The white doe — Background and Themes
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The white doe — Background and Themes can be approached with a clearer sense of reading commitment from its source measurements: 20,041 words, 1 hr 28 min estimated reading time, and 4 detected text sections.
The text analysis averages about 29.0 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Dare, Virginia, 1587- -- Poetry,” connecting these edition facts with the source record’s subject description.
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Spain was always his foe because she feared him, and it seems like the Nemesis of fate that three hundred years later the death-blow of Spain as a world power was dealt in Manila Bay by the nation which Raleigh strove so hard to plant, himself all unconscious of what the years were to bring. On that famous morning when Dewey startled the world and chastised Spain for her insolence and cruelty, the ship which fired the first shot in a battle destined to change the rating of two nations, the ship which first replied to the fire of the Spanish forts, as if answering the challenge of an old-time foe,--that ship was the _Raleigh_, named in honor of that great man by the nation he had fostered, and in that battle Raleigh's foe was humbled, Raleigh's fame perpetuated, and Raleigh's death avenged.
After the death of Elizabeth the star of Raleigh set. He whose most valiant work had been the defense of England against the attacks of Spain was falsely charged with treasonable negotiations with Spain, and after a farce of a trial was thrown into prison, where he remained more than twelve years. The only mitigations of the horrors of prison life were the presence of his devoted wife and his books. He had always been a student, and he spent the weary hours of his long confinement in that companionship which is known only to those who really love books, and to such minds they prove a panacea for sorrow and injustice. During that imprisonment he wrote his famous "History of the World," marking the eventful epoch by writing a history of the Old World at the same time that he was opening the gates of the future by planting English colonies in the New World. As soon as he was released from prison his mind returned to schemes of exploration. He made a voyage to South America, where new disasters befell him, and where his oldest son was killed. Shattered by grief and misfortune he returned to England, where his enemies had planned his certain downfall. Again he was sent to prison, but not for a long time, for soon his princely head paid the penalty which true greatness has too often paid to the power of a weak king. As a subject he was loyal and valiant, as a husband faithful and devoted, as a father affectionate and inspiring, as a scholar distinguished in prose and poetry, as a soldier he won fame and fortune, as a statesman he contributed to the renown of his sovereign's realm, and as a man he lived and died guided by the highest ideals. This was the man who spent a fortune trying to establish English colonies in North America, and who sent repeated expeditions to the island of Roanoak, situated where the waters of the Albemarle and Pamlico Sounds meet, on the coast of North Carolina, but which was then called Virginia.
The island wears a cluster of historic jewels which should endear it to all patriotic Anglo-Americans. To them it should be the most sacred, the best loved spot in all the United States. There the first English settlements were made which led to English supremacy in the New World. There the first home altar was reared and the first child of English parents in the United States was born and baptized. There the blood of Englishmen first dyed the sod of North America, and there the first attempts at English agriculture were made. There was enacted the tragedy of American colonization, the disappearance of Raleigh's Lost Colony, and there the sacrament of baptism was first administered in the United States. Roanoak Island is a beautiful place, with fertile soil and wild luxuriance of vine-covered forests which are enveloped in a deep solitude which has become dignity. Restless waters ebb and flow by its side, restless winds kiss its bare sand dunes, a genial sun brings to maturity its wealth of tree and vine and shrub. Protected from the storms which ravage the ocean beyond, it sleeps in quiet beauty, content with its heritage of fame as _the first home of the English race in America_.
Its isolated position, its wild beauty, its tragic associations, its dignified repose, all seem to have set it aside from the rush of modern progress that it might become a shrine for the homage of a patriotic people.
The wonderful fertility of the soil of this island seemed a marvel to the early explorers, all of whom have testified to it. Ralph Lane, governor of the colony of 1585, in writing to Raleigh of the island and the surrounding country, declared it to be "the goodliest soil under the cope of heaven," and that "being inhabited with English no realm in Christendom were comparable to it;" every word of which is true now, provided that the English who inhabit it follow the suggestions of nature and adopt horticulture as the developing means. The surrounding country as well as Roanoak Island has a wealth of climbing vines and clustering grapes which point instinctively to grape culture. Amadas and Barlowe (1584) wrote that they found the land "so full of grapes as the very beating and surge of the sea overflowed them, of which we found such plenty, as well there as in all places else, both on the sand and on the green soil, on the hills as on the plains, as well as on every little shrub as also climbing towards the top of high cedars, that I think in all the world the like abundance is not to be found."
Surely no other such natural vineyard was ever found outside the fabled Garden of the Gods!
Even in this generation an old resident of the Banks, an ante-bellum pilot on these waters, has testified that his grandfather could remember the time "when if a vessel were stranded on any of the beaches the crew could crawl to land on the grapevines hanging over where now there is only a dry sand beach." Throughout the eastern part of that State (North Carolina) the grape riots in natural luxuriance and is luscious and fragrant. Many varieties remain wild, while others have been improved by cultivation. The three finest native American grapes, the Catawba, the Isabella, and the Scuppernong, are all indigenous to the soil of North Carolina. The Catawba, native to the banks of the river Catawba, from which it takes its name, is still found wild in North Carolina, while it has become celebrated at the North as a table-grape, and in Ohio as a wine-grape. In its adopted home it has revolutionized land values because of the money value of the product. The Isabella grape, so generally cultivated for table use, is thought to be a hybrid between the Burgundy and the native fox-grape of the Carolinas. The tradition runs that the Burgundy was brought to South Carolina by the Huguenots, and that cuttings from this hybrid were brought to North Carolina and successfully propagated. Mrs. Isabella Gibbs, for whom this well-known grape was named, carried a vine from North Carolina to Long Island, where it attracted attention because of its hardiness.
To the people of the South Atlantic coast the Scuppernong is by far the most important of the native grapes, for while it refuses to flourish away from its native home, yet its great possibilities as a wine-grape are beginning to be appreciated. All the early explorers gave it special mention. Hariot in his famous Narrative wrote, "There are two kinds of grapes that the soil does yield naturally, the one is small and sour, of the ordinary bigness of ours in England; the other far greater and of _himself luscious sweet_. When they are planted and husbanded as they ought, a principal commodity of wines by them may be raised." (Hakluyt, 1586.) Lawson in his history (1714) describes several varieties, and dwells on the abundant supply of grapes and the great tangles of green vines. He wrote of a native _white_ grape, which many in that day thought existed only in his imagination; but it was a reality and was the now well-known Scuppernong, whose fame history and tradition both perpetuate, and whose real worth, greater than its legendary fame, is now being recognized and appreciated. There are several varieties of the Scuppernong, all luscious and yielding rich juices, and when ripe they fill the air with a fragrance unknown to any other grape.
The first Scuppernong vine known to history was found on the mainland of the North Carolina coast by Amadas and Barlowe on their first voyage (1584). Tradition relates that they transplanted this vine to Roanoak Island. On this island there still flourishes an old vine, which despite its gnarled body and evident age continues to bear fruit. It is claimed that it is the same vine Amadas and Barlowe planted. Some insist that it was planted by Sir Walter Raleigh himself, but as that famous knight did not realize his wish to visit his new possessions in North America, the honor of having planted the vine must revert to Amadas and Barlowe. It seems to be endowed with perennial youth, and the harvest from its branches is an annual certainty.
What the early explorers testified as to the abundant supply of grapes on the Carolina coast, and the propitious conditions existing for the propagation of the vine, is equally true to-day. The manifest destiny of North Carolina as the rival of Southern France in the production of wines seems to be inevitable. The marvel is how it has been so long delayed after Hariot's special mention of such possibilities. Hariot was a close observer with a practical mind, and the presence of an indigenous supply of material to sustain an important industry suggested to him that the people coming to this grape-laden land might establish such an industry to their advantage. The delay of the development of grape-culture in its native home can only be explained on the theory that when nature boldly invites, man becomes shy. This indifference to grape-culture is peculiar to America, for in Europe all the aristocracy who are land-owners, where the climate makes it possible, are cultivators of the grape, take great pride in their wines, boast of their rare and fine vintages, and hold the making of wine as one of the fine arts.
The original Scuppernong has white skin, white pulp, white juice, and makes a white wine. Other varieties have dark purple skins and yield a reddish juice which makes a red wine. The dark varieties are said to be _seedlings_ from the original white variety, and tradition explains the metamorphosis in this way.
In the magic spring made famous in the legend of The White Doe, after the blood of Virginia Dare had melted from the silver arrow into the water of the spring, then the water disappeared. As the legend says:
"Dry became the magic fountain, Leaving bare the silver arrow."
Then while O-kis-ko looked on in wonderment he saw
"a tiny shoot with leaflets Pushing upward to the sunlight."
Tradition says that this "tiny shoot with leaflets" was a young seedling of the Scuppernong which had sprouted in the edge of the water, and it was not seen by O-kis-ko until all the water had disappeared. Then he saw it and immediately associated its appearance with the magic arrow, and so left it "reaching upward to the sunlight." After many days he returned to the spot-drawn by an irresistible longing, and covered the fatal arrow, which had brought him so much woe, with earth and leaves to hide it from his sight. The earth and leaves furnished the necessary nourishment to the tiny vine, which reached out with strength and vigor, and finding friendly bushes upon which to climb, it soon made a sheltering bower above the spot where had bubbled the magic spring. This tiny green bower became the favorite retreat of O-kis-ko, where he would linger to cherish thoughts of his lost love, Virginia Dare, and marvel on the wonders of her death. Then it came to pass that when fruit came upon this vine, lo! it was purple in hue instead of white like the other grapes, and yielded a _red_ juice. Full of superstition, and still credulous of marvels, O-kis-ko imagined the change to be due to the magic arrow buried at its root. He gathered the grapes and pressed the juice from them, and lo! it was _red_--it was the semblance of blood, _Virginia Dare's blood_, absorbed from the water (in which it had melted from the arrow) by the vine, and yet potent for good. Surely it held some unseen power, for it combined in some mystic way through the mysterious earth at his feet all the power of the magic spring, the power of the silver arrow, and the power of human blood consecrated through human love. He reverently drank the juice of this new vine, believing that it would in some way link him with the spirit of her he had loved and lost. Year after year he drank this juice and fed his soul on thoughts of love, making unconsciously a sacrament, and finding happiness in the thought that the blood of the maiden would feed his spirit and lead him to her at last. To become good like her and to go to her became his highest hope. Aspiration had been born in his soul, and quickened by love it could not die, but led him blindly to strive to reach her, and such striving is never in vain.
Another fact that should be enshrined in the hearts and perpetuated in the memorials of the nation, is that on Roanoak Island the first Christian baptism in the United States was administered. By order of Sir Walter Raleigh, Manteo, the friendly Indian chief, was baptized soon after the arrival of the colony under Governor White, and the following Sunday Virginia Dare, the granddaughter of Governor White, was baptized, both events being officially reported to Raleigh. In this day of religious freedom any enforced adoption of religious forms shocks our pious instincts. Yet baptism has always been considered _necessary_ to salvation, and in the past the zeal of Christians for the salvation of their fellow-men often assumed the form of mild force. We read where the Spaniards, always religious fanatics, administered the Holy Sacrament to thousands in Central America and Mexico _at the point of the sword_; their zeal misleading them to force upon those less enlightened than themselves the hope of that heaven which they believed to be accessible only through certain Christian rites. So to order the baptism of an Indian chief seems a simple, kindly thing, and most probably Manteo desired it done. The only other Indian who received baptism in those early settlements was Pocahontas, in 1614. She was a captive at the time and held as a hostage to induce Powhatan to comply with certain demands of the colonists at Jamestown.
Despite the fact that Virginia Dare was baptized twenty-seven years earlier than Pocahontas, yet it is the Indian Princess who is figured in the painting on the walls of the dome of the Capitol at Washington as receiving the first baptism in the colonies. Buried in the annals of that time lies the fact that twenty-seven years before any colonist even came to Jamestown, Virginia Dare was born and baptized, as the sequence of Christian birth and as the child of Christian parents. Virginia Dare was not a myth. She was a living, breathing reality, a human creature of good English descent, the granddaughter of the governor of the colonies, the daughter of the assistant governor, and a sharer in the mysterious fate of Raleigh's Lost Colony. The historical facts of her life and the legend of her fate and death are contained in the pages of "The White Doe."
Her baptism would not have been mentioned in the records if it had not been official and proper. In a new land, surrounded by dangers and difficulties, with strange environment to divert the mind to other channels, it would have been easy and natural for her baptism to have been delayed if not altogether neglected amid the stress of events. Her prompt baptism and the official report of the event to Sir Walter Raleigh is convincing testimony to the presence of a chaplain at Roanoak.
THE FIRST BAPTISM IN THE WILDS OF AMERICA!
How naturally the scene rises before us. The young mother, her heart thrilling with the mysteries of love and life, and elated with the joy of motherhood, alert to the dangers of the new land, and suspicious of the strange people among whom her blue-eyed treasure must live, yet yielding cheerfully to the busy smiling English women who had crossed the ocean with her, and now with womanly intuition ministered to her needs. We can picture them making tidy the confused household, and stilling the cries of the infant as they prepare her to receive the sign of the cross. We can almost picture them deliberating over a choice from among their limited supply of vessels of one worthy to become the receptacle of the water to be used. It was on the Sabbath-Day, and the dedication to God of the wee creature who had so newly come among them was a fitting observance of the day. The solemn words of the ritual of the English Church, never before spoken in that primeval forest, must have awakened mysterious vibrations which linger yet and give to Roanoak Island that atmosphere of perpetual repose which envelops it. There must have come to those who witnessed the scene that holy Sabbath-Day, just as it comes now to those who view it from afar, a deep realization that the God of the English and the Great Spirit of the Indian are one and the same, then, now, and evermore. The One God to whom in baptism Virginia Dare was brought and in whose name Manteo the savage was signed with the cross and given the promise of salvation, and who remains the God of the millions of English-speaking people who now worship in the land which was then and there dedicated to the service of Christ.
The mist of oblivion fades before the light of Truth, and Virginia Dare will be a shining jewel in the Chaplet of Memories which some day Christian America will place upon the tomb of the Past.
A familiar knowledge of the history of one's own country increases patriotism and stimulates valor. For this reason the study of written records called history should be supplemented by research into myths, folk-lore, and legends. While the value of history lies ever in its truth, it must yet bear the ideals of the people who participated in the events narrated. Tradition was the mother of all history, and was necessarily robed in the superstitions of the era of which the tradition tells. History writers, jealously guarding the truth, have striven to banish all traditions which seemed colored by fancy or even freighted with a moral lesson. These exiled traditions, bearing the seed-germs of truth, cannot die, but, like wandering spirits, float down the centuries enveloped in the mists of superstition, until finally, embodied in romance or song, they assume a permanent form called legend and become the heritage of a people. Legends are the satellites of history because they have their origin in the same events, and the history of all countries is interspersed with them.
The preface to The White Doe frames the poem as a recovery of "forgotten facts and fancies" from early American history. Cotten argues that studying the past, especially the deeds of Sir Walter Raleigh, provides wisdom for the present. She explicitly links Raleigh's personal colors—red and white—to the book's binding, a detail that signals the poem's symbolic use of color. This opening sets a scholarly yet patriotic tone, preparing readers for a work that blends historical figures with legend.
The Preface as a Key to the Poem's Purpose
Cotten's preface is not merely a dedication but a statement of method. She writes that "man remains a slave to Fate until Knowledge makes him free," positioning her poem as a tool for understanding the past. The dedication to the National Society of Colonial Dames of America underscores the poem's connection to patriotic research. Readers should note how this preface establishes the poem's dual aim: to honor Raleigh and to reimagine the fate of Virginia Dare. The preface's emphasis on "ultimate results" suggests that the poem will treat historical figures as symbols rather than strictly factual characters.
Wi-no-na: The Civilizing Maiden
The poem introduces Virginia Dare as Wi-no-na, a name footnoted as "first-born white daughter." She is described with "sunbeams lingered, pale and yellow" in her hair and "limpid blueness" in her eyes, contrasting with the "darksome features" of the Croatoan women. Her role as a teacher is explicit: she explains the cross-sign as a symbol of a benevolent Spirit, and her mere presence calms quarrels. The language emphasizes her civilizing influence—"the heir of civilization" among "slaves of superstition." This section establishes a clear hierarchy of cultures, which readers should watch for as the poem progresses.
O-kis-ko's Devotion and the Limits of Love
The third excerpt introduces O-kis-ko, a brave who loves Wi-no-na with a "love which made him noble." His devotion is expressed through gifts—"the red deer," "skins of furry rabbits"—and a quixotic attempt to attach white pinions to his canoe to sail toward the sunrise in search of her lost grandsire. The narrator notes that Wi-no-na's eyes beamed "kindly on him, / Though no passion stirred her pulses." This asymmetry sets up a tension between the brave's selfless love and the maiden's emotional distance. Readers may wonder whether this dynamic will shift or remain unresolved.
Poetic Form and Narrative Gaps
Cotten writes in unrhymed, four-beat lines reminiscent of Longfellow's Hiawatha. The meter is regular, with frequent enjambment and a catalog-like structure (e.g., "He who kept the maize-fields fruitful, / He who filled the sea with fishes"). The excerpts break off before revealing any resolution to the love story or the fate of Virginia Dare. Given the poem's subtitle—"An Indian Legend"—readers should expect a mythic rather than historically accurate conclusion. The surviving text does not indicate whether O-kis-ko's love is requited or whether Wi-no-na ever reunites with her English kin.
Readers approaching The White Doe for the first time will benefit from attending to the preface's ideological framing and the poem's consistent use of color symbolism (red and white). The excerpts reveal a work that is as much about cultural contact as about a specific legend. Because the poem is incomplete in this edition, the reader's own interpretation of the ending—whether tragic or transcendent—becomes part of the experience.
That rainy afternoon, The White Doe left me thinking about how stories drift between cultures, carrying whispers of older truths. I kept circling the preface’s insistence on dream and legend, until my hand wandered to the shelf and found Myths and Dreams — Reading Notes, which seemed to answer that same quiet ache, page by page.
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