severance, Cordenio A., Mrs., 1863?-1925 [Editor] Project Gutenberg 2008
Indians of North America -- Folklore; Indians of North America -- Poetry Readers of public-domain and historical texts
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Words 35,736
Reading time 156 min
Text sections 7

For Indian Legends of Minnesota — Inside the Classic, the stored edition analysis reports 35,736 words, 2 hr 36 min estimated reading time, and 7 detected text sections.

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This 1893 collection compiles narrative poems and legends tied to Minnesota's landscapes, drawing on Dakota and Ojibwe oral traditions. The editor's preface frames the work as an effort to preserve regional romance before commercial development erases it. Excerpts reveal a mix of Longfellow adaptations, original verse by local poets, and a long poem 'The Lone War-Path' blending Sioux and Blackfoot lore.
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She thought not of the trade, but went To her young lord with true content, And while she dreamed of joy to come Her heart was full, her lips were dumb; And day by day her task was wrought, Each hour with self-denial fraught; His wants were met, his lodge was trim, Her patient thoughts were all for him. The powers divine did seem to bless The promise of his wild caress; And so the happy moons flew by, Till new refulgence filled her sky When there appeared a baby boy, Whose laugh o'erflowed her cup of joy; For this must prove, she could but feel, A bond between them strong as steel.

Alas, thou too confiding wife, What clouds were gathering o'er thy life! For vanity alone will stay With human nature to the last; Each happy day will slip away Into the valleys of the past, Returning but a ghostly thing When the spirit drinks at Memory's spring.

Why did he vow to cherish ever? Or why allow his heart to change? What maid was she who came to sever Thy love and thee? What magic strange Had she to work her strange endeavor? What mind shall solve the mystery Of loves that come and loves that flee? Why should Anpetusapa give Her heart's whole life, her richest treasure, To one whose boasted flame could live Through but a dozen moons' small measure; Whose passion was for selfish pleasure?

Yet so it was; another came Her heart to cloud, her place to claim. Her lodge became another's nest; The first wife, she was second now; 'Neath custom's yoke compelled to bow And see her rival fondly pressed. The death gloom settled on her brow, Day brought no sun, the night no rest. The beam of sadness lit her eye, And memories that could never die Until her body, void of breath, Became the precious spoil of Death. Morn after morn beheld her still Slow sinking, like a mountain rill Whose fountain-head, once bubbling bright, Hath dried away, and left the white And pulseless sand to mark where long Began the sparkle and the song.

One joy alone was left to bring The heart-swept thrill of other days, When to her baby she would sing Her lullaby of love and praise; And this, even this, renewed the thought Of joyous hopes that came to naught. Betrayed by faith, yet faithful to the last, She murmured not; but patiently she passed Each day in kindly service, given As if her heart were all unriven, Until at length heroic strength Could bear no more.

Upon the shore Of wild Messipi's plunging flood, Where they were camped so long before, They camped again; again their blood Marched to the music of its roar.

'Tis morning: every bird its matin sings And beats the air with throbbing wings, The air so sweet and quick; the glistening dew Hangs crystal beauty on all verdant things,-- Each trembling drop reflecting true The overspread, unclouded blue; While from the east the cohorts of the sun With dazzling spears begin to strew The morning vapors, damp and dun, Whose melting ranks are closed anew To vanish where the rapid waters run.

Anpetusapa hides her woe Until her husband and her foe Have left the lodge and gone from sight. Then with a tearless eye and bright, She gazes madly round the place Where every comfort bears the trace Of wifely labor wrought with pain, Of woman's love that lives in vain. Here moccasins lie with bead-work gay; Here on the wall the breezes sway The music-breathing flute, Whose lips are dry and mute, While she who once inspired its tone Now sits despairing and alone. The very curls of smoke that rise And mingle with the morning skies, Are tokens of the duties done Beneath the red eye of the rising sun. Awhile she sits in cruel thought, Till, with her anguish overwrought, She flies to him who sweetly bears The image of her faithless god, And on each infant feature wears The smiling hopes on which he trod. Convulsively she clasps her child, Whose love, alone left undefiled, Is not enough to nerve her soul Beneath its crushing weight of dole.

She listens to the roaring water, Whose voice she heard in music grand When she was but the old chief's daughter, When love such wondrous fortunes planned; And ruthless phantoms of the past Across her mind are flitting fast, Each with a keen, envenomed dart That poisons brain and tortures heart. With breath too quick to lift a sigh, With marble firmness on her brow, With glassy wildness in her eye, She seeks the river's margin now. She springs into a birch canoe, All beaded with the morning dew, And clasping close her mother's pride, Soon gains the middle of the tide.

O hark! thou selfish one who gave Embrace more treacherous than the wave: Does not her song which mounts the air Reproach thee with its grand despair? Why dost thou hurry to the river? Why dost thou call, why dost thou shiver, While she whom thou hast driven away Is bold amidst the chilly spray? What good is all thy vain remorse? Thinkst thou from jaws of death to force A sacrifice so lightly thrust Upon the altar of thy lust? A host like thee could nothing urge To meet one tone of her sad dirge:

_My heart cannot live without loving; My heart cannot give up its own; No more will I linger with sorrow, But follow the joys that have flown; With Death I will rest me to-morrow On a kind, dreamless bed of stone.

I fear not the rush of the water, For me all its terrors are vain; It cannot bring less than gladness, For it banishes all my pain; I will sink with my burden of sadness And mix with the earth again.

My baby, my darling, my blossom, Nor anguish nor falsehood shall know; Together we cleave the wild billow-- Unfaltering together we go To rest on the same rocky pillow, To slumber and mingle below._

Plunging on the sunlit stream, The frail canoe, with trembling leaps, Hurries toward the mists that gleam To veil the awful steeps. What need has she for any veil? Despairing eyes will never quail! See, now upon the glowing crest, Where clouds of spray beneath her lie, She clasps her boy upon her breast, She gazes on the cloudless sky, And in its blue depth seems to see Death, robed in peaceful purity; Then down into the boiling tomb That makes for her the happiest doom. How strange that peace should thus be found Amid such tumult-breathing sound! To leap from life and light, and find A darkness sweeter to the mind!

Long shall the mists of morning show The spirit of her who long ago Wrapped them round her wearily-- A victim of love and treachery. Long shall her mournful death-song find An echo in the moaning wind; Long shall Dahkota legend bind That echo with the roaring falls, The ancient, foam-crowned, giant falls, Whose voice so oft hath given The welcome of its watery halls, That lead the soul, when the Great Spirit calls, To the hunting-grounds of heaven. And though a child of the forest dark Weary of life would here embark, As to a portal hither comes,-- And yet who may not pass this way Into eternal joy and day,-- The water hides and soon benumbs The sorrow, and the cadence deep Becomes a lullaby to hush The spirit to its endless sleep Beneath the surging rush, Beneath the shrouding spray, Where the tireless waters sweep To their wild, unpausing leap-- Then fly to the South away! The flood is cold, but the heart is bold When the future that lives new sorrow gives; And within the chamber halls Of the grand and solemn falls May be found a sleep so sweet and deep That its darkness never palls, While ages pass with silent creep. Time hath no tooth to tear The heart whose pulse is dead, And sorrow may live in the air But not in the river-bed! I ween all peacefully there Is pillowed forever the head Of a woman whose heart was fair, Though her cheeks were dusky red.

Winona,[1] first-born daughter, was the name Of a Dakota girl who, long ago, Dwelt with her people here unknown to fame. Sweet word, Winona, how my heart and lips Cling to that name (my mother's was the same Ere her form faded into death's eclipse), Cling lovingly, and loth to let it go. All arts that unto savage life belong She knew, made moccasins, and dressed the game. From crippling fashions free, her well-knit frame At fifteen summers was mature and strong. She pitched the tipi,[2] dug the tipsin[3] roots, Gathered wild rice and store of savage fruits. Fearless and self-reliant, she could go Across the prairie on a starless night; She speared the fish while in his wildest flight, And almost like a warrior drew the bow. Yet she was not all hardness: the keen glance, Lighting the darkness of her eyes, perchance Betrayed no softness, but her voice, that rose O'er the weird circle of the midnight dance, Through all the gamut ran of human woes,

Passion, and joy. A woman's love she had For ornament; on gala days was clad In garments of the softest doeskin fine, With shells about her neck; moccasins neat Were drawn, like gloves, upon her little feet, Adorned with scarlet quills of porcupine. Innocent of the niceties refined That to the toilet her pale sisters bind, Yet much the same beneath the outer rind, She was, though all unskilled in bookish lore, A sound, sweet woman to the very core.

Winona's uncle, and step-father too, Was all the father that she ever knew; By the Absarakas[4] her own was slain Before her memory could his face retain. Two bitter years his widow mourned him dead, And then his elder brother she had wed. None loved Winona's uncle; he was stern And harsh in manner, cold and taciturn, And none might see, without a secret fear, Those thin lips ever curling to a sneer. And yet he was of note and influence Among the chieftains; true he rarely lent More than his presence in the council tent, And when he rose to speak disdained pretence Of arts rhetoric, but his few words went Straight and incisive to the question's core, And rarely was his counsel overborne. The Raven was the fitting name he bore; And though his winters well-nigh reached three-score, Few of his tribe excelled him in the chase. A warrior of renown, but never wore The dancing eagle plumes, and seemed to scorn The vanities and follies of his race.

I said the Raven was beloved by none; But no, among the elders there was one Who often sought him, and the two would walk Apart for hours, and converse alone. The gossips, marveling much what this might mean, Whispered that they at midnight had been seen Far from the village, wrapped in secret talk. They seemed in truth an ill-assorted brace, But Nature oft in Siamese bond unites, By some strange tie, the farthest opposites. Gray Cloud was oily, plausible, and vain, A conjurer with subtle scheming brain; Too corpulent and clumsy for the chase, His lodge was still provided with the best, And though sometimes but a half welcome guest, He took his dish and spoon to every feast.[5]

Priestcraft and leechcraft were combined in him, Two trades occult upon which knaves have thriven, Almost since man from Paradise was driven; Padding with pompous phrases worn and old Their scanty esoteric science dim, And gravely selling, at their weight in gold, Placebos colored to their patients' whim. Man's noblest mission here too oft is made, In heathen as in Christian lands, a trade. Holy the task to comfort and console The tortured body and the sin-sick soul, But pain and sorrow, even prayer and creed, Are turned too oft to instruments of greed. The conjurer claimed to bear a mission high: Mysterious omens of the earth and sky He knew to read; his medicine could find In time of need the buffalo, and bind In sleep the senses of the enemy. Perhaps not wholly a deliberate cheat, And yet dissimulation and deceit Oozed from his form obese at every pore. Skilled by long practice in the priestly art, To chill with superstitious fear the heart, And versed in all the legendary lore, He knew each herb and root that healing bore; But lest his flock might grow as wise as he, Disguised their use with solemn mummery. When all the village wrapped in slumber lay, His midnight incantations often fell, His chant now weirdly rose, now sank away, As o'er some dying child he cast his spell. And sometimes through his frame strange tremors ran-- Magnetic waves, swept from the unknown pole Linking the body to the wavering soul; And swifter came his breath, as if to fan The feeble life spark, and his finger tips Were to the brow of pain like angel lips. No wonder if in moments such as these He half believed in his own deities, And thought his sacred rattle could compel The swarming powers unseen to serve him well. The Raven lay one evening in his tent With his accustomed crony at his side; Around their heads a graceful aureole Of smoke curled upward from the scarlet bowl Of Gray Cloud's pipe with willow bark supplied. Winona's thrifty mother came and went, Her form with household cares and burdens bent, Fresh fuel adds, and stirs the boiling pot. Meanwhile the young Winona, half reclined, Plies her swift needle, that resource refined For woman's leisure, whatsoe'er her lot, The kingly palace or the savage cot.

The cronies smoked without a sign or word, Passing the pipe sedately to and fro; Only a distant wail of hopeless woe, A mother mourning for her child, was heard, And Gray Cloud moved, as though the sound had stirred Some dusty memory; still that bitter wail, Rachel's despairing cry without avail, That beats the brazen firmament in vain, Since the first mother wept o'er Abel slain. At length the conjurer's lips the silence broke, Softly at first as to himself he spoke, Till warmed by his own swarming fancies' brood He poured the strain almost in numbers rude.

THE COMBAT BETWEEN THE THUNDER-BIRDS AND THE WATER-DEMONS.

Gray Cloud shall not be as other men, Dull clods that move and breathe a day or two, Ere other clods shall bury them from view. Tempest and sky have been my home, and when I pass from earth I shall find welcome there. Sons of the Thunder-Bird my playmates were, Ages ago[6] (the tallest oak to-day In all the land was but a grass blade then). Reared with such brethren, breathing such an air, My spirit grew as tall and bold as they; We tossed the ball and flushed the noble prey O'er happy plains from human footsteps far; And when our high chief's voice to arm for war Rang out in tones that rent the morning sky, None of the band exulted more than I.

A god might gaze and tremble at the sight Of our array that turned the day to night; With bow and shield and flame-tipped arrows all, Rushing together at our leader's call, Like storm clouds sweeping round a mountain height. The lofty cliffs our warlike muster saw, Hard by the village of great Wabashaw,[7] Where through a lake the Mississippi flows; Far o'er the dwelling of our ancient foes, The hated Water-Demon[8] and his sons, Cold, dark and deep the sluggish current runs.

Up from their caverns swarming, when they heard The rolling signal of the Thunder-Bird, The Water-Demon and his sons arose, And answered back the challenge of their foes. With horns tumultuous clashing like a herd Of warring elks that struggle for the does, They lashed the wave to clouds of spray and foam, Through which their forms uncouth, like buffaloes Seen dimly through a morning mist, did loom, Or isles at twilight rising from the shore.

Though we were thirty, they at least fourscore, We rushed upon them, and a midnight pall Over the seething lake our pinions spread, 'Neath which our gleaming arrows thickly sped, As shooting stars that in the rice-moon fall. Rent by our beating wings the cloud-waves swung In eddies round us, and our leader's roar Smote peal on peal, and from their bases flung The rocks that towered along the trembling shore.

A Thunder-Bird--alas, my chosen friend, But even so a warrior's life should end,-- A Thunder-Bird was stricken; his bright beak, Cleaving the tumult like a lightning streak, Smote with a fiery hiss the watery plain; His upturned breast, where gleamed one fleck of red, His sable wings, one moment wide outspread, Blackened the whirlpool o'er his sinking head.

The Water-Demon's sons by scores were slain By our swift arrows falling like the rain; With yells of rage they sank beneath the wave That ran all redly now, but could not save. We asked not mercy, mercy never gave; Our flaming darts lit up the farthest cave, Fathoms below the reach of deepest line; Our cruel spears, taller than mountain pine, Mingled their life blood with the ruddy wave.

The combat ceased, the Thunder-Birds had won. The Water-Demon with one favorite son Fled from the carnage and escaped our wrath. The vapors, thinly curling from the shore, Faint musky odors to our nostrils bore. The air was stilled, the silence of the dead; The sun, just starting on his downward path, A rosy mantle o'er the prairie shed, Save where, like vultures, ominous and still, We clustered close, on sullen wings outspread; And sometimes, with a momentary chill, A giant shadow swept o'er plain and hill,-- A Thunder-Bird careering overhead, Seeking the track by which the foe had fled.

While thus we hovered motionless, the sun Adown the west his punctual course had run, When lo, two shining points far up the stream That split the prairie with a silver seam,-- The fleeing Water-Demon and his son; Like icicles they glittered in the beam Still struggling up from the horizon's rim. His sleeping anger kindled at the sight, Our leader's eyes glowed like a flaming brand. Thrilled by one impulse, all our sable band Dove through the gathering shadows of the night On wings outshaken for a headlong flight. Anger, revenge, but more than all the thirst, The glorious emulation to be first, Stung me like fire, and filled each quivering plume. With tenfold speed our sharp beaks cleft the gloom, A swarm of arrows singing to the mark, We hissed to pierce the foe ere yet 'twas dark.

Still up the stream the Water-Demons fled, Their bodies glowed like fox-fire far ahead; But every moment saw the distance close Between our thirsty spear-heads and our foes. Louder the blast our buzzing pinions made Than mighty forest in a whirlwind swayed; The giant cliffs of Redwing speeding back, Like specters melting from a cloudy wrack, Melted from view in our dissolving track. Kaposia's village, clustered on the shore, With sound of snapping poles and tipis riven, Vanished like swan's-down by a tempest driven. Stung by our flight, the keen air smote us sore As ragged hailstones; on, still on, we strained, And fast and faster on the chase we gained, But neck and neck the fierce pursuit remained, Till close ahead we saw the rocky walls O'er which the mighty river plunging falls,[9] And at their base the Water-Demons lay: The panting chase at last had turned to bay. Then thrilled my nerves with more than mortal strength; A breath of Deity was in the burst That bore me out a goodly lance's length To meet the Water-Demon's son accurst. His evil horn clanged hollow on my shield Just as my spear transfixed him through and through; A moment towering o'er the foam he reeled, Then sank beneath the roaring falls from view. A dying yell that haunts me yet he gave, And as he fell the crippled water coiled About him like a wounded snake, and boiled, Lashing itself to madness o'er his grave.

We knew not where the parent Demon fled; None of our spears might pierce his ancient mail, Welded with skill demoniac scale on scale. Some watery realm he wanders, and 'tis said That he is changed and bears a brighter form, And goodly sons again about him swarm; And peace, 'tis but a hollow truce I know, Now reigns between him and his ancient foe. He hates me still, and fain would do me harm, But neither man nor demon dares offend, Who hath the cruel Thunder-Bird for friend.

The volume opens with a preface that candidly admits the compiler's limited archaeological knowledge and the rushed timeline for completion. Rather than claiming scholarly authority, Mrs. Severance positions the book as a gathering of 'the more noticeable legends already in verse' to stimulate interest in Minnesota's scenery and romance. This editorial humility sets a distinctive tone: the collection is explicitly a preservationist act, not a definitive record.

The excerpts show a striking formal variety. 'The Lone War-Path' uses a loose, enjambed line with irregular capitalization and punctuation, while other poems employ regular meter and rhyme. The inclusion of Longfellow's 'Hiawatha' passages alongside local poets like Ida Sexton Searls and Adelaide George Bennett creates a layered texture of borrowed and original voices.

Formal Range and Narrative Voice

The excerpt from 'The Lone War-Path' displays a distinctive prosody: lines are broken into short, uneven segments, often with mid-sentence line breaks and minimal punctuation. This creates a breathless, incantatory rhythm that mimics oral storytelling. For example, the passage beginning 'Then Guteba, like Jacob's son' uses lineation to isolate phrases like 'Base custom that of vulgar herd,' giving them emphatic weight.

In contrast, the preface and notes use conventional prose, while the Longfellow extracts employ his characteristic trochaic tetrameter. The collection thus juxtaposes three distinct registers: the editor's plain expository voice, the smooth borrowed cadence of Longfellow, and the experimental, almost free-verse style of the original narrative poems. This formal diversity suggests the compiler valued variety over consistency, perhaps reflecting the disparate sources she gathered.

Recurring Imagery and Landscape

Across the excerpts, certain images recur with notable frequency: bridges of light, water that is both lifeless and treacherous, and the boundary between the living and the dead. In 'The Lone War-Path,' the spirit bridge 'Ke-wa-ku-na' is described as 'a bridge of golden gleams' that 'sinks and rolls,' while the bay beneath is 'darkly deep and treacherous' where water 'shamming, seems to sleep, / But only lies, like cunning fox.'

This dual nature of water—as both barrier and passage—echoes in the preface's mention of 'every lake, forest, and valley' clinging to romance. The physical landscape of Minnesota is not just a setting but an active participant in the legends, with specific place names like Lake Vermilion and Wey-do-dosh-she-ma-de-nog anchoring the supernatural events. The editor's note that 'the story-teller himself is confused as to the relation between event and locality' hints at the fluidity of these oral traditions.

Temporal Shifts and the Editor's Role

The preface establishes a clear temporal anxiety: the legends are fading, and the compiler works against time. This sense of urgency contrasts with the unhurried, repetitive structure of the poems themselves. In 'The Lone War-Path,' the narrative is framed as an annual retelling: 'The story is not new. It is / Told with every year, as I do tell / It now, when comes Medawe time.'

The editor's voice intrudes only in the preface and notes, leaving the poems to speak for themselves. Yet the selection itself is an editorial act: by choosing 'the more noticeable legends already in verse,' Severance privileges poetic over prose versions, and by including Longfellow, she links local lore to a national literary figure. The notes section (not excerpted) likely provides further contextualization, but the poems carry the primary narrative burden.

Readers approaching this collection should attend to the interplay between the editor's stated purpose and the poems' formal choices. The irregular lineation of 'The Lone War-Path' rewards reading aloud, while the Longfellow extracts offer familiar touchstones. The notes may clarify the relationship between specific legends and their geographic origins, but the poems themselves resist easy categorization—they are neither pure folklore nor polished literary works, but something in between, shaped by multiple hands and a hurried editorial process.

Holding this book, I remembered winter nights when my grandmother told stories that felt older than the roads around us. Indian Legends of Minnesota carries that same hush, that ache for places already changing. It reminded me of flipping through Curious Creatures in Zoology — A Reader’s Guide—not for facts, but for the strange, gentle wonder of believing in things half-seen, half-remembered.

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