Fairy Tales, Their Origin and Meaning; With Some Account of Dwellers in Fairyland — A Reader’s Guide
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CHAPTER I. ORIGIN OF FAIRY TALES--THE ARYAN RACE: ITS CHARACTERISTICS, ITS TRADITIONS, AND ITS MIGRATIONS
CHAPTER II. KINDRED TALES FROM DIVERS LANDS
CHAPTER III. DWELLERS IN FAIRYLAND: STORIES FROM THE EAST
CHAPTER IV. DWELLERS IN FAIRYLAND: TEUTONIC, SCANDINAVIAN, ETC.
CHAPTER V. DWELLERS IN FAIRYLAND: CELTIC, THE WEST HIGHLANDS
CHAPTER VI. CONCLUSION-SOME POPULAR TALES EXPLAINED.
CHAPTER I.--ORIGIN OF FAIRY STORIES.
We are going into Fairy Land for a little while, to see what we can find there to amuse and instruct us this Christmas time. Does anybody know the way? There are no maps or guidebooks, and the places we meet with in our workaday world do not seem like the homes of the Fairies. Yet we have only to put on our Wishing Caps, and we can get into Fairy Land in a moment. The house-walls fade away, the winter sky brightens, the sun shines out, the weather grows warm and pleasant; flowers spring up, great trees cast a friendly shade, streams murmur cheerfully over their pebbly beds, jewelled fruits are to be had for the trouble of gathering them; invisible hands set out well-covered dinner-tables, brilliant and graceful forms flit in and out across our path, and we all at once find ourselves in the midst of a company of dear old friends whom we have known and loved ever since we knew anything. There is Fortunatus with his magic purse, and the square of carpet that carries him anywhere; and Aladdin with his wonderful lamp; and Sindbad with the diamonds he has picked up in the Valley of Serpents; and the Invisible Prince, who uses the fairy cat to get his dinner for him; and the Sleeping Beauty in the Wood, just awakened by the young Prince, after her long sleep of a hundred years; and Puss in Boots curling his whiskers after having eaten up the ogre who foolishly changed himself into a mouse; and Beauty and the Beast; and the Blue Bird; and Little Red Riding Hood, and Jack the Giant Killer, and Jack and the Bean Stalk; and the Yellow Dwarf; and Cinderella and her fairy godmother; and great numbers besides, of whom we haven't time to say anything now.
And when we come to look about us, we see that there are other dwellers in Fairy Land; giants and dwarfs, dragons and griffins, ogres with great white teeth, and wearing seven-leagued boots; and enchanters and magicians, who can change themselves into any forms they please, and can turn other people into stone. And there are beasts and birds who can talk, and fishes that come out on dry land, with golden rings in their mouths; and good maidens who drop rubies and pearls when they speak, and bad ones out of whose mouths come all kinds of ugly things. Then there are evil-minded fairies, who always want to be doing mischief; and there are good fairies, beautifully dressed, and with shining golden hair and bright blue eyes and jewelled coronets, and with magic wands in their hands, who go about watching the bad fairies, and always come just in time to drive them away, and so prevent them from doing harm--the sort of Fairies you see once a year at the pantomimes, only more beautiful, and more handsomely dressed, and more graceful in shape, and not so fat, and who do not paint their faces, which is a bad thing for any woman to do, whether fairy or mortal.
Altogether, this Fairy Land that we can make for ourselves in a moment, is a very pleasant and most delightful place, and one which all of us, young and old, may well desire to get into, even if we have to come back from it sooner than we like. It is just the country to suit everybody, for all of us can find in it whatever pleases him best. If he likes work, there is plenty of adventure; he can climb up mountains of steel, or travel over seas of glass, or engage in single combat with a giant, or dive down into the caves of the little red dwarfs and bring up their hidden treasures, or mount a horse that goes more swiftly than the wind, or go off on a long journey to find the water of youth and life, or do anything else that happens to be very dangerous and troublesome. If he doesn't like work, it is again just the place to suit idle people, because it is all Midsummer holidays. I never heard of a school in Fairy Land, nor of masters with canes or birch rods, nor of impositions and long lessons to be learned when one gets home in the evening. Then the weather is so delightful. It is perpetual sunshine, so that you may lie out in the fields all day without catching cold; and yet it is not too hot, the sunshine being a sort of twilight, in which you see everything, quite clearly, but softly, and with beautiful colours, as if you were in a delightful dream.
And this goes on night and day, or at least what we call night, for they don't burn gas there, or candles, or anything of that kind; so that there is no regular going to bed and getting up; you just lie down anywhere when you want to rest, and when you have rested, you wake up again, and go on with your travels. There is one capital thing about Fairy Land. There are no doctors there; not one in the whole country. Consequently nobody is ill, and there are no pills or powders, or brimstone and treacle, or senna tea, or being kept at home when you want to go out, or being obliged to go to bed early and have gruel instead of cake and sweetmeats. They don't want the doctors, because if you cut your finger it gets well directly, and even when people are killed, or are turned into stones, or when anything else unpleasant happens, it can all be put right in a minute or two. All you have to do when you are in trouble is to go and look for some wrinkled old woman in a patched old brown cloak, and be very civil to her, and to do cheerfully and kindly any service she asks of you, and then she will throw off the dark cloak, and become a young and beautiful Fairy Queen, and wave her magic wand, and everything will fall out just as you would like to have it.
As to Time, they take no note of it in Fairy Land. The Princess falls asleep for a hundred years, and wakes up quite rosy, and young, and beautiful. Friends and sweethearts are parted for years, and nobody seems to think they have grown older when they meet, or that life has become shorter, and so they fall to their youthful talk as if nothing had happened. Thus the dwellers in Fairy Land have no cares about chronology. With them there is no past or future; it is all present--so there are no disagreeable dates to learn, nor tables of kings, and when they reigned, or who succeeded them, or what battles they fought, or anything of that kind. Indeed there are no such facts to be learned, for when kings are wicked in Fairy Land, a powerful magician comes and twists their heads off, or puts them to death somehow; and when they are good kings they seem to live for ever, and always to be wearing rich robes and royal golden crowns, and to be entertaining Fairy Queens, and receiving handsome brilliant gifts from everybody who knows them.
Now this is Fairy Land, the dear sweet land of Once Upon a Time, where there is constant light, and summer days, and everlasting flowers, and pleasant fields and streams, and long dreams without rough waking, and ease of life, and all things strange and beautiful; where nobody wonders at anything that may happen; where good fairies are ever on the watch to help those whom they love; where youth abides, and there is no pain or death, and all trouble fades away, and whatever seems hard is made easy, and all things that look wrong come right in the end, and truth and goodness have their perpetual triumph, and the world is ever young.
And Fairy Land is always the same, and always has been, whether it is close to us--so close that we may enter it in a moment--or whether it is far off; in the stories that have come to us from the most ancient days, and the most distant lands, and in those which kind and clever story-tellers write for us now. It is the same in the legends of the mysterious East, as old as the beginning of life; the same in the glowing South, in the myths of ancient Greece; the same in the frozen regions of the Scandinavian North, and in the forests of the great Teuton land, and in the Islands of the West; the same in the tales that nurses tell to the little ones by the fireside on winter evenings, and in the songs that mothers sing to hush their babes to sleep; the same in the delightful folk-lore that Grimm has collected for us, and that dear Hans Andersen has but just ceased to tell.
All the chief stories that we know so well are to be found in all times, and in almost all countries. Cinderella, for one, is told in the language of every country in Europe, and the same legend is found in the fanciful tales related by the Greek poets; and still further back, it appears in very ancient Hindu legends. So, again, does Beauty and the Beast, so does our own familiar tale of Jack the Giant Killer, so also do a great number of other fairy stories, each being told in different countries and in different periods, with so much likeness as to show that all the versions came from the same source, and yet with so much difference as to show that none of the versions are directly copied from each other. Indeed, when we compare the myths and legends of one country with another, and of one period with another, we find out how they have come to be so much alike, and yet in some things so different. We see that there must have been one origin for all these stories, that they must have been invented by one people, that this people must have been afterwards divided, and that each part or division of it must have brought into its new home the legends once common to them all, and must have shaped and altered these according, to the kind of places in which they came to live: those of the North being sterner and more terrible, those of the South softer and fuller of light and colour, and adorned with touches of more delicate fancy. And this, indeed, is really the case. All the chief stories and legends are alike, because they were first made by one people; and all the nations in which they are now told in one form or another tell them because they are all descended from this one common stock. If you travel amongst them, or talk to them, or read their history, and learn their languages, the nations of Europe seem to be altogether unlike each other; they have different speech and manners, and ways of thinking, and forms of government, and even different looks--for you can tell them from one another by some peculiarity of appearance. Yet, in fact, all these nations belong to one great family--English, and German, and Russian, and French, and Italian, and Spanish, the nations of the North, and the South, and the West, and partly of the East of Europe, all came from one stock; and so did the Romans and Greeks who went before them; and so also did the Medes and Persians, and the Hindus, and some other peoples who have always remained in Asia. And to the people from whom all these nations have sprung learned men have given two names. Sometimes they are called the Indo-Germanic or Indo-European race, to show how widely they extend; and sometimes they are called the Aryan race, from a word which is found in their language, and which comes from the root "ar," to plough, and is supposed to mean noble, or of a good family.
But how do we know that there were any such people, and that we in England are descended from them, or that they were the forefathers of the other nations of Europe, and of the Hindus, and of the old Greeks and Romans? We know it by a most curious and ingenious process of what may be called digging out and building up. Some of you may remember that years ago there was found in New Zealand a strange-looking bone, which nobody could make anything of, and which seemed to have belonged to some creature quite lost to the world as we know it. This bone was sent home to England to a great naturalist, Professor Owen, of the British Museum, who looked at it, turned it over, thought about it, and then came to the conclusion that it was a bone which had once formed part of a gigantic bird. Then; by degrees, he began to see the kind of general form which such a bird must have presented, and finally, putting one thing to another, and fitting part to part, he declared it to be a bird of gigantic size, and of a particular character, which he was able to describe; and this opinion was confirmed by later discoveries of other bones and fragments, so that an almost complete skeleton of the Dinornis may now be seen in this country. Well, our knowledge of the Aryan people, and of our own descent from them, has been found out in much the same way. Learned men observed, as a curious thing, that in various European languages there were words of the same kind, and having the same root forms; they found also that these forms of roots existed in the older language of Greece; and then they found that they existed also in Sanskrit, the oldest language of India--that in which the sacred books of the Hindus are written. They discovered, further, that these words and their roots meant always the same things, and this led to the natural belief that they came from the same source. Then, by closer inquiry into the _Vedas_, or Hindu sacred books, another discovery was made, namely, that while the Sanskrit has preserved the words of the original language in their most primitive or earliest state, the other languages derived from the same source have kept some forms plainly coming from the same roots, but which Sanskrit has lost. Thus we are carried back to a language older than Sanskrit, and of which this is only one of the forms, and from this we know that there was a people which used a common tongue; and if different forms of this common tongue are found in India, in Persia, and throughout Europe, we know that the races which inhabit these countries must, at sometime, have parted from the parent stock, and must have carried their language and their traditions along with them. So, to find out who these people were, we have to go back to the sacred books of the Hindus and the Persians, and to pick out whatever facts may be found there, and thus to build up the memorial of the Aryan race, just as Professor Owen built up the great New Zealand bird.
It would take too long, and would be much too dry, to show how this process has been completed step by step, and bit by bit. That belongs to a study called comparative philology, and to another called comparative mythology--that is, the studies of words and of myths, or legends--which some of those who read these pages may pursue with interest in after years. All that need be done now is to bring together such accounts of the Aryan people, our forefathers, as may be gathered from the writings of the learned men who have made this a subject of inquiry, and especially from the works of German and French writers, and more particularly from those of Mr. Max Muller, an eminent German, who lives amongst us in England, who writes in English, and who has done more, perhaps, than anybody else, to tell us what we know about this matter.
As to when the Aryans lived we know nothing, but that it was thousands of years ago, long before history began. As to the kind of people they were we know nothing in a direct way. They have left no traces of themselves in buildings, or weapons, or enduring records of any kind. There are no ruins of their temples or tombs, no pottery--which often helps to throw light upon ancient peoples-no carvings upon rocks or stones. It is only by the remains of their language that we can trace them; and we do this through the sacred books of the Hindus and Persians-the _Vedas_ and the _Zend Avesta_--in which remains of their language are found, and by means of which, therefore, we get to know something about their dwelling-place, their manners, their customs, their religion, and their legends--the source and origin of our Fairy Tales.
In the _Zend Avesta_--the oldest sacred book of the Persians--or in such fragments of it as are left, there are sixteen countries spoken of as having been given by Ormuzd, the Good Deity, for the Aryans to live in; and these countries are described as a land of delight, which was turned, by Ahriman, the Evil Deity, into a land of death and cold; partly, it is said, by a great flood, which is described as being like Noah's flood recorded in the Book of Genesis. This land, as nearly as we can make it out, seems to have been the high, central district of Asia, to the north and west of the great chain of mountains of the Hindu Koush, which form the frontier barrier of the present country of the Afghans. It stretched, probably, from the sources of the river Oxus to the shores of the Caspian Sea; and when the Aryans moved from their home, it is thought that the easterly portion of the tribes were those who marched southwards into India and Persia, and that those who were nearest the Caspian Sea marched westwards into Europe. It is not supposed that they were all one united people, but rather a number of tribes, having a common origin--though what was this original stock is quite beyond any knowledge we have, or even beyond our powers of conjecture. But, though the Aryan peoples were divided into tribes, and were spread over a tract of country nearly as large as half Europe, we may properly describe them generally, for so far as our knowledge goes, all the tribes had the same character.
John Thackray Bunce opens his 1878 lecture series by inviting readers to put on their "Wishing Caps" and enter Fairy Land, where familiar friends like Fortunatus await. But this is no mere storybook: Bunce aims to trace the origins of fairy tales, arguing that they descend from ancient Aryan myths shared across Europe and Asia. The book, revised from Christmas lectures at the Birmingham and Midland Institute, presents itself as an inducement to folk-lore study rather than a scientific treatise.
Bunce draws on comparative mythology, citing Max Müller and George Cox, and structures his chapters geographically—from Eastern tales to Teutonic, Scandinavian, and West Highland stories. His method is to show how similar plot patterns recur, from the cunning outwitting of ogres to the motif of the animal bridegroom.
The Rakshas as a Cross-Cultural Villain
Bunce devotes considerable attention to the Rakshas, a demon from Indian folklore, and uses it to illustrate how a single monstrous figure migrates across traditions. In one excerpt, a bold princess pushes a Rakshas and his wife into a well, drowning them—a scene Bunce explicitly compares to "the story of the Little Girl and the Three Bears." The Rakshas is also portrayed as stupid: in a tale of a Blind Man and a Deaf Man, the monster is outwitted by a made-up rival called "Bakshas." Bunce’s point is that such ogres, whether called Rakshas, giants, or trolls, embody the same primitive fears and are defeated by human cleverness rather than strength.
Comparative Method and the Aryan Hypothesis
Bunce’s central argument is that fairy tales are survivals of ancient Aryan mythology, diffused through migration and oral tradition. He structures his chapters to show kindred tales from diverse lands: the story of Eros and Psyche is presented as a Greek version of a plot found in Indian and Norse sources. The book does not claim to be exhaustive—Bunce admits his aim is "modest"—but it consistently pairs European and Eastern variants. For instance, the West Highland tales in Chapter V are linked to Sanskrit fables, reinforcing the idea of a common Indo-European heritage. Readers should note that Bunce relies on the scholarship of his day, which assumed a single Aryan origin for many motifs.
Voice and Address to a Young Audience
Bunce’s prose retains the conversational tone of a public lecture. He uses direct questions ("Does anybody know the way?") and exclamations ("This, you see, is something like the story...") to engage listeners. The language is vivid but not condescending: he describes Fairy Land as a place where "invisible hands set out well-covered dinner-tables" and "jewelled fruits are to be had." This oral quality shapes the book’s structure, with each chapter ending on a note that invites further inquiry. The excerpts suggest Bunce expected his audience to be both young and intellectually curious, capable of following comparative arguments without specialized knowledge.
Bunce’s volume is best read as a period piece of Victorian folk-lore scholarship, one that popularized the idea that fairy tales encode ancient myths. Readers interested in the history of fairy-tale studies will find its comparative approach instructive, even if later research has complicated the Aryan hypothesis. The book rewards attention to its specific examples—the Rakshas tales, the Eros and Psyche parallel—rather than its overarching theory.
There’s something comforting in how Bunce’s old lectures trace the same wide-eyed wonder through so many different lands. It made me think of my own worn copy of The Fairy Godmother-in-law — Story, Setting & Ideas, where that familiar shape-shifting warmth appears again, less as a relic than as a quiet presence I half-remember from childhood evenings. Strange, how these stories keep finding us.
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