Scottish Ghost Stories — A Reader’s Guide
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here was once a house, known as "The Old White House," that used to stand by the side of the road, close to where you say the horse first took fright. Some people of the name of Holkitt, relations of dear old Sir Arthur Holkitt, and great friends of ours, used to live there. The house, it was popularly believed, had been built on the site of an ancient burial-ground. Every one used to say it was haunted, and the Holkitts had great trouble in getting servants. The appearance of the haunted house did not belie its reputation, for its grey walls, sombre garden, gloomy hall, dark passages and staircase, and sinister-looking attics could not have been more thoroughly suggestive of all kinds of ghostly phenomena. Moreover, the whole atmosphere of the place, no matter how hot and bright the sun, was cold and dreary, and it was a constant source of wonder to every one how Lady Holkitt could live there. She was, however, always cheerful, and used to tell me that nothing would induce her to leave a spot dear to so many generations of her family, and associated with the happiest recollections in her life. She was very fond of company, and there was scarcely a week in the year in which she had not some one staying with her. I can only remember her as widow, her husband, a major in the Gordon Highlanders, having died in India before I was born. She had two daughters, Margaret and Alice, both considered very handsome, but some years older than I. This difference in age, however, did not prevent our being on very friendly terms, and I was constantly invited to their house--in the summer to croquet and archery, in the winter to balls. Like most elderly ladies of that period, Lady Holkitt was very fond of cards, and she and my mother used frequently to play bezique and cribbage, whilst the girls and I indulged in something rather more frivolous. On those occasions the carriage always came for us at ten, since my mother, for some reason or other--I had a shrewd suspicion it was on account of the alleged haunting--would never return home after that time. When she accepted an invitation to a ball, it was always conditionally that Lady Holkitt would put us both up for the night, and the carriage used, then, to come for us the following day, after one o'clock luncheon. I shall never forget the last time I went to a dance at "The Old White House," though it is now rather more than fifty years ago. My mother had not been very well for some weeks, having, so she thought, taken cold internally. She had not had a doctor, partly because she did not feel ill enough, and partly because the only medical man near us was an apothecary, of whose skill she had a very poor opinion. My mother had quite made up her mind to accompany me to the ball, but at the last moment, the weather being appalling, she yielded to advice, and my aunt Norah, who happened to be staying with us at the time, chaperoned me instead. It was snowing when we set out, and as it snowed all through the night and most of the next day, the roads were completely blocked, and we had to remain at "The Old White House" from Monday evening till the following Thursday. Aunt Norah and I occupied separate bedrooms, and mine was at the end of a long passage away from everybody else's. Prior to this my mother and I had always shared a room--the only really pleasant one, so I thought, in the house--overlooking the front lawn. But on this occasion there being a number of visitors, belated like ourselves, we had to squeeze in wherever we could; and as my aunt and I were to have separate rooms (my aunt liking a room to herself), it was natural that she should be allotted the largest and most comfortable. Consequently, she was domiciled in the wing where all the other visitors slept, whilst I was forced to retreat to a passage on the other side of the house, where, with the exception of my apartment, there were none other but lumber-rooms. All went smoothly and happily, and nothing interrupted the harmony of our visit, till the night before we returned home. We had had supper--our meals were differently arranged in those days--and Margaret and I were ascending the staircase on our way to bed, when Alice, who had run upstairs ahead of us, met us with a scared face.
"Oh, do come to my room!" she cried. "Something has happened to Mary." (Mary was one of the housemaids.)
We both accompanied her, and, on entering her room, found Mary seated on a chair, sobbing hysterically. One only had to glance at the girl to see that she was suffering from some very severe shock. Though normally red-cheeked and placid, in short, a very healthy, stolid creature, and the last person to be easily perturbed, she was now without a vestige of colour, whilst the pupils of her eyes were dilated with terror, and her entire body, from the crown of her head to the soles of her feet, shook as if with ague. I was immeasurably shocked to see her.
"Why, Mary," Margaret exclaimed, "whatever is the matter? What has happened?"
"It's the candle, miss," the girl gasped, "the candle in Miss Trevor's room. I can't put it out."
"You can't put it out, why, what nonsense!" Margaret said. "Are you mad?"
"It is as true as I sit here, miss," Mary panted. "I put the candle on the mantelpiece while I set the room to rights, and when I had finished and came to blow it out, I couldn't. I blew, and blew, and blew, but it hadn't any effect, and then I grew afraid, miss, horribly afraid," and here she buried her face in her hands, and shuddered. "I've never been frightened like this before, miss," she returned slowly, "and I've come away and left the candle burning."
"How absurd of you," Margaret scolded. "We must go and put it out at once. I have a good mind to make you come with us, Mary--but there! Stay where you are, and for goodness' sake stop crying, or every one in the house will hear you."
So saying, Margaret hurried off,--Alice and I accompanying her,--and on arriving outside my room, the door of which was wide open, we perceived the lighted candle standing in the position Mary had described. I looked at the girls, and perceived, in spite of my endeavours not to perceive it, the unmistakable signs of a great fear--fear of something they suspected but dared not name--lurking in the corners of their eyes.
"Who will go first?" Margaret demanded. No one spoke.
"Well then," she continued, "I will," and, suiting the action to the word, she stepped over the threshold. The moment she did so, the door began to close. "This is curious!" she cried. "Push!"
We did; we all three pushed; but, despite our efforts, the door came resolutely to, and we were shut out. Then before we had time to recover from our astonishment, it flew open; but before we could cross the threshold, it came violently to in the same manner as before. Some unseen force held it against us.
"Let us make one more effort," Margaret said, "and if we don't succeed, we will call for help."
Obeying her instructions, we once again pushed. I was nearest the handle, and in some manner,--how, none of us could ever explain,--just as the door opened of its own accord, I slipped and fell inside. The door then closed immediately with a bang, and, to my unmitigated horror, I found myself alone in the room. For some seconds I was spellbound, and could not even collect my thoughts sufficiently to frame a reply to the piteous entreaties of the Holkitts, who kept banging on the door, and imploring me to tell them what was happening. Never in the hideous excitement of nightmare had I experienced such a terror as the terror that room conveyed to my mind. Though nothing was to be seen, nothing but the candle, the light of which was peculiarly white and vibrating, I felt the presence of something inexpressibly menacing and horrible. It was in the light, the atmosphere, the furniture, everywhere. On all sides it surrounded me, on all sides I was threatened--threatened in a manner that was strange and deadly. Something suggesting to me that the source of evil originated in the candle, and that if I could succeed in extinguishing the light I should free myself from the ghostly presence, I advanced towards the mantelpiece, and, drawing in a deep breath, blew--blew with the energy born of desperation. It had no effect. I repeated my efforts; I blew frantically, madly, but all to no purpose; the candle still burned--burned softly and mockingly. Then a fearful terror seized me, and, flying to the opposite side of the room, I buried my face against the wall, and waited for what the sickly beatings of my heart warned me was coming. Constrained to look, I slightly, only very, very slightly, moved round, and there, there, floating stealthily towards me through the air, came the candle, the vibrating, glowing, baleful candle. I hid my face again, and prayed God to let me faint. Nearer and nearer drew the light; wilder and wilder the wrenches at the door. Closer and closer I pressed myself to the wall. And then, then when the final throes of agony were more than human heart and brain could stand, there came the suspicion, the suggestion of a touch--of a touch so horrid that my prayers were at last answered, and I fainted. When I recovered, I was in Margaret's room, and half a dozen well-known forms were gathered round me. It appears that with the collapse of my body on the floor, the door, that had so effectually resisted every effort to turn the handle, immediately flew open, and I was discovered lying on the ground with the candle--still alight--on the ground beside me. My aunt experienced no difficulty in blowing out the refractory candle, and I was carried with the greatest tenderness into the other wing of the house, where I slept that night. Little was said about the incident next day, but all who knew of it expressed in their faces the utmost anxiety--an anxiety which, now that I had recovered, greatly puzzled me. On our return home, another shock awaited me; we found to our dismay that my mother was seriously ill, and that the doctor, who had been sent for from Perth the previous evening, just about the time of my adventure with the candle, had stated that she might not survive the day. His warning was fulfilled--she died at sunset. Her death, of course, may have had nothing at all to do with the candle episode, yet it struck me then as an odd coincidence, and seems all the more strange to me after hearing your account of the bogle that touched your dear father in the road, so near the spot where the Holkitts' house once stood. I could never discover whether Lady Holkitt or her daughters ever saw anything of a superphysical nature in their house; after my experience they were always very reticent on that subject, and naturally I did not like to press it. On Lady Holkitt's death, Margaret and Alice sold the house, which was eventually pulled down, as no one would live in it, and I believe the ground on which it stood is now a turnip field. That, my dear, is all I can tell you.
"Now, Mr. O'Donnell," Miss Macdonald added, "having heard our experiences, my mother's and mine, what is your opinion? Do you think the phenomenon of the candle was in any way connected with the bogle both you and I have seen, or are the hauntings of 'The Old White House' entirely separate from those of the road?"
THE TOP ATTIC IN PRINGLE'S MANSION, EDINBURGH
A charming lady, Miss South, informs me that no house interested her more, as a child, than Pringle's Mansion, Edinburgh. Pringle's Mansion, by the bye, is not the real name of the house, nor is the original building still standing--the fact is, my friend has been obliged to disguise the locality for fear of an action for slander of title, such as happened in the Egham Case of 1904-7.
Miss South never saw--save in a picture--the house that so fascinated her; but through repeatedly hearing about it from her old nurse, she felt that she knew it by heart, and used to amuse herself hour after hour in the nursery, drawing diagrams of the rooms and passages, which, to make quite realistic, she named and numbered.
There was the Admiral's room, Madame's room, Miss Ophelia's room, Master Gregory's room, Letty's (the nurse's) room, the cook's room, the butler's room, the housemaid's room--and--the Haunted Room.
The house was very old--probably the sixteenth century--and was concealed from the thoroughfare by a high wall that enclosed it on all sides. It had no garden, only a large yard, covered with faded yellow paving-stones, and containing a well with an old-fashioned roller and bucket.
When the well was cleaned out, an event which took place periodically on a certain date, every utensil in the house was called into requisition for ladling out the water, and the Admiral, himself supervising, made every servant in the establishment take an active part in the proceedings. On one of these occasions, the Admiral announced his intention of going down the well in the bucket. That was a rare moment in Letty's life, for when the Admiral had been let down in the bucket, the rope broke!
Indeed, the thought of what the Laird would say when he came up, almost resulted in his not coming up at all. However, some one, rather bolder than the rest, retained sufficient presence of mind to effect a rescue, and the timid ones, thankful enough to survive the explosion, had to be content on "half-rations till further orders."
But in spite of its association with such a martinet, and in spite of her ghostly experiences in it, Letty loved the house, and was never tired of singing its praises.
It was a two-storeyed mansion, with roomy cellars but no basement. There were four reception-rooms--all oak-panelled--on the ground floor; numerous kitchen offices, including a cosy housekeeper's room; and a capacious entrance hall, in the centre of which stood a broad oak staircase. The cellars, three in number, and chiefly used as lumber-rooms, were deep down and dank and horrid.
On the first floor eight bedrooms opened on to a gallery overlooking the hall, and the top storey, where the servants slept, consisted solely of attics connected with one another by dark, narrow passages. It was one of these attics that was haunted, although, as a matter of fact, the ghost had been seen in all parts of the house.
When Letty entered the Admiral's service she was but a bairn, and had never even heard of ghosts; nor did the other servants apprise her of the hauntings, having received strict injunctions not to do so from the Laird.
But Letty's home, humble though it was, had been very bright and cheerful, and the dark precincts of the mansion filled her with dismay. Without exactly knowing why she was afraid, she shrank in terror from descending into the cellars, and felt anything but pleased at the prospect of sleeping alone in an attic. Still nothing occurred to really alarm her till about a month after her arrival. It was early in the evening, soon after twilight, and she had gone down into one of the cellars to look for a boot-jack, which the Admiral swore by all that was holy must be found before supper. Placing the light she had brought with her on a packing-case, she was groping about among the boxes, when she perceived, to her astonishment, that the flame of the candle had suddenly turned blue. She then felt icy cold, and was much startled on hearing a loud clatter as of some metal instrument on the stone floor in the far-off corner of the cellar. Glancing in the direction of the noise, she saw, looking at her, two eyes--two obliquely set, lurid, light eyes, full of the utmost devilry. Sick with terror and utterly unable to account for what she beheld, she stood stock-still, her limbs refusing to move, her throat parched, her tongue tied. The clanging was repeated, and a shadowy form began slowly to crawl towards her. She dared not afterwards surmise what would have happened to her, had not the Laird himself come down at this moment. At the sound of his stentorian voice the phantasm vanished. But the shock had been too much for Letty; she fainted, and the Admiral, carrying her upstairs as carefully as if she had been his own daughter, gave peremptory orders that she should never again be allowed to go into the cellar alone.
But now that Letty herself had witnessed a manifestation, the other servants no longer felt bound to secrecy, and soon poured into her ears endless accounts of the hauntings.
Every one, they informed her, except Master Gregory and Perkins (the butler) had seen one or other of the ghosts, and the cellar apparition was quite familiar to them all. They also declared that there were other parts of the house quite as badly haunted as the cellar, and it might have been partly owing to these gruesome stories that poor Letty always felt scared, when crossing the passages leading to the attics. As she was hastening down one of them, early one morning, she heard some one running after her. Thinking it was one of the other servants, she turned round, pleased to think that some one else was up early too, and saw to her horror a dreadful-looking object, that seemed to be partly human and partly animal. The body was quite small, and its face bloated, and covered with yellow spots. It had an enormous animal mouth, the lips of which, moving furiously without emitting any sound, showed that the creature was endeavouring to speak but could not. The moment Letty screamed for help the phantasm vanished.
But her worst experience was yet to come. The spare attic which she was told was so badly haunted that no one would sleep in it, was the room next to hers. It was a room Letty could well believe was haunted, for she had never seen another equally gloomy. The ceiling was low and sloping, the window tiny, and the walls exhibited all sorts of odd nooks and crannies. A bed, antique and worm-eaten, stood in one recess, a black oak chest in another, and at right angles with the door, in another recess, stood a wardrobe that used to creak and groan alarmingly every time Letty walked a long the passage. Once she heard a chuckle, a low, diabolical chuckle, which she fancied came from the chest; and once, when the door of the room was open, she caught the glitter of a pair of eyes--the same pale, malevolent eyes that had so frightened her in the cellar. From her earliest childhood Letty had been periodically given to somnambulism, and one night, just about a year after she went into service, she got out of bed, and walked, in her sleep, into the Haunted Room. She awoke to find herself standing, cold and shivering, in the middle of the floor, and it was some seconds before she realised where she was. Her horror, when she did discover where she was, is not easily described. The room was bathed in moonlight, and the beams, falling with noticeable brilliancy on each piece of furniture the room contained, at once riveted Letty's attention, and so fascinated her that she found herself utterly unable to move. A terrible and most unusual silence predominated everywhere, and although Letty's senses were wonderfully and painfully on the alert, she could not catch the slightest sound from any of the rooms on the landing.
Elliott O'Donnell opens his 1911 collection with a wry, self-deprecating voice, recounting how he answered an advertisement for a boarding house in Pitlochry. The ad's demand for a teetotaller and non-smoker amuses him, and he spins a playful fantasy about the landlady's matrimonial designs. This conversational, almost gossipy tone sets the stage for the ghost stories that follow, which are presented as firsthand encounters or secondhand reports rather than scholarly folklore. O'Donnell's narrators often describe their unease in precise, domestic terms—a bathroom's grimness, a candle's inexplicable persistence—grounding the supernatural in the everyday.
The Narrator's Voice and Framing
O'Donnell frequently inserts himself into the stories, either as a direct participant or as a collector of testimony. In the first case, he describes his own amusement at the advertisement and his subsequent stay at the Old White House. This framing device lends an air of authenticity, as if the reader is hearing a tale told over a fire. The narrator's personality—skeptical yet curious, with a taste for the macabre—colors the accounts. He often includes details about how he obtained the story, such as a letter or a conversation, which reinforces the impression of a genuine report. This technique contrasts with the more detached style of many contemporary ghost-story collections.
Recurring Motifs: Bogles, Candles, and Floating Heads
Several stories feature specific, recurring supernatural phenomena. The title of the first case promises a 'Death Bogle' and an 'Inextinguishable Candle'—a candle that cannot be blown out. Later, a 'Floating Head' appears at the Benrachett Inn, and a 'Grey Piper' haunts Donaldgowerie House. These motifs are not merely decorative; they are described with a matter-of-factness that suggests the author expects readers to accept them as possible. O'Donnell often provides physical details: the candle's flame burns steadily despite attempts to extinguish it; the head floats at a certain height. This specificity grounds the uncanny in the tangible world.
Domestic Settings and Atmospheric Detail
Many hauntings occur in ordinary houses, with particular attention to rooms like bathrooms, attics, and bedrooms. In Case X, Captain Smythe finds the bathroom 'excessively grim' despite renovations—the grimness persists in the new bath, paper, and paint. O'Donnell excels at describing this kind of atmospheric dread: a room feels wrong, but the cause cannot be pinpointed. He uses words like 'grimness' repeatedly, as if the quality itself is a tangible substance. Other stories mention specific streets and squares in Edinburgh and Glasgow, lending a documentary feel. The supernatural intrudes into the mundane, making the familiar unsettling.
Dialogue and Reported Speech
O'Donnell often includes dialogue or direct speech from his informants, which adds immediacy and character. In Case I, Aunt Amelia explains the haunting to her niece Esther: 'Though Alicia's earthly body died... her beautiful spirit remains with us here.' The speech is formal yet intimate, revealing the aunt's beliefs and the family's history. In other stories, witnesses describe their experiences in their own words, creating a polyphonic effect. This technique allows O'Donnell to present multiple perspectives without endorsing any single explanation. The reader is left to weigh the credibility of each speaker, much as one would in real life.
O'Donnell's collection rewards readers who appreciate a conversational, anecdotal approach to the supernatural. The stories are best read not as definitive accounts but as glimpses into early twentieth-century Scottish folklore and the author's own fascination with the inexplicable. Pay attention to the small details—the smell of fresh paint, the look of a geyser, the way a candle refuses to die—for they are where the true haunting resides.
I sat with O'Donnell's tales of floating heads and grim, candlelit rooms the other night, and it struck me how both he and those old storytellers trusted the strange quietness of everyday places. That same unhurried hush lives in Animal Stories from Eskimo Land Adapted from the Original Eskimo Stories Collected by Dr. Daniel S. Neuman — Themes and Context, where the ordinary snow and lean dogs hold their own gentle mysteries, never needing a shout to be believed.
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