The Pearl Story Book: Stories and Legends of Winter, Christmas, and New Year's Day — Themes and Context

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In Category - Folklore
Skinner, Ada M. (Ada Maria), 1878- [Compiler], Skinner, Eleanor L. (Eleanor Louise), 1872- [Compiler] Project Gutenberg 2010
Christmas stories; Christmas; Children's stories; New Year Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 65,086
Reading time 283 min
Text sections 10

The catalog record for The Pearl Story Book: Stories and Legends of Winter, Christmas, and New Year's Day — Themes and Context provides practical reading context through 65,086 words, 4 hr 43 min estimated reading time, and 10 detected text sections.

The text analysis averages about 18.4 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Christmas stories,” connecting these edition facts with the source record’s subject description.

This collection of winter folklore, compiled by Ada M. and Eleanor L. Skinner, weaves together legends, poems, and stories from various cultures, centering on seasonal transitions, Christmas, and New Year's Day. The excerpts reveal a recurring pattern of journeys—both literal and spiritual—and a layered structure that moves between natural phenomena and human experience.
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Branches were cracking and falling on all sides, and leaves were flying about, while the sound of shouting and laughing and screaming told all who heard it that the spiteful winter fairies were at some mischief. The other fairies followed, and gathered up the poor shattered leaves, cramming them into the great bags they had brought, and taking them to King Winter's palace as fast as they were filled.

This work was kept up nearly all night and when morning came, the magic forest of many-colored leaves was changed into a dreary place. Bare trees stretched their long brown branches around and seemed to shiver in the cold wind and to sigh for the beautiful dress of shining leaves so rudely torn from them.

King Winter was very much pleased, as one great sack after another was tugged in by the fairies and when morning came he called his servants together and said, "You have all worked well, my fairies, and have saved much treasure from being wasted; I will now open these bags and show you the gold. Each of you shall have a share."

The king took up the sack nearest to him, their surprise, when out rushed a great heap of brown leaves, which flew all over the floor and half choked them with dust! When the king saw this he growled with rage and looked at the fairies with a dark frown on his face. They begged him to look at the next sack, but when he did so, it, too, was full of brown leaves, instead of gold and precious stones. This was too much for King Winter's patience. He tossed the bags one by one out of the palace window, and would have tossed the unlucky fairies after them, had not some of the bravest ones knelt down and asked for mercy, telling him they had obeyed his orders, and, if King Frost had taken back his treasure, they were not to blame.

This turned their master's anger against King Frost, and very angry and fierce he was. He gnashed his great teeth with rage and rushed up and down in his palace, until it shook again. At last he made up his mind to go out that night, break down King Frost's beautiful palace, and take away all his riches.

When night came, he started out with all his fairies. Some were armed with the clubs they had beaten off the leaves with, and others had lumps of ice to throw at their enemy; but the king had been so angry all day that he had not told them what to do; also, he had left their sharp spears locked up. He wrapped himself in his great white cloak of swan's down in order that he might look very grand, and so they went on their way.

King Frost lived on the other side of the wood, and he had heard all the noise made by the winter fairies in spoiling the trees and had seen the next morning the mischief they had done. It made him very sorry to find the beautiful leaves all knocked off and taken away, and he determined to punish King Winter by going to attack _his_ palace that night. He spent the day making ready and dressing himself and his servants in shining coats of ice-armour and giving each one several spears and darts of ice tipped with sharp diamond points. They looked like brave little soldiers.

The two groups of fairies met in the midst of the great wood. After some words between the kings, their servants fell to blows and a great battle they had. The winter fairies fought with their clubs and threw lumps of ice at the frost fairies; but their clubs were weak from being used so roughly the night before and soon broke; and when their ice-balls were all thrown away they could find no more. But King Frost had armed his servants well, and they threw their icy darts among the winter fairies. The trees, too, seemed to fight on the Frost King's side. The bare twigs pulled their hair and the branches ripped their ice clothes wherever they could. So the winter fairies had the worst of it and at last started off at full speed and rushed through the woods, never stopping till they reached the palace, and shut themselves in--leaving their king, who was too proud to run, all alone with King Frost and his fairies. You may be sure they were not very merciful to him. They began to pull his cloak, calling out, "Give us your cloak to keep our trees warm. You stole their pretty leaves; you must give us your cloak."

Now this was a magic cloak and had been given to King Winter by the Queen of the fairies, so when he felt them pulling at it, he wrapped it tightly about him, and began to run. After him flew the frost fairies, pulling and plucking at his great white cloak, snatching out a bit here and a bit there and laughing and shouting while King Winter howled and roared and rushed along, not knowing where he went. On they flew up and down the wood in and out among the trees,--their way marked by the scattered bits of white down from King Winter's cloak. When day began King Winter found himself near his own palace. He dashed his tattered cloak to the ground and rushed through the gate, shaking his fist at King Frost.

He and his fairies took the cloak. As they went home through the woods they hung beautiful wreaths of white down on all the trees and also trimmed the branches with their broken spears and darts, which shone like silver in the sunlight, and made the woods look as bright almost, as before it had been robbed of its golden and ruby leaves. Even the ground was covered with shining darts and white feathers. Every one thought it very beautiful, and no one could tell how it happened. (_Adapted._)

Announced by all the trumpets of the sky, Arrives the snow, and, driving o'er the fields, Seems nowhere to alight: the whited air Hides hills and woods, and river, and the heaven, And veils the farmhouse at the garden's end, The sled and traveler stopped, the courier's feet Delayed, all friends shut out, the housemates sit Around the radiant fireplace, inclosed In a tumultuous privacy of storm.

Come, see the north wind's masonry. Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door. Speeding, the myriad-handed, his wild work So fanciful, so savage, naught cares he For number or proportion. Mockingly, On coop or kennel he hangs Parian wreaths; A swanlike form invests the hidden thorn; Fills up the farmer's lane from wall to wall, Mauger the farmer's sighs; and at the gate A tapering turret overtops the work. And when his hours are numbered, and the world Is all his own, retiring, as he were not, Leaves, when the sun appears, astonished Art To mimic in slow structures, stone by stone-- Built in an age, the mad wind's night work, The frolic architecture of the snow.

There was a time when the days were always of the same length, and it was always summer. The red men lived continually in the smile of the Great Spirit and were happy. But there arose a chief who was so powerful that he at last declared himself mightier than the Great Spirit, and taught his brothers to go forth to the plain and mock him. They would call upon the Great Spirit to come and fight with them or would challenge him to take away the crop of growing corn or drive the game from the woods. They would say he was an unkind father to keep himself and their dead brothers in the Happy Hunting Grounds, where the red men could hunt forever without weariness.

They laughed at their old men who had feared for so many moons to reproach the Great Spirit for his unfair treatment of the Indians who were compelled to hunt and fish for game for their wives and children, while their own women had to plant the corn and harvest it.

"In the Happy Hunting Grounds," they said, "the Great Spirit feeds our brothers and their wives and does not let any foes or dangers come upon them, but here he lets us go hungry many times. If he is as great as you have said, why does he not take care of his children here?"

Then the Great Spirit told them he would turn his smiling face away from them, so that they should have no more light and warmth and they must build fires in the forest if they would see.

But the red men laughed and taunted him, telling him that he had followed one trail so long that he could not get out of it, but would have to come every day and give them light and heat as usual. Then they would dance and make faces at him and taunt him with his helplessness.

In a few days the quick eyes of some of the red men saw in the morning the face of the Great Spirit appear where it was not wont to appear, but they were silent, fearing the jibes of their brothers. Finally, duller eyes noticed the change, and alarm and consternation spread among the people. Each day brought less and less of the Great Spirit's smile and his countenance was often hidden by dark clouds, while terrible storms beat upon the frightened faces turned in appeal toward the heavens. The strong braves and warriors became as women; the old men covered their heads with skins and starved in the forests; while the women in their lodges crooned the low, mournful wail of the death song. Frosts and snows came upon an unsheltered and stricken race, and many of them perished.

Then the Great Spirit, who had almost removed his face from the sight of men, had pity and told them he would come back. Day after day the few that remained alive watched with joy the return of the sun. They sang in praise of the approaching summer and once more hailed with thankfulness the first blades of growing corn as it burst from the ground. The Great Spirit told his children that every year, as a punishment for the insults they had given their Father, they should feel for a season the might of the power they had mocked; and they murmured not, but bowed their heads in meekness.

Over valley, over hill, Hark, the shepherd piping shrill, Driving all the white flock forth, From the far folds of the north.

Blow, wind, blow, Weird melodies you play, Following your flocks that go Across the world today.

Hither, thither, up and down, Every highway of the town, Huddling close the white flocks all Gather at the shepherd's call.

Blow, wind, blow, Upon your pipes of joy, All your sheep the flakes of snow And you their shepherd boy.

Frank Dempster Sherman.

Once upon a time there lived a peasant named Ivan and his wife, Marie. They were very sad because they had no children. One cold winter day the peasant and his wife sat near a window in their cottage and watched the village children playing in the snow. The little ones were busily at work making a beautiful snow maiden.

Ivan turned to his wife and said, "What a good time the children are having. See, they are making a beautiful snow maiden. Come, let us go into the garden and amuse ourselves in the same way. We will make a pretty little snow image."

They went into the garden which lay back of their cottage.

"My husband," said Marie, "we have no children, what do you say to our making for ourselves a child of snow?"

"A very good idea!" said the husband. And he at once began to mold the form of a little body, with tiny feet and hands. His wife made a small head and set it upon the shoulders of the snow image.

A man who passed by the garden stopped for a moment and looked at the peasants who were so strangely occupied. After a moment's silence he said to them, "May God help you."

"Thank you," said Ivan.

"God's blessing, indeed, is always good," nodded Marie.

"What are you making?" asked the stranger.

Ivan looked up and said, "We are making a little snow maiden." Then he went on with his work, forming the nose, chin, and eyes.

In a few moments the snow child was finished, and Ivan looked at her in great admiration. Suddenly, he noticed that the mouth and eyes opened, the cheeks and lips took on a rosy hue, and in a few moments the astonished peasant saw standing before him a living child.

"Who are you?" he asked, filled with wonder at seeing a little girl instead of a snow image.

"I am Snow White, your little daughter," said the child. Then she threw her arms lovingly around the man and his wife, who both began to cry for joy.

The delighted parents took Snow White into the cottage, and before long the news ran through the village that a little daughter had come to live with Ivan and Marie.

Of course the village children came to play with Snow White. She was such a charming little girl, with a very white skin, eyes as blue as the sky, and lovely golden hair. To be sure, her cheeks were not so rosy as those of her companions, but she was so bright and gentle that everyone loved her very much indeed.

The winter passed very quickly and Snow White grew so fast that by the time the trees were veiled in the green buds of spring she was as tall as a girl of twelve or thirteen years.

During the winter months the snow maiden had been very joyous and happy, but when the mild, warm days of spring came she seemed sad and low-spirited. Her mother, Marie, noticed the change and said to her, "My dear little girl, why are you sad? Tell me, are you ill?"

"No, mother, dear, I am not ill," said Snow White. But she no longer seemed to enjoy playing out of doors with the other children; she stayed very quietly in the cottage.

One lovely spring day the village children came to the cottage and called out, "Come, Snow White! Come! We are going into the woods to gather wild flowers. Come with us."

"Yes, do go, my dear!" said mother Marie. "Go with your little friends and gather spring flowers. I'm sure you'll enjoy the outing."

Away went the happy children to the woods. They gathered the lovely wild flowers and made them into bouquets and coronets, and when the afternoon sun began to sink in the western sky they built a big bonfire. Gayly they sang little songs, merrily dancing around the bright, crackling blaze.

"Let each one dance alone," called out one of the little girls.

"Snow White, watch us for a little while, and then you, too, will know how to dance alone."

Away whirled the happy little children, dancing freely round and round the bonfire. In a little while Snow White joined them.

When the gay little people were out of breath and the dancing grew slower and slower, some one called out, "Where is Snow White?"

"Snow White, where are you?" shouted the other children, but nowhere could they find their little companion.

They ran home and told Ivan and Marie that Snow White had disappeared while dancing round the bonfire. The villagers made a thorough search for the little maiden, but they never found her, for while she was dancing around the bonfire she had slowly changed into a little white vapour and had flown away toward the sky, where she changed into a delicate snowflake.

Oho! have you seen the Frost King, A-marching up the hill? His hoary face is stern and pale, His touch is icy chill. He sends the birdlings to the South, He bids the brooks be still; Yet not in wrath or cruelty He marches up the hill.

He will often rest at noontime, To see the sunbeams play; And flash his spears of icicles, Or let them melt away. He'll toss the snowflakes in the air, Nor let them go nor stay; Then hold his breath while swift they fall, That coasting boys may play.

He'll touch the brooks and rivers wide, That skating crowds may shout; He'll make the people far and near Remember he's about. He'll send his nimble, frosty Jack-- Without a shade of doubt-- To do all kinds of merry pranks, And call the children out;

He'll sit upon the whitened fields, And reach his icy hand O'er houses where the sudden cold Folks cannot understand. The very moon, that ventures forth From clouds so soft and grand, Will stare to see the stiffened look That settles o'er the land.

And so the Frost King o'er the hills, And o'er the startled plain, Will come and go from year to year Till Earth grows young again-- Till Time himself shall cease to be, Till gone are hill and plain: Whenever Winter comes to stay, The hoary King shall reign.

KING WINTER'S HARVEST

King Winter sat upon his iceberg throne, and waving his scepter, a huge icicle, called for all the Snow Fairies and Frost Fairies to draw near, as he wished to see them.

"Tell me, Snow Fairies," said King Winter, "what have you been doing of late; have you made anybody happy by your work?"

"Oh, yes," they all said at once, "we had the jolliest time last night putting white dresses on the trees, white spreads over the grasses, white caps on all the fence posts, and making things look so strange that when the children came out in the morning they just shouted and laughed, and soon threw so much snow over each other that they were dressed in white, too, and seemed Snow Fairies like ourselves. They, too, wanted to make curious canes, castles, and other things with the snow as we had done. Sleds were brought out and when the sleighbells commenced their music it seemed that everybody was made glad by our work."

"Well done," said King Winter, "now away to your work again."

In a twinkling the Snow Fairies were up in a purple cloud-boat throwing a shower of snowflake kisses down to King Winter to thank him for giving them work to do.

"Now, Frost Fairies," said King Winter, turning to a glittering band who wore some of his own jewels, "what have you done to make anybody glad?"

"We have made pictures upon the windows and hung your jewels upon the trees for the people to look at, and covered the skating ponds," said Jack Frost, the leader.

"That is good," said King Winter. "You and the Snow Fairies seem to be making the world glad now, but pretty soon we must leave the work, and the good sunbeams will put our things away; they will hide the snowballs, and crack the skating ponds so that the ice may float downstream. Now I would like to make something that will keep long after we are gone away. Queen Summer is gone but her harvest of hay and grain is in the barns. Queen Autumn is gone but her harvest of apples and potatoes is in the cellars; now I want to leave a harvest, too."

"But the sunbeams are away most of the time now," said Jack Frost. "Can anything grow without them?"

"My harvest will grow best without them," said King Winter, "and I'll just hang up a thick cloud curtain and ask them to play upon the other side while my harvest grows. Mr. North Wind will help, and if all you Frost Fairies do your liveliest work my harvest will soon be ready."

North Wind soon came with bags of cold air which he scattered hither and thither, while the Frost Fairies carried it into every track and corner, wondering all the while what the harvest would be. But after two days' work they found out; for horses were hitched to sleds and men started for the lakes and rivers, saying, "The ice has frozen so thick that it is a fine time to fill the ice-houses." Saws and poles were carried along, and soon huge blocks of ice were finding places upon the sleds ready for a ride to some ice-house where they would be packed so securely in sawdust that King Winter's harvest would keep through the very hottest weather.

The Pearl Story Book opens with a striking juxtaposition: James Russell Lowell's poem "Winter" immediately followed by an Iroquois legend titled "The Ice King." This pairing sets a pattern for the entire collection, where European literary traditions sit alongside indigenous North American folklore. The compilers, Ada M. and Eleanor L. Skinner, have organized the material into distinct thematic sections—Winter Stories and Legends, Christmas Stories and Legends, and New Year's Stories and Legends—but the excerpts show that movement between these categories is fluid. A poem about snow by Madison Cawein appears between an Indian legend and an adapted tale of King Frost and King Winter, suggesting that the editors valued rhythmic variety over strict thematic segregation.

Recurring Images of Transformation

Throughout the excerpts, winter is portrayed not as a static season but as a process of change. In "The First Winter" (an Iroquois legend by W. W. Canfield), the arrival of cold is presented as a cosmic event, while "The Snow Maiden" (a Russian legend translated from the French) treats snow as a substance that can become animate. The poems reinforce this: Frank Dempster Sherman's "Snow Song" and Mary Mapes Dodge's "The Frost King" personify winter elements as active agents. The compilers seem drawn to moments where the boundary between the natural and the supernatural blurs—ice becomes a king, snow becomes a maiden, and frost becomes a harvester. This recurring motif of transformation gives the collection a cohesive imaginative logic, even as the cultural sources vary widely.

Structure: A Journey Through Three Festivals

The book's tripartite structure—Winter, Christmas, New Year's—creates a chronological arc that moves from the season's onset to its celebratory peaks. However, the excerpts indicate that the sections are not rigidly separated. The Christmas section includes a legend of Saint Nicholas that recounts his miracles, but also a story titled "A Night with Santa Claus" by Anna R. Annan, which shifts the focus to a contemporary child's perspective. The New Year's section, though not excerpted here, likely continues this pattern of blending the legendary with the domestic. This structural choice suggests that the compilers intended the book to be read sequentially, with each section building on the previous one, yet the individual pieces can stand alone. The effect is a cumulative portrait of winter as a time of both hardship and generosity.

Movement Between Voices and Cultures

The compilers have assembled material from a remarkable range of sources: Japanese myths, Russian legends, Iroquois stories, German adaptations, and American poetry. The acknowledgments list contributors from the Churchman, the Independent, and the New York State Museum, among others. This diversity is not merely decorative; the excerpts show that the editors juxtaposed different cultural treatments of similar themes. For instance, the legend of Saint Nicholas (adapted by Amy Steedman) emphasizes protection and reward, while the Iroquois "First Winter" focuses on survival and explanation. The poems by Longfellow and Emerson provide a lyrical counterpoint to the prose narratives. The result is a collection that invites readers to compare how different traditions make sense of the same season, without privileging any single voice.

The Role of Children and the Domestic Sphere

Many of the excerpts center on children or childlike figures. In the Saint Nicholas legend, a lost boy is rescued from a demon and returned to his parents. In "A Night with Santa Claus," Bobby Morgan's adventure is framed by his mother's care. The Snow Maiden is a child of snow who longs to join human children. This focus on childhood is not incidental; it reflects the book's intended audience. Yet the compilers do not talk down to young readers. The vocabulary and sentence structures in the excerpts are sophisticated, and the legends carry moral weight without being didactic. The domestic settings—homes, gardens, beds—provide a safe anchor for the more fantastical elements, allowing the supernatural to enter everyday life without overwhelming it. This balance between wonder and security is a defining feature of the collection.

Readers approaching The Pearl Story Book will find a work that rewards both sequential reading and selective browsing. The compilers have arranged the material so that poems and stories echo each other across sections, creating a layered experience of winter's many faces. Pay attention to the transitions between pieces: the editors often place a poem after a prose tale to shift the mood or reframe a theme. The book's strength lies not in any single story but in the cumulative effect of its varied voices, all speaking about the same season from different cultural and emotional distances.

This winter, reading again about those long, candlelit journeys through snow, I found myself thinking of another sort of pilgrimage entirely—the strange, wondering paths taken by the creatures in Curious Creatures in Zoology — A Reader’s Guide. Both books share that same quiet hush, that patient turning of pages toward something ancient and slightly mysterious, like footprints left for us to follow.

Amelia Brown
2 weeks ago

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  • ...
    Terrence Nunez - 2 weeks ago
    The Pearl Story Book feels like a hodgepodge of outdated tales with inconsistent quality. Many stories lack depth and fail to hold interest. It might appeal to young children, but for older readers, it's a tedious collection.

  • ...
    Sheila Ashley Lopez - 2 weeks ago
    A delightful collection of winter-themed stories and legends that perfectly capture the magic of the season. The tales are warm, nostalgic, and beautifully written, making it a perfect read for cozy evenings by the fire. A treasure for all ages.

  • ...
    Heather Lam - 2 weeks ago
    This anthology offers a charming mix of stories about winter, Christmas, and New Year's. While some tales are captivating, others feel dated or less engaging. Still, a nice addition to holiday reading.


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