Occoneechee, the Maid of the Mystic Lake — Reading Notes

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In Category - Folklore
Jarrett, Robert Frank, 1864-1948 Project Gutenberg 2016
Cherokee Indians -- Folklore; Cherokee language -- Glossaries, vocabularies, etc. Readers of public-domain and historical texts
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Words 62,036
Reading time 270 min
Text sections 14

Before opening Occoneechee, the Maid of the Mystic Lake — Reading Notes, the edition data offers a quick orientation: 62,036 words, 4 hr 30 min estimated reading time, and 14 detected text sections.

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Project Gutenberg metadata also associates the work with “Cherokee Indians -- Folklore,” connecting these edition facts with the source record’s subject description.

This editorial note examines the structure of Jarrett's 1916 work, which combines a narrative poem, Cherokee myths, and a glossary. It focuses on the interplay between verse and prose, recurring imagery of stone and transformation, and the movement from epic storytelling to ethnographic catalog.
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Sequoya was himself an untutored half-breed, yet to him are we indebted for an alphabet of 76 characters which stands third among the alphabets which have been invented among men, and by which a Cherokee child learns to read as fluently in six months of study as does the average English child in three years of study under our system.

The name Cherokee, so far as research reveals, has no meaning or the meaning has been lost or perhaps Anglicized, but we have authority for its use, for the past 375 years.

When De Soto's expedition was made through the Appalachian mountains, in 1540, he encountered this great and friendly nation living peacefully in their paradise among the hills and mountains, who received him as they were wont to receive a friendly tribe; so did they ever receive and treat the white neighbor until treaty after treaty had been broken and their homes had been destroyed and every compact violated.

Hostilities were in most cases caused by encroaching whites and broken promises and intrigues of the foreigners, who were gradually drawing the cordon around the diminishing tribe.

The battle of Horseshoe Bend, which took place in the Tallapoosa river, in Alabama, on the 27th day of March, 1814, was one of the notable events in Cherokee history, where Junaluska, in conjunction with General Jackson, slaughtered or massacred nearly one thousand Creeks, which ended the Creek war and brought much honor to Junaluska and his valiant Cherokee army of more than 500 men.

For the terrors which followed the battle of Horseshoe Bend, we have only to refer to history to be able to ascertain the facts concerning the bloody atrocities which were perpetrated upon an oppressed people. Then came the end, which occurred in the year 1838, which culminated in the removal of the band to the Indian Territory, which is now called Oklahoma, (a Choctaw word meaning red people, Okla, people; homa, red).

This removal was the most luckless and recreant of all the abuses that had been heaped upon the brave but helpless band of Cherokee.

Junaluska, who witnessed the removal, but was permitted to remain with the residue, remarked that had he known that General Jackson (who became President), would have removed the Cherokee in such a brutal manner, he would have killed him at the battle of Horseshoe Bend.

The history of the removal of the Cherokee, as told by James Mooney of the Department of American Ethnology, gleaned by him from eye witnesses and actors in the tragedy, may well exceed in weight of grief and pathos any other act in American history. Even the much sung song of the exile of the Arcadians falls far behind it in the sum of death and misery.

Under General Winfield Scott, an army of 5,000 volunteers and regular troops were concentrated in the Cherokee country, and by instruction from Washington, D. C., he was directed and gave orders to soldiers to gather all Indians to the various stockades, which had been previously prepared for their reception. From these posts, squads of soldiers were sent to search out, with rifle and bayonet, every small cabin which could be found within the ramifications and deep recesses of the great Appalachian range of mountains, and bring to the forts every man, woman and child to be found within the gates of the granite hills.

Families, while sitting peacefully at the noon-day meal; others while performing the matutinal ablution, were suddenly startled by the gleam of bayonets and with blows, curses and oaths from the men called soldiers, the Indians were driven like cattle from their humble homes down the rugged mountain paths, and their houses in many cases were burned and their small possessions destroyed, as the brave but defenceless Cherokee people looked on with that wonderful stoicism which no other race of men ever possessed.

Men were seized in the fields, women torn from the wheel and the distaff, and children frightened from the pleasures of play. The vandals who followed in the wake of the soldiery, looting and pillaging, burning and destroying, yet calling themselves civilized Christians, were such a band of outlaws as is seldom seen even among the most savage and barbaric races.

Even Indian graves were robbed of the silver pendants and other valuables which had been deposited with the dead. Women who were not able to go, were actually forced at the point of a bayonet to march with the same speed as men.

Upon one occasion the soldiers surrounded the house of an old Christian patriot, who when informed as to what was to take place, called his wife, children and grandchildren around him, kneeling down among them offered a last prayer in the sanctuary of his home, in his native tongue, while the soldiers stood astonished, looking on in silence.

When his devotions were finished, he arose, bade the household follow him, and he led them into exile, with that becoming Christian fortitude which is seldom witnessed among men.

One woman, on finding the house surrounded, went to the door and called up the chickens, fed them for the last time, bade them farewell, then taking her baby upon her back, she extended her hands to her other two small children, then followed her husband into exile, from whence she never returned.

A Georgia volunteer, who afterwards became a Colonel in the Confederate service, said, "I have fought through the Civil War and have seen men shot to pieces and slaughtered by the thousands, but the Cherokee removal was the most cruel work I ever witnessed."

All were not thus so submissive. One old man named Tsali, "Charlie," was seized, with his wife, his brother, his three sons and their families; exasperated at the brutality accorded his wife, who being unable to travel fast, was prodded with the bayonets to hasten her steps, he urged the other men to join him in a dash for liberty, and as he spoke in Cherokee, the soldiers, although they heard, understood nothing until each warrior suddenly sprang upon the soldier nearest and endeavored to wrench his gun from him. The attack was so sudden and unexpected that one soldier was killed and the rest fled, while the Indians escaped to the mountains. Hundreds of others, some of them from the various stockades, managed also to escape to the hills and mountains from time to time, where those who did not die from starvation subsisted on roots and wild berries until the hunt was over.

Finding that it was impossible to secure these fugitives, General Scott finally tendered them a proposition, through Colonel W. H. Thomas, known as Wil-Usdi in Cherokee, their trusted friend and chief, that if they would bring Charlie and his party for punishment, the rest would be allowed to remain until their case could be adjusted by the Government.

On hearing of the proposition, Charlie voluntarily came in with his sons, offering himself as a sacrifice for his people.

By command of General Scott, Charlie, his brother and the two elder sons were shot, near the mouth of Tuckaseigee river, a detachment of Cherokee prisoners being compelled to do the shooting in order to impress upon the Indians the fact of their utter helplessness.

From those fugitives thus permitted to remain, originated the present eastern band of Cherokee.

When nearly 17,000 Cherokee had been gathered into the stockades, the removal began.

Early in June several parties, aggregating about five thousand persons, were brought down by the troops to the old agency on Hiwassee river, at the present Calhoun, Tenn., and to Ross landing (now Chattanooga, Tenn.) and to Gunter's landing (now Guntersville, Ala.) lower down on the Tennessee, where they were put upon steamers and transported down the Tennessee and Ohio to the farther side of the Mississippi, whence their journey was continued by land to Indian Territory (now Oklahoma).

The removal in the the hottest part of the year was attended with so great sickness and mortality that, by resolution of the Cherokee National Council, John Ross and the other chiefs submitted to General Scott a proposition that the Cherokee be allowed to remove themselves in the fall, after the sickly season ended. This was granted on condition that all should have started by the 20th of October, except the sick and aged, who might not be able to move so rapidly. Accordingly, officers were appointed by the Cherokee council to take charge of the emigration; the Indians being organized into detachments averaging one thousand each, with two leaders in charge of each department, and a sufficient number of wagons and horses for the purpose.

In this way the remainder, enrolled at about 13,000, (including a few negro slaves), started on the long march overland late in the fall. Those who thus emigrated under the management of their own officers, assembled at Rattlesnake Springs, near the present Charleston, Tenn., where a final council was held, in which it was decided to continue their old constitution and laws in their new home. Then, in October, 1838, the long procession of exiles was set in motion. A few went by the river route, but nearly all went overland. Crossing, to the north side of the Hiwassee river, at a ferry above Gunter's Creek, they proceeded down along the river, the sick, aged and children, together with their belongings, being hauled in wagons, the rest on foot or on horses.

It was like an army, 645 wagons, regiment after regiment, the wagons in the center, the officers along the line, and the horsemen on the flank and at the rear.

Tennessee river was crossed at Tucker's ferry, a short distance above Jolly's Island, at the mouth of Hiwassee; thence the route lay south of Pikeville, through McMinnville, and on to Nashville, where the Cumberland was crossed.

They then went on to Hopkinsville, where the noted chief White Path, in charge of a detachment, sickened and died. His people buried him by the roadside, with a box over the grave and poles with streamers around it, that the others coming on behind might note the spot and remember him.

Somewhere along that march of death--for the exiles died by tens and twenties every day of the journey--the devoted wife of the noted chief, John Ross, sank down and died, leaving him to go on with bitter pain of bereavement added to the heartbreak at the ruin and desolation of his nation.

The Ohio was crossed at a ferry near the mouth of the Cumberland, and the army passed on through southern Illinois until the great Mississippi was reached, opposite Cape Girardean, Missouri. It was now the middle of winter, with the river running full of ice, so that several detachments were obliged to wait some time on the eastern bank for the channel to become clear.

Information furnished by old men at Tahlequah after the lapse of fifty years showed that time had not sufficed to wipe out the memory of the miseries of that halt beside the frozen river, with hundreds of sick and dying penned up in wagons or stretched upon the ground, with only a blanket overhead to keep out the January blast.

The crossing was at last made, in two divisions, at Cape Girardean and Green's ferry, a short distance below, whence the march was continued on through Missouri to Indian Territory, the later detachment making a northerly circuit by Springfield, because those who had gone before had killed off all the game along the direct route.

They had started in October, 1838, and it was now March, 1839, the journey having occupied nearly six months of the hardest part of the year.

It is difficult to state positively as to the mortality and loss by reason of the removal of this once happy nation, but as near as can be ascertained, more than four thousand persons perished along the great highway of death.

On the arrival in Indian Territory, the exiles at once set about building houses and planting crops, the government having agreed under treaty to furnish them rations for one year after arrival. They were welcomed by their kindred, the "Old Settlers," who held the country under previous treaties of 1828 and 1833. These, however, being already regularly organized under a government and chiefs of their own, were by no means disposed to be swallowed by the governmental authority of the newcomers.

Jealousies developed, in which the minority or treaty party of the emigrants, headed by Major Ridge, took sides with the old settlers against John Ross of the National party, which outnumbered the others nearly three to one.

While these differences were at their height, the Nation was thrown into a fever of excitement by the news that Major Ridge, his son, John Ridge, and Elias Boudinot--all leaders of the treaty party--had been killed by adherents of the National party, immediately after the adjournment of a general council, which had adjourned after nearly two weeks of debate without having been able to bring about harmonious action. Major Ridge was waylaid and shot near the Arkansas line, his son was taken from bed and cut to pieces with hatchets, while Boudinot was treacherously killed at his home at Park Hill, Indian Territory, all three being killed upon the same day, June 22, 1839, which date marks the decline and fall of a once great and happy people. For fifty years which followed this luckless day in June, Indian Territory became a veritable theater of crime and disorder.

From the South meridian of the sunflower state, to the cypress banks of the Red river, and from Fort Smith to the shifting sands of the great plains, for half a century sheltered a coterie of actors that would have made Robin Hood or Kit Carson blush with envy. The soil of the five tribes has been moistened with human blood when there was none to answer the cry for vengeance; when no sound save the deadly snap of the Winchester and the pit-pat of the bronchos' hoofs were there to bear testimony. Now, those who incited intrigue and murder are gone, the desperado is a thing of the past, the brave men who enlisted in the hazardous governmental service to give them battle have disappeared, and the sound of the firing Winchester used in deadly conflict, has been replaced by the reaper and the mower, and toilers in the field of commerce and industry.

The Indian tribe has been supplanted by the American Government; and the school and church have taken the place of the chase and the feud. Where the wild flowers nodded far out on the lonely plain, vast fields of wheat and corn whisper the great name of Oklahoma.

At this writing the eastern band of Cherokee is about to be dissolved, their lands allotted, and in a few more decades the Cherokee will have passed, and the name will be presented only in old records and in the hearts of their descendants.

The Maid of the Mystic Lake,

by Robert Frank Jarrett.

Far away beneath the shadows Of the towering Smoky range, In the Western North Carolina, Comes a story true, but strange; Of a maiden and her lover, Of the tribe of Cherokee, And she lived far up the mountain, Near the hills of Tennessee.

Far above the habitation Of the white man, and the plain, Lived the dark-eyed Indian maiden, Of the Junaluska strain; Junaluska, chief, her father, Occoneechee was his pride, In the lonely little wigwam, High upon the mountain side.

There the stream Oconaluftee Hides its source far from the eye, Of the white man in his rovings, Far upon the mountain high; And the forest land primeval, Roamed by doe and wandering bear, And the hissing, coiling serpent, Was no stranger to them there.

Catamount and mountain-boomer Sprang from cliff-side into trees, And the eagle, hawk and vulture Winged their course on every breeze. At the footfall of this maiden Sped the gobbler wild and free, From the maiden Occoneechee Flitted butterfly and bee.

Occoneechee, forest dweller, Lived amid the scene so wild; In the simple Indian manner Lived old Junaluska's child. Streams of purest limpid water Gushed forth o'er the rock below, And the trout and silver minnow Dwelt in water, cold as snow.

Occoneechee's Mother Qualla Passed away from earth to God, When this maiden was a baby And was covered by the sod. High upon the rugged mountain, Far above the haunts of men, With their burdens and their sorrows, And their load of care and sin.

Thus the maiden knew no mother, Knew no love as most maids know, Heard no song, as sung by mother, Softly, sweetly, plaintive, slow. When the twilight came at evening, And the wigwam fire was lit, And the bearskin robe was spread out Upon which they were to sit,

Junaluska wept his Qualla, Wept the lover who had flown, For she was the only lover That this chieftain's heart had known; And at night, there was no lover To sit by him on the rug, Made of skins of bear and woodchuck, In the wigwam, crude but snug.

And at times he'd stand at evening, When the sun was setting low, And would watch with adoration Shifting clouds and scenes below; And his soul would want to wander Where the clime of setting sun Would reveal his long lost Qualla, When his work of life was done.

And the tears would fill his eyelids, And emotion shake his frame, When he thought of her departed, Or some friend would speak her name. And he'd call on God the spirit, When he'd see the golden glow Of the radiant splendid sunset, Where he ever longed to go.

Then he'd think of Occoneechee, In her adolescent years, How she needed his protection There to drive away her fears. Then he'd cease his deep repining, And his wailing and his grief, For her future and her beauty Brought the chieftain's heart relief.

Though the life of Occoneechee Was one lonely strange career, And the solitude and silence Made the romance of it drear, While the wildness of the forest, With the animals that roam, And the birds in great profusion Cheered her little wigwam home,

Yet her spirit, like the eagle's, Longed to soar off and be free From the wilds of gorge and mountain, Stream and cliff and crag and tree. And one day there came a red man Wandering up the mountain side, From the vale Oconaluftee Which was every Indian's pride.

Tall and handsome, agile runner, And the keenness of his eye Did betray his quick perception To the casual passer-by. Hair hung down in long black tresses, Far below his shoulder-blade, And the brilliant painted feathers By the passing winds were swayed.

And the arrows in his quiver Tipped with variegated stone, And the tomahawk and war knife, All the weapons he had known; Yet he knew all of their uses, None could wield with greater skill Tomahawk or knife or arrow, Than this wandering Whippoorwill.

Occoneechee, sitting lonely, In a shady little nook, Near the opening, by the wigwam, And the babbling crystal brook; She was bathing feet and ankles, Arms and hands she did refresh, In the iridescent splendor Of the fountain cool and fresh.

Whippoorwill, the wandering warrior, Spied the maiden by the pool, 'Neath the spreading tree above her, By the limpid stream so cool; Then he ventured there to tarry, Watch and linger in the wild, Near the maiden and the fountain, Watch this forest-dwelling child.

Though a warrior, brave, undaunted By the fiercest, wildest foe, In the battle's hardest struggle, Chasing bear and buck and doe; For his life was used to hardships, Scaling mountains in the chase, Yet he ne'er was known to falter 'Mid the hottest of the race.

But he now was moved by caution To approach, with greatest care, The unknown maid, there before him, And the scene so rich and rare; And his brave heart almost failed him As he comes up to her side, And obeisance makes he to her, E'er the chieftain she espied.

Occoneechee sprang up quickly From the rock moss-covered seat, All abashed, but lithe and nimble Were her ankles and her feet. "O-I-see-you," were the greetings They exchanged spontaneously, As they moved off together. Occoneechee leads the way,

To the quiet little wigwam, Where old Junaluska dwells With the maiden Occoneechee, And for whom his heart up-wells. Spreading out the flowing doe-skin Flat upon the earthen floor, Occoneechee and the warrior Sat and talked the chases o'er.

Sat and talked of bear and venison, Sat and smoked the calumet. These the greetings of the warrior, When the maiden first he met. Whippoorwill, the wandering warrior, Tarried for a night and day, Tarried long within the wigwam, And was loath to go away,

Robert Frank Jarrett's Occoneechee, the Maid of the Mystic Lake (1916) is a hybrid work that moves between verse narrative, prose myth collection, and lexical appendix. The book's four-part structure—a long poem titled after the heroine, a section of Cherokee myths, and a glossary—creates a deliberate shift in genre and voice. The preface frames the project as an act of cultural preservation: Jarrett writes that he was inspired to write the poem so that Cherokee myths, legends, and traditions 'may linger and be transmitted to the nations yet to come.' This editorial note examines how the work's structure, recurring images, and movement between scenes shape the reader's experience.

From Epic to Encyclopedia

The book's architecture is unusual. Part I, 'The Cherokee,' and Part II, 'Occoneechee,' form a narrative poem of several thousand lines. Part III, 'Myths of the Cherokee,' shifts to prose retellings of traditional stories, and Part IV is a glossary of Cherokee words. This progression from sustained verse to fragmented prose to lexical list mirrors a movement from storytelling to documentation. The poem itself is episodic, with descriptive passages of landscape—'Tuckaseigee Falls, above Dillsboro' and 'Sunset from Mt. Junaluska'—punctuating the action. The myths, by contrast, are self-contained tales, each with its own internal logic. The glossary then atomizes language into individual terms. The effect is a gradual reduction of narrative scale, from epic sweep to discrete units of meaning.

Stone, Skin, and Transformation

A recurring image cluster in the myths involves stone and hardened skin. The figure of Utlunta, or Spear-Finger, is described as having 'a skin as hard as a rock, that no weapon could wound or penetrate,' and a long, stony finger 'like an awl or spear-head.' This monster can also take on any shape, including that of a grandmother or a family member. The combination of stony invulnerability and shape-shifting creates a tension between fixity and fluidity. Another creature, Nunyunuwi, is called 'Stone-dress,' and the myth notes that Spear-Finger could 'easily lift and carry immense rocks, and could cement them together by merely striking one against another.' The stone motif recurs in place names like 'Tree Rock' and in the failed bridge of stone that lightning scattered. These images suggest a landscape where the boundary between the organic and the mineral is permeable.

Movement Across the Mountain Landscape

The myths are anchored in specific geographic locations in western North Carolina: Nikwasi (the mound near Franklin), Nantahala, the Great Smoky Mountains, Whiteside Mountain. The narrative movement often follows trails and gaps. Spear-Finger's favorite haunt is 'about the gap on the trail where Chilhowee Mountains come down to the river.' The Cherokee burn leaves off the mountains to gather chestnuts, and the smoke draws the monster. The story of the pitfall trap is set at Nikwasi, where a council is held. This grounding in named places gives the myths a topographic precision. The poem's illustrations—photographs of waterfalls, mountains, and the Indian Mound—reinforce this sense of a real, traversable landscape. The reader moves with the characters from ridge to river, from village to hunting ground.

The Glossary as a Threshold

The final section, a glossary of Cherokee words, functions as more than a reference tool. It invites the reader to return to the poem and myths with an awareness of the original language. Words like Utlunta and Nunyunuwi appear in the myths, and the glossary provides their meanings. This structure implies that the English text is a translation or mediation of an oral tradition. Jarrett's preface emphasizes that the work is meant to preserve Cherokee memory 'by its songs and the writings of its poets.' The glossary, then, is a key to that preservation, offering a way into the linguistic texture of the stories. It also marks a shift in authority: the poet-narrator gives way to the lexicographer, and the reader becomes a student of the culture.

Readers approaching Occoneechee may find it useful to move through the book in order, experiencing the poem's sustained rhythm before encountering the prose myths and glossary. Alternatively, one might begin with the myths to gain familiarity with the figures and places that populate the poem. The glossary rewards browsing: it turns the act of reading into an act of recovery. Jarrett's work is best understood not as a single narrative but as a layered archive, where verse, folklore, and language mutually illuminate one another.

Whenever I shelve Occoneechee, I think of its patient turn from story into catalogue, from living voice to quiet record. There’s a similar hush in Legends of Vancouver — Background and Themes, where myth and landscape hold each other gently. Both books remind me of stones warmed by sun—still, but never empty. They keep their secrets well.

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