The Arabian Nights Entertainments — Volume 03 — Inside the Classic
Edition facts
Before opening The Arabian Nights Entertainments — Volume 03 — Inside the Classic, the edition data offers a quick orientation: 153,072 words, 11 hr 6 min estimated reading time, and 12 detected text sections.
The text analysis averages about 31.9 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Fairy tales,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Persia was an empire of such vast extent, that its ancient monarchs, not without reason, assumed the haughty title of King of kings. For not to mention those subdued by their arms, there were kingdoms and provinces whose kings were not only tributary, but also in as great subjection as governors in other nations are to the monarchs.
One of these kings, who in the beginning of his reign had signalized himself by many glorious and successful conquests, enjoyed so profound a peace and tranquillity, as rendered him the happiest of princes. The only point in which he thought himself unfortunate was, that amongst all his wives, not one had brought him a son; and being now far advanced in years, he was desirous of an heir. He had above a hundred ladies, all lodged in separate apartments, with women-slaves to wait upon and eunuchs to guard them; yet, notwithstanding all his endeavours to please their taste, and anticipate their wishes, there was not one that answered his expectation. He had women frequently brought him from the most remote countries; and if they pleased him, he not only gave the merchants their full price, but loaded them with honours and benedictions, in hopes that at last he might be so happy as to meet with one by whom he might have a son. There was scarcely an act of charity but he performed, to prevail with heaven. He gave immense sums to the poor, besides large donations to the religious; building for their use many noble colleges richly endowed, in hopes of obtaining by their prayers what he so earnestly desired.
One day, according to the custom of his royal predecessors, during their residence in their capital, he held an assembly of his courtiers, at which all the ambassadors and strangers of quality about the court were present; and where they not only entertained one another with news and politics, but also by conversing on the sciences, history, poetry, literature, and whatever else was capable of diverting the mind. On that day a eunuch came to acquaint him with the arrival of a certain merchant from a distant country, who, having brought a slave with him, desired leave to shew her to his majesty. "Give him admittance instantly," said the king, "and after the assembly is over I will talk with him." The merchant was introduced, and seated in a convenient place, from whence he might easily have a full view of the king, and hear him talk familiarly to those that stood near his person. The king observed this rule to all strangers, in order that by degrees they might grow acquainted with him; so that, when they saw with what freedom and civility he addressed himself to all, they might be encouraged to talk to him in the same manner, without being abashed at the pomp and splendour of his appearance, which was enough to deprive those of their power of speech who were not used to it. He treated the ambassadors also after the same manner. He ate with them, and during the repast asked them several questions concerning their health, their journey, and the peculiarities of their country. After they had been thus encouraged, he gave them audience.
When the assembly was over, and all the company had retired, the merchant, who was the only person left, fell prostrate before the king's throne, with his face to the earth, wishing his majesty an accomplishment of all his desires As soon as he arose, the king asked him if the report of his having brought a slave for him was true, and whether she were handsome.
"Sire," replied the merchant, "I doubt not but your majesty has many very beautiful women, since you search every corner of the earth for them; but I may boldly affirm, without overvaluing my merchandise, that you never yet saw a woman that could stand in competition with her for shape and beauty, agreeable qualifications, and all the perfections that she is mistress of." "Where is she?" demanded the king; "bring her to me instantly." "Sire," replied the merchant, "I have delivered her into the hands of one of your chief eunuchs; and your majesty may send for her at your pleasure."
The fair slave was immediately brought in; and no sooner had the king cast his eyes on her, but he was charmed with her beautiful and easy shape. He went directly into a closet, and was followed by the merchant and a few eunuchs. The fair slave wore, over her face, a red satin veil striped with gold; and when the merchant had taken it off, the king of Persia beheld a female that surpassed in beauty, not only his present ladies, but all that he had ever had before. He immediately fell passionately in love with her, and desired the merchant to name his price.
"Sire," said he, "I gave a thousand pieces of gold to the person of whom I bought her; and in my three years' journey to your court, I reckon I have spent as much more: but I shall forbear setting any price to so great a monarch; and therefore, if your majesty likes her, I humbly beg you would accept of her as a present." "I am highly obliged to you," replied the king; "but it is never my custom to treat merchants, who come hither for my pleasure, in so ungenerous a manner; I am going to order thee ten thousand pieces of gold; will that be sufficient?" "Sire," answered the merchant, "I should have esteemed myself happy in your majesty's acceptance of her; yet I dare not refuse so generous an offer. I will not fail to publish your liberality in my own country, and in every place through which I may pass." The money was paid; and before he departed, the king made him put on a rich suit of cloth of gold.
The king caused the fair slave to be lodged in the apartment next his own, and gave particular orders to the matrons, and the female slaves appointed to attend her, that after bathing they should dress her in the richest habit they could find, and carry her the finest pearl necklaces, the brightest diamonds, and other richest precious stones, that she might choose those she liked best.
The officious matrons, whose only care was to please the king, were astonished at her beauty; and being good judges, they told his majesty, that if he would allow them but three days, they would engage to make her so much handsomer than she was at present, that he would scarcely know her again. The king could hardly prevail with himself to delay so long the pleasure of seeing her, but at last he consented.
The king of Persia's capital was situated in an island; and his palace, which was very magnificent, was built on the shore: his apartment looked on the water; the fair slave's, which was near it, had also the same prospect, and was the more agreeable, on account of the sea's beating almost against the walls.
At the three days' end, the fair slave, magnificently dressed, was alone in her chamber, sitting on a sofa, and leaning against one of the windows that faced the sea, when the king, being informed that he might visit her, came in. The slave, hearing somebody walk in the room with an air quite different from that of the female slaves, who had hitherto attended her, immediately turned her head about to see who it was. She knew him to be the king, but without discovering the least surprise, or so much as rising from her seat to salute or receive him, as if he had been the most indifferent person in the world, she put herself in the same posture again.
The king of Persia was extremely surprised to see a slave of so beauteous a form so ignorant of the world. He attributed this to the narrowness of her education, and the little care that had been taken to instruct her in the first rules of civility. He went to her at the window, where, notwithstanding the coldness and indifference with which she had received him, she suffered herself to be admired, caressed, and embraced, as much as he pleased.
In the midst of these amorous embraces and tender endearments, the king paused awhile, to gaze upon, or rather to devour her with his eyes. "My lovely fair one! my charmer!" exclaimed he; "whence came you, and where do those happy parents live who brought into the world so surprising a masterpiece of nature? How do I love thee, and shall always continue to do. Never did I feel for a woman what I now feel for you; and though I have seen, and every day behold a vast number of beauties, yet never did my eyes contemplate so many charms in one person--charms which have so transported me, that I shall entirely devote myself to you. My dearest life," continued he, "you neither answer, nor by any visible token give me the least reason to believe that you are sensible of the demonstrations I have given you of the ardour of my passion; neither will you turn your eyes on me, to afford mine the pleasure of meeting them, and to convince you that it is impossible to love in a higher degree than I do you. Why will you still preserve this obstinate silence, which chills me, and whence proceeds the seriousness, or rather sorrow, that torments me to the soul? Do you mourn for your country, your friends or your relations? Alas! Is not the king of Persia, who loves and adores you, capable of comforting you, and making you amends for every loss?"
Notwithstanding all the protestations of love the king of Persia made the fair slave, and all he could say to induce her to speak to him, she remained unaltered; and keeping her eyes still fixed upon the ground, would neither look at him, nor utter a word.
The king of Persia, delighted with the purchase he had made of a slave that pleased him so well, pressed her no farther, in hopes that by treating her kindly he might prevail upon her to change her behaviour. He clapped his hands; and the women who waited in an outward room entered: he commanded them to bring in supper. When it was arranged, "My love," said he to the slave, "come hither and sup with me." She rose from her seat; and being seated opposite the king, his majesty helped her, before he began eating himself; and did so of every dish during supper. The slave ate as well as the king, but still with downcast eyes, and without speaking a word; though he often asked her how she liked the entertainment, and whether it was dressed according to her taste.
The king, willing to change the conversation, asked her what her name was, how she liked the clothes and the jewels she had on, what she thought of her apartment and the rich furniture, and whether the prospect of the sea was not very agreeable? But to all these questions she made no reply; so that the king was at a loss what to think of her silence. He imagined at first, that she might perhaps be dumb: "But then," said he to himself, "can it be possible that heaven should forge a creature so beautiful, so perfect, and so accomplished, and at the same time with so great an imperfection? Were it however so, I could not love her with less passion than I do." When the king of Persia rose, he washed his hands on one side, while the fair slave washed hers on the other. He took that opportunity to ask the woman who held the basin and napkin, if ever they had heard her speak. One of them replied, "Sire, we have neither seen her open her lips, nor heard her speak any more than your majesty has; we have rendered her our services in the bath; we have dressed her head, put on her clothes, and waited upon her in her chamber; but she has never opened her lips, so much as to say, that is well, or I like this. We have often asked her, "Madam, do you want anything? Is there anything you wish for? Do but ask, and command us," but we have never been able to draw a word from her. We cannot tell whether her sorrow proceeds from pride, sorrow, stupidity, or dumbness."
The king was more astonished at hearing this than he had been before: however, believing the slave might have some cause of sorrow, he was willing to endeavour to divert and amuse her. Accordingly he appointed a very splendid assembly, which all the ladies of the court attended; and those who were skilful in playing upon musical instruments performed their parts, while others sung or danced, or did both together: they played at all sorts of games, which much diverted the king. The fair slave was the only person who took no pleasure in these attempts to amuse her; she never moved from her place, but remained with her eyes fixed on the ground with so much indifference, that all the ladies were not less surprised than the king. After the assembly was over, every one retired to her apartment; and the king was left alone with the fair slave.
The next morning the king of Persia rose more pleased than he had been with all the women he had seen before, and more enamoured with the fair slave than ever. Indeed, he soon made it appear, by resolving henceforth to attach himself to her alone; and performed his resolution. On the same day he dismissed all his other women, giving every one of them their jewels, and other valuables, besides a considerable fortune, with free leave to marry whom they thought fit; and only kept the matrons and a few other elderly women to wait upon the fair slave. However, for a whole year together, she never afforded him the pleasure of one single word; yet the king continued his assiduities to please her, and to give her the most signal proofs of sincere love.
After the expiration of the year, the king sitting one day by his mistress, protested to her that his love, instead of being diminished, grew every day more violent. "My queen," said he, "I cannot divine what your thoughts are; but nothing is more true, and I swear to you, that having the happiness of possessing you, there remains nothing for me to desire. I esteem my kingdom, great as it is, less than an atom, when I have the pleasure of beholding you, and of telling you a thousand times that I adore you. I desire not that my words alone should oblige you to believe me. Surely you can no longer doubt of my devotion to you after the sacrifice which I have made to your beauty of so many women, whom I before kept in my palace. You may remember it is about a year since I sent them all away; and I as little repent of it now, as I did the moment of their departure; and I never shall repent. Nothing would be wanting to complete my happiness and crown my joy, would you but speak one single word to me, by which I might be assured that you thought yourself at all obliged. But how can you speak to me if you are dumb? and alas! I feel but too apprehensive that this is the case. How can I doubt, since you still torment me with silence, after having for a whole year in vain supplicated you to speak? If it is possible for me to obtain of you that consolation, may heaven at least grant me the blessing of a son by you, to succeed me. I every day find myself growing old, and I begin already to want one to assist me in bearing the weight of my crown. Still I cannot conceal the desire I have of hearing you speak; for something within me tells me you are not dumb: and I beseech, I conjure you, dear madam, to break through this long silence, and speak but one word to me; after that I care not how soon I die."
At this discourse the fair slave, who, according to her usual custom, had hearkened to the king with downcast eyes, and had given him cause to believe not only that she was dumb, but that she had never laughed, began to smile. The king of Persia perceived it with a surprise that made him break forth into an exclamation of joy; and no longer doubting but that she was going to speak, he waited for that happy moment with an eagerness and attention that cannot easily be expressed
At last the fair slave thus addressed herself to the king: "Sire, I have so many things to say to your majesty, that, having once broken silence, I know not where to begin. However, in the first place, I think myself bound to thank you for all the favours and honours you have been pleased to confer upon me, and to implore heaven to bless and prosper you, to prevent the wicked designs of your enemies, and not suffer you to die after hearing me speak, but to grant you a long life. After this, sire, I cannot give you greater satisfaction than by acquainting you that I am with child; and I wish, as you do, it may be a son. Had it never been my fortune to be pregnant, I was resolved (I beg your majesty to pardon the sincerity of my intention) never to have loved you, and to have kept an eternal silence; but now I love you as I ought to do."
The king of Persia, ravished to hear the fair slave not only speak, but tell him tidings in which he was so nearly concerned, embraced her tenderly. "Staining light of my eyes," said he, "it is impossible for me to receive greater delight than you have now given me: you have spoken to me, and you have declared your being with child, which I did not expect. After these two occasions of joy I am transported out of myself."
The king of Persia, in the transport of his feelings, said no more to the fair slave. He left her, but in such a manner as made her perceive his intention was speedily to return: and being willing that the occasion of his joys should be made public, he declared it to his officers, and sent for the grand vizier. As soon as he came, he ordered him to distribute a thousand pieces of gold among the holy men of his religion, who made vows of poverty; as also among the hospitals and the poor, by way of returning thanks to heaven: and his will was obeyed by the direction of that minister.
After the king of Persia had given this order, he returned to the fair slave again. "Madam," said he, "pardon me for leaving you so abruptly, since you have been the occasion of it; but I hope you will indulge me with some conversation, since I am desirous to know of you several things of much greater consequence. Tell me, my dearest soul, what were the powerful reasons that induced you to persist in that obstinate silence for a whole year together, though every day you saw me, heard me talk to you, ate and drank with me, and every night slept with me? I shall pass by your not speaking; but how you could carry yourself so as that I could never discover whether you were sensible of what I said to you or no, I confess, surpasses my understanding; and I cannot yet comprehend how you could contain yourself so long; therefore I must conclude the occasion of it to be very extraordinary."
"To satisfy the king of Persia's curiosity," replied the lady, "think whether or no to be a slave, far from my own country, without any hopes of ever seeing it again, to have a heart torn with grief, at being separated forever from my mother, my brother, my friends, and my acquaintance, are not these sufficient reasons for the silence your majesty has thought so strange and unaccountable?
The third volume of Jonathan Scott's translation opens with 'The Story of Beder, Prince of Persia, and Jehaun-ara, Princess of Samandal,' which immediately establishes a pattern of royal anxiety over heirs. The Persian king, despite 'above a hundred ladies' and immense charity, remains sonless—a predicament that sets the stage for a merchant's arrival with a slave. This narrative device, a stranger bearing a gift or knowledge, recurs throughout the volume.
Later, in 'Alla Ad Deen,' the African magician's scheme hinges on a similar dynamic: he needs a boy to retrieve the lamp from a sealed cave. The excerpts show how the translator's prose balances formal courtly language with swift, tense action—the magician's 'obstinate refusal' to help Aladdin out until the lamp is handed over creates a pivotal standoff that drives the story forward.
The King Who Wanted an Heir
The opening of 'Beder and Jehaun-ara' dwells on the Persian monarch's desperation for a son. The narrator lists his efforts: 'he gave immense sums to the poor, besides large donations to the religious; building for their use many noble colleges richly endowed.' This accumulation of charitable acts, however, yields no result. The prose emphasizes quantity—'above a hundred ladies'—and the king's 'endeavours to please their taste'—yet the desired heir remains absent.
This setup is not merely background; it establishes a world where royal power depends on lineage, and where external agents (merchants, slaves) can alter fate. The king's 'profound peace and tranquillity' contrasts with his private frustration, a tension that the tale will exploit. Readers familiar with the Arabian Nights frame will recognize this as a typical opening: a ruler's lack of an heir precipitates a journey or encounter that launches the main plot.
The Magician's Trap
In 'Alla Ad Deen,' the African magician's plan is laid out with chilling clarity. He has 'applied himself to magic from his youth' and after 'forty years' experience' located the lamp. The narrator explains that the magician 'was not permitted to take it himself'—he must receive it from another's hands. This rule, unexplained but absolute, forces him to recruit Aladdin as an unwitting tool.
The cave scene hinges on a single object: the lamp. Aladdin, burdened with 'fruit' (jewels) he has gathered, cannot easily reach it. The magician's demand—'Give me the lamp first'—and Aladdin's refusal create a deadlock. The magician's 'too great precipitation' leads him to seal the cave, abandoning the boy. The ring on Aladdin's finger, whose virtue he does not know, becomes the hidden key to survival—a detail that will later prove crucial.
Nested Frames and Repeated Motifs
The volume's structure, as shown in the table of contents, interlaces multiple tales: after 'Beder' come 'Prince Zeyn Alasnam,' 'Codadad,' 'The Princess of Deryabar,' and 'Abu Hassan,' before reaching 'Alla Ad Deen.' This nesting mirrors the classic Arabian Nights frame, where stories contain stories. The excerpts, however, offer only the beginnings of two tales, so the full extent of embedding remains unclear.
Recurring motifs include sealed underground spaces (the cave in 'Alla Ad Deen'), magical objects (the lamp, the ring), and characters who must obey or defy commands under pressure. The translator's voice remains consistent: formal yet vivid, with phrases like 'the blow he had given Alla ad Deen was intended to make him obey the more readily' that convey psychological motivation. These patterns suggest that readers should watch for how each tale reworks the same core elements—a test of obedience, a hidden treasure, a deceptive ally.
The Translator's Choices
Jonathan Scott's 1811 translation, reprinted in this 1890 'Aldine' edition, uses a stately English that can feel distant to modern readers. For instance, the king 'signalized himself by many glorious and successful conquests'—a phrasing that emphasizes formality over immediacy. Yet the dialogue and action scenes retain tension: the magician 'flew into a passion, threw a little of his incense into the fire' and 'pronounced two magical words' with swift effect.
Scott occasionally inserts explanatory asides, such as the paragraph on Africa as 'a country whose inhabitants delight most in magic.' This editorial intrusion breaks the narrative flow but provides context for readers unfamiliar with the setting. The translation also preserves the original's moral framing: the magician is 'wicked,' his actions 'avarice.' Such judgments guide the reader's sympathy, though the excerpts do not reveal whether later tales maintain this clear-cut morality.
Because the excerpts cover only the openings of two tales, readers should approach this volume as a series of self-contained narratives that may share structural DNA but diverge in tone and outcome. Pay attention to how each story introduces its magical object or test, and note whether the translator's moral commentary persists. The volume's length—over 150,000 words—invites dipping in and out; the table of contents can serve as a guide to which tale suits your mood.
Reading the third volume of the Arabian Nights, with its sealed caves and the weary surrender of magical lamps, I found myself thinking of quieter landscapes. That persistent press of objects with hidden weight reminded me of my old copy of Belgian Fairy Tales — Background and Themes. The mood was softer there, less about bargains and more about patient waiting—a different kind of enchantment altogether.
Leo Smith
1 week agoHow did this book work for you?
Your answers remain private and are stored only in this browser.
Ava Anderson
2 weeks ago