Shoulder to shoulder — Reading Notes
Edition facts
For Shoulder to shoulder — Reading Notes, the stored edition analysis reports 87,714 words, 6 hr 22 min estimated reading time, and 9 detected text sections.
The text analysis averages about 17.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “War stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
II. MY HERO--BONNIE PRINCE CHARLIE
III. THE FIRST ACT IN A TRAGEDY--A WILD AND LAWLESS MAN--MUIRACHIE THE DWARF
IV. THE DUKE AT FONTENOY--CULLODEN MOOR--THE CAVE--A BRAVE HIGHLAND LASSIE--A RACE FOR LIFE--"TO HORSE! TO HORSE!"
V. ROYALS TO THE RESCUE--THAT FAITHFUL DWARF--HAND TO HAND WITH DIRK AND CLAYMORE--"THE RED-COATS ARE COMING!"
VI. A HIGHLAND SCHOOL A HUNDRED YEARS AGO
VII. HARD TIMES FOR A TEACHER.--THE TAWSE--LITTLE RACHEL--A DROLL ADVENTURE--MY GRANDFATHER STUCK FAST IN THE CHIMNEY
VIII. THE CONSPIRATORS--A DEED OF DARKNESS--A FEAST TO FOLLOW--STRANGE SCHOOL-CUSTOMS--A FIGHT IN THE FOREST--LAST DAYS AT SCHOOL
IX. LEAVING HOME--A HUMBLE TRADE--"I'LL NOT SERVE UNDER A FRASER OR LOVAT: I AM A ROBERTSON AND A LOYALIST"
X. THE KING'S SHILLING--IN CORNEY'S CAVE--"SURRENDER IN THE KING'S NAME!"--CAPTURE AND ESCAPE
XI. SWORN TO SHOOT AT SIGHT--AN ADVENTURE ON THE ROAD--"PLEASE, SIR, ARE YOU THE COLONEL?"--"WE'LL CALL YOU JOHN"
_OFF TO JOIN HIS REGIMENT._
I. FIRST MONTHS OF SOLDIER-LIFE--THE PLEASURE OF DRILL--A PASSAGE OF ARMS--EN ROUTE FOR EDINBURGH CASTLE--AN OLD-TIME TROOPER
II. THE VOYAGE OF THE "VENGEFUL"--TERRIBLE SUFFERINGS AT SEA
III. LIFE AT THE CASTLE--A DANCE ON THE DINNER-TABLE--HOW A QUARREL WAS SETTLED--A DROLL DUEL AND THE ENDING THEREOF
IV. WHAT A BATTLE SEEMS LIKE TO THE SOLDIER--TERRIBLE TIMES IN PARIS--CIVIL WAR AND MURDER
V. FIGHTING AT TOULON--TERRIBLE SORTIES--EVACUATION--OFF TO CORSICA--CAPTURED BY BRIGANDS--CAPTAIN DRAKE'S FIRST FIGHT
VI. MY GRANDFATHER IS PROMOTED--AN UNLUCKY ESCAPADE--SAVED BY A RIBBON--MASSACRE OF FRENCH NOBLES--NAPOLEON BONAPARTE TO THE FORE
VII. POLICY AND AMBITION OF NAPOLEON--REBELLION IN IRELAND--ATTEMPTS AT INVASION--THE WHOLE WORLD OF EUROPE IN A BLAZE
VIII. GRANDFATHER GOES ON FURLOUGH--A CHANGE AND MANY A CHANGE--POOR LITTLE RACHEL--BATTLE OF ALEXANDRIA--THE GALLANT 42ND--NIGHTFALL ON THE FIELD OF BATTLE
_FROM WAR TO GENTLE PEACE._
I. THE DUKE OF KENT AS GRANDFATHER KNEW HIM--DISCIPLINE AND THE LASH IN THE BRAVE DAYS OF OLD--TONAL'S DILEMMA, AND HOW HE GOT OUT OF IT
II. AWFUL CONDITION OF GIB--GRANDFATHER STABBED--A VENDETTA--THE DUKE WAS THE BEST-HATED MAN ON THE ROCK
III. MYSTERY--A GRUESOME BOX--A MEETING OF CONSPIRATORS--TERRIBLE THREATS--THE MUTINY
IV. WARNED BY A DYING SOLDIER--MORE MUTINY--HE FELL FORWARD DEAD--WAR BREAKS OUT ONCE MORE--NAPOLEON'S PLANS AND MOVEMENTS--MURDER!
V. NAPOLEON'S SCHEME FOR INVADING BRITAIN--A BRIGHT PROMISE--GRANDFATHER MEETS HIS FATE
VI. AN IRISH FAIR AT DUNDALK--GREAT FUN AND NO END OF FIGHTING--THE BOMBARDMENT OF COPENHAGEN--GRANDFATHER GETS MARRIED
VII. THE FRENCH IN SPAIN AND PORTUGAL--BRITISH TO THE RESCUE--SIR ARTHUR--SIR JOHN MOORE--SPLENDID GENERALSHIP OF NAPOLEON
VIII. TREACHERY AND FOOLERY--A RACE FOR LIFE AND A RUN FOR THE SEA--TOM GRAHAME'S BABY--SORROW, SUFFERING, AND DANGER--IT MUST BE DEATH OR VICTORY
IX. FIGHTING AGAINST FEARFUL ODDS--DEATH OF MOORE--THE EMBARKATION--A WIFE AND A NEW SET OF BAGPIPES
X. "I'M A SOLDIER'S WIFE; I'LL SHARE A SOLDIER'S TOILS"--GIRL HEROINES--STORMING OF BERGEN-OP-ZOOM--STRANGE ADVENTURES--BORN ON A BATTLEFIELD
XI. ACROSS THE WIDE ATLANTIC--A STRANGE PARADE--THE BAREFOOT SQUAD--SHIPWRECK--A FEARFUL FIGHT
XII. RED-EYE, THE INDIAN CHIEF--A TERRIBLE ADVENTURE WITH A BEAR--BAD NEWS!--STOLEN OR KILLED BY INDIANS
XIII. "WHERE IS RED-EYE? I WILL KILL HIM!"--A SOLEMN SCENE--THE MOONLIT FOREST
XIV. THE FIGHT WITH SAVAGES--A LONE GRAVE IN THE FOREST--RETURN OF SPRING--NAPOLEON AT ST. HELENA
THIS BOOK IS INSCRIBED, WITH MANY A KINDLY WISH, BY HIS COUSIN,
In the Highlands a Hundred Years Ago.
SHOULDER TO SHOULDER.
_IN THE HIGHLANDS A HUNDRED YEARS AGO._
Never for a moment--as we sat together in the twilight--could the dear old man have imagined that, just thirty years after his death, his grandson would be here, in a wigwam, writing the story of his romantic life.
That story, let me tell you, is also the story of the old days, when
"Wild war's deadly blast was blowing";
the story of the times when Napoleon was still the world's hero, his glory putting in the shade even that of Wellington himself, and many another great and notable general.
Ah, me! how long ago it seems now since I used to lift the "sneck" of Auld-da's door, and slip quietly in, just as the shades of evening were deepening into night.
"Is that you, Williamie?" he would say, without turning his head.
"Yes, Auld-da"; and, next moment, I would be sitting on the "creepie"* by his feet, with my arm leaning on his knee, waiting for a story.
* Creepie: a low stool.
A little, little boy, they tell me I was then, with pale face and dark-blue wondering eyes. Not over strong, you may guess, because I lived in the realms of romance, and because fairy tales--stories of water-kelpies, that lurk in the darkest pools of forest-shaded rivers, and eat men's flesh at midnight; stories of brownies and spunkies, that bob their lights before belated travellers to lure them far across the moor to the bog, in which they sink and perish--and all the legends of my native Scottish land were, to me, as dear as the very air I breathed.
Gordon Stables' Shoulder to Shoulder opens with a grandfatherly narrator who addresses the reader directly, establishing a storytelling frame that will carry the reader from the Scottish Highlands to the battlefields of Europe. The narrative voice is unmistakably Victorian: opinionated, digressive, and fond of aphorisms. In the excerpt discussing Napoleon, Stables interrupts his own historical summary to retract a word—'sit'—and launch into a meditation on ambition, comparing it to the Tower of Babel. This habit of pausing the action for moral commentary is a recurring structural feature.
The language mixes Scots dialect phrases, such as 'a prince can mak' a belted knight,' with formal English prose, and the pacing varies from rapid adventure sequences to leisurely historical exposition. The catalog subjects—war stories, conduct of life, storytelling—are all evident in the excerpts, but the book's tone is less instructional than conversational, as if the narrator is reminiscing by the fireside.
A Narrator Who Interrupts Himself
The most striking feature of the excerpts is the narrator's willingness to break the fourth wall. When describing Napoleon's ambition, he writes, 'On second thought, I beg to retract that wee word "sit." No ambitious man ever did or could sit.' This parenthetical correction is typical of the voice: it treats the reader as a listener, not a passive consumer. The narrator also inserts a Burns quotation mid-paragraph, then returns to his own prose without transition. These interruptions create a rhythm that is part lecture, part yarn.
Elsewhere, the narrator compares French courage to steam rising from a burning house—a simile that is both vivid and digressive. The effect is a narrative that feels spontaneous, as if the speaker is thinking aloud. Readers should expect the story to pause for such reflections, which often carry the moral weight of the book.
Scots Dialect and Formal Prose Side by Side
The excerpts show a deliberate code-switching between Scots and standard English. The epigraph from Burns—'Be Britain still to Britain true, Amang oursels united'—sets the linguistic tone, and within the Napoleon passage, the narrator quotes Burns again: 'A prince can mak' a belted knight, A marquis, duke, and a' that.' These Scots lines appear without gloss, assuming the reader's familiarity.
By contrast, the historical commentary on treaties and Napoleon's campaigns uses formal, Latinate English: 'Treaties, in those days, were as often abrogated as not.' The juxtaposition suggests that the narrator moves between two registers: the intimate, colloquial voice of a Highland storyteller and the analytical tone of a historian. This duality may reflect the book's structure, which alternates between personal memory and broader military history.
Pacing: From List to Action
One notable structural choice in the excerpts is the use of a bulleted list to enumerate Napoleon's conquests: 'A hundred and seventy captured flags. A hundred and fifty thousand prisoners taken in battle.' The list is presented as a series of short, declarative lines, mimicking the style of a proclamation or a museum label. This slows the narrative to a near-halt, emphasizing the scale of Napoleon's achievements before the narrator returns to his moralizing.
In contrast, the chapter titles in the contents suggest rapid action: 'A Race for Life—"To Horse! To Horse!"' and 'Hand to Hand with Dirk and Claymore.' The excerpts do not include these scenes, but the juxtaposition of list-like exposition and breathless chapter headings indicates that the book shifts between documentary summary and adventure set-pieces. Readers should be prepared for sudden changes in tempo.
Stables' narrator is not a neutral chronicler; he is a character with opinions, a fondness for Burns, and a tendency to lecture. Readers will benefit from treating the historical digressions as part of the story's texture rather than obstacles to the plot. The book's subtitle promises 'stirring times of old,' but the stirrings are as much in the narrator's voice as in the events he describes. Pay attention to when he speeds up and when he slows down—those shifts are the key to his method.
That rainy afternoon, wandering through Stables’ digressions on ambition, I felt the weight of stories carried across generations. The cross in his grandfather’s tale lingered oddly. Later, almost by accident, I found The Legendary History of the Cross A Series of Sixty-four Woodcuts from a Dutch Book Published by Veldener, A.D. 1483 — A Closer Reading, and those old engravings offered the same quiet, patient telling—images instead of dialect, but the same steady hand.
There are no reviews for this eBook.
How did this book work for you?
Your answers remain private and are stored only in this browser.