Myths and Legends of Our Own Land — Volume 08 : on the Pacific Slope — Themes and Context

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In Category - Myths Legends
Skinner, Charles M. (Charles Montgomery), 1852-1907 Project Gutenberg 2004
Folklore -- United States Readers of public-domain and historical texts
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Words 9,083
Reading time 40 min
Text sections 1

The catalog record for Myths and Legends of Our Own Land — Volume 08 : on the Pacific Slope — Themes and Context provides practical reading context through 9,083 words, 40 min estimated reading time, and 1 detected text section.

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Project Gutenberg metadata also associates the work with “Folklore -- United States,” connecting these edition facts with the source record’s subject description.

This volume collects Pacific Slope legends from the Northwest to California, blending Native American myth with colonial echoes. Excerpts show a distinctive pattern: supernatural beings punish human cruelty, and natural landmarks are explained through moral tales. The editor notes how the catalog subject 'Folklore -- United States' is both accurate and limiting, as these stories often fuse indigenous and European elements.
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Tacoma had stopped spouting that the devil urged a lesson from the growing peace and joy of nature, and prayed the fiend men to desist from killing and eating each other and live in love.

With a howl of rage at such a proposal they set upon him, tossing their tails in such a threatening manner that he deemed it best to be off, and as his hoofs clattered over the country his brain was busy in devising an escape. Nearing the mountain bulwarks of an inland sea, whose breakers' rhythmic roar he heard above the yells of his pursuers, a hope came into his head, and new vigor into his tail, though you might have thought the latter accession was not needed, for his tail was of prodigious length and strength. He whirled this limb aloft and beat it on the earth. A chasm opened at the stroke, and the devil skipped across to the safe side of it.

Safe? No; for the fiend men in advance took the leap and came beside him. The tormented one could thrash any two of them at once, but he was not equal to a thousand. He brandished his weapon once more and it fell with a crash. Earth shook, dust arose in clouds, and a deeper cleft than before yawned through the valley. Again the fiend men tried to reach him, and, though the gap was bigger and many fell into it, hundreds made the jump and overtook him. He must make one more attempt. The tail revolved for a third time, and with the energy of despair he flailed the ground with it.

A third ravine was split through the rock, and this time the earth's crust cracked away to the eastward, giving outlet to the sea, which came pouring through the canon, breaking rocks from mountains and grinding them to powder in its terrific progress. Gasping with fatigue, the unhappy one toiled up a hill and surveyed his work with satisfaction, for the flood engulfed the fiend men and they left no member of their race behind them.

When they had all been happily smashed or drowned, the devil skipped lightly over the channels he had cut and sought his family, though with a subdued expression of countenance, for his tail--his strength and pride--was bruised and broken beyond repair, and all the little imps that he fathered to the world afterward had little dangling tails like monkeys' instead of megatheriums', and in time these appendages disappeared. But what was the use of them? The fiend men they had fought against were dead and the rising race they could circumvent by subtler means. The inland sea drained off. Its bed is now the prairie, and the three strokes of the devil's tail are indelibly recorded in the bed of the Columbia at the Dalles. And the devil never tried to be good again.

CASCADES OF THE COLUMBIA

When the Siwash, as the Northwestern Indians called themselves, were few, Mount Hood was kept by the Spirit of Storms, who when he shook his robe caused rain or snow to fall over the land, while the Fire Spirit flashed his lightnings from Mount Adams. Across the vale between them stretched a mighty bridge of stone, joining peak to peak, and on this the Siwash laid his offering of salmon and dressed skins. Here, too, the tribal festivals were kept. The priestess of the arch-Mentonee, who fed the fire on the tribal altar "unimpassioned by a mortal throb"--had won the love of the wild tamanouses of the mountains, but she was careless alike of coaxing and threats, and her heart was as marble to them.

Jealous of each other, these two spirits fell to fighting, and, appalled by the whirl of fire and cloud, of splintering trees and crumbling rocks, the Indians fled in terror toward the lowlands, but she, unhurt and undaunted, kept in her place, and still offered praise to the one god. Yet she was not alone, for watchful in the shadow of a rock stood a warrior who had loved her so long, without the hope of lovers, that he, too, had outgrown fear. Though she had given him but passing words and never a smile, his own heart was the warmer and the heavier with its freight, and it was his way to be ever watching her in some place where she might not be troubled by the sight of him.

The war waxed fiercer, and at last the spirits met at the centre of the arch, and in roar and quake and deluge the great bridge swayed and cracked. The young man sprang forward. He seized Mentonee in his arms. There was time for one embrace that cheated death of sorrow. Then, with a thunder like a bursting world, the miles of masonry crashed down and buried the two forever. The Columbia leaps the ruins of the bridge in the rapids that they call the Cascades, and the waters still brawl on, while the sulky tamanouses watch the whitened floods from their mountain-tops, knowing that never again will they see so fair a creature as Mentonee.

THE DEATH OF UMATILLA

Umatilla, chief of the Indians at the Cascades of the Columbia, was one of the few red men of his time who favored peace with the white settlers and lent no countenance to the fierce revels of the "potlatch." In these "feasts of gifts" the savages, believing themselves to be "possessed by the spirit," lashed themselves into a frenzy that on several occasions was only quieted by the shedding of blood. Black Eagle's Feather--or Benjamin, as he was called by the settlers--was the only one of the children of the old chief who survived a summer of plague, and on this boy Umatilla had put all his hopes and affections.

The lad had formed a great trust in his white teacher, a college-bred man from the East, who had built a little school-house beside the Columbia and was teaching the Indian idea how to shoot something beside white people. This boy and his teacher had hunted together; they had journeyed in the same canoe; had tramped over the same trail to the great falls of the Missouri; and at the Giant Spring had seen the Piegans cast in their gifts, in the belief that the manitou of the place would deliver them in the hereafter to the sun-god, whom they worshipped. One day Benjamin fell ill, and the schoolmaster saw that he, too, was to die of the plague. Old Umatilla received the news with Indian stoicism, but he went into the forest to be alone for a time.

When he returned day was breaking and a flock of wild-geese trumpeted overhead. The boy heard them, and said, "Boston tilicum" (white man), "does the Great Father tell the geese where to go?"

"Then he will tell me, too?"

"We shall never go back to the Missouri together. My father--"

"We will watch over him."

"That is well." And, in a few hours, he had intrusted the guidance of his soul through the world of shadows to the white man's unseen father.

Umatilla sat beside the body through the night, and in the morning he called his people together. He told them that he was prepared to follow his boy out of the world, but that first he wanted to have their promise that they would no longer war on the whites, but look to them for friendship and guidance. There was some murmuring at this, for the ruder fellows were already plotting a descent on the settlers, but Umatilla had given them great store of goods at the last potlatch, and they reluctantly consented. The venerable chief ordered them to make a grave for Benjamin like the white man's, and, when it had been dug, four warriors laid the body of his son within it. Then, standing at the brink, the chief said, "My heart is growing cold, for it is in the grave there with my son. When I take three steps to the side of him, I, too, shall die. Be good to the white men, as you have said, and bury us both together. Great Spirit, I come." And, sinking to the ground, the old man's life ebbed in a breath. They buried him and his son in a single grave, and next day they went to the teacher and asked him to lead and instruct them. And with that year ended all trouble between red and white men along the Columbia.

East of San Francisco is a narrow valley opening to the bay of San Pablo. In spite of its pleasant situation and fruitful possibilities, it had no inhabitants until 1820, when Miguel Zamacona and his wife Emilia strayed into it, while on a journey, and, being delighted with its scenery, determined to make it their home. In playful mockery of its abundance they gave to it the name El Hambre [Hunger] valley.

After some weeks of such hardship as comes to a Mexican from work, Miguel had built an adobe cabin and got a garden started, while he caught a fish or shot a deer now and then, and they got on pretty well. At last it became necessary that he should go to Yerba Buena, as San Francisco was then called, for goods. His burros were fat and strong, and there should be no danger. Emilia cried at being left behind, but the garden had to be tended, and he was to be back in exactly three weeks. She waited for twenty-two days; then, her anxiety becoming unendurable, she packed an outfit on a burro and started on the trail. From time to time she called his name, and "Miguel!" echoed sweetly from hills and groves, but there was no other answer, save when an owl would hoot. Rolled in a blanket she slept on lupin boughs, but was off at peep of day again, calling--calling--high and clear among the solitudes.

During the second day her burro gave a rasping bray, and a hee-haw answered from the bush. It was Miguel's burro. He had come at last! Leaping to her feet, in her impatience, she ran to meet him, and found him lying on the earth, staring silently at the sky. All that day she sat beside him, caressing his hand, talking, crying, bathing his face with water from the marsh--the poison marsh--and it was not until sunset that she could bring herself to admit that he was dead--had been dead for at least two days.

She put the blanket over him, weighted it with stones, and heaped reeds upon it; then she started for home. A wandering trader heard her story, but years elapsed before any other settler entered Hunger valley. They found her skeleton then in the weedy garden. The adobe stands tenantless in the new village of Martinez, and the people have so often heard that the ghosts of the Zamaconas haunt the place that they have begun to disbelieve it.

The county called Kern, in California, lies mostly in a circular valley, and long, long before the evil one had created the pale face it was the home of a nation advanced in arts, who worshipped the Great Spirit in a building with a lofty dome. But the bravery and wisdom of one of their own people made them forget the Manitou and idolize the man who seemed the most like him. They brought him to the temple and prayed and sang to him, and held their sacred dances there, so angering God that he rent the earth and swallowed them. Nothing was seen of this people for years after, but their stone tools were left on neighboring hill-sides. Manitou even poured water into the valley, and great creatures sported in the inland sea.

But, ere long, he repented his anger, and, in a fit of impatience at what he had done, he threw up quantities of earth that smoked with heat, and thus created the Sierra Nevada, while he broke away the hills at the foot of the lake, and the waters drained into the sea at the Golden Gate. This again made dry land of the valley, and, opening the earth once more, he released the captive tribe. The imprisoned people had not forgotten their arts nor their boldness; they made the place blossom again; they conquered other tribes, and Manitou declared them his chosen ones, from whom alone he would accept sacrifice. But their chief became so ambitious that he wanted to supplant the Manitou in the worship of the people, and finally, in a lunacy of self-conceit, he challenged the god to single combat.

Under pretence of accepting the challenge, the Great Spirit set the offenders to wander through the desert until they reached a valley in the Sierras, opposite Tehachapi, where he caused them to be exterminated by a horde of savages from the Mojave desert. Then, in a fit of disgust at refractory humanity, he evoked a whirlwind and stripped away every living thing from the country of the savages, declaring that it should be empty of human beings from that time forward. And it was so.

THE SPOOK OF MISERY HILL

Tom Bowers, who mined on Misery Hill, near Pike City, California, never had a partner, and he never took kindly to the rough crowd about the place. One day he was missing. They traced his steps through the snow from his cabin to the brink of a great slope where he had been prospecting, but there they vanished, for a landslide had blotted them out. His body was exhumed far below and decently buried, yet it was said that it was so often seen walking about the mouth of his old shaft that other men avoided the spot.

Thriftless Jim Brandon, in a spasm of industry, began work on the abandoned mine, and for a while he made it pay, for he got money and squared accounts with his creditors; but after a time it appeared that somebody else was working on the claim, for every morning he found that the sluice had been tampered with and the water turned on. He searched for the trespasser in vain, and told "the boys" that if they called that joking it had grown tiresome.

One night he loaded his rifle, and, from a convenient nook, he watched for the intruder. The tamaracks crooned in the wind, the Yuba mumbled in the canon, the Sierras lay in a line of white against the stars. As he crept along to a point of better vantage he came to a tree with something tacked on it--something that shone in the dark like a match. In its own light he read, "Notice! I, Thomas Bowers, claim this ground for placer mining." Raising his hand to tear off the paper, he was amazed to feel a thrill pass through it, and his arm fell palsied at his side. But the notice was gone.

Now came the sound of water flowing, and, as he angrily caught his gun and turned toward the sluice, the letters shone again in phosphorescence on the tree. There was the sound of a pick in the gravel now, and, crawling stealthily towards the sluice, he saw, at work there, Tom Bowers--dead, lank, his head and face covered with white hair, his eyes glowing from black sockets. Half unconsciously Jim brought his rifle to his shoulder and fired. A yell followed the report, then the dead man came running at him like the wind, with pick and shovel in either hand.

Away went Brandon, and the spectre followed, up hill, in and out of woods, over ditches, through scrub, on toward Pike City. The miners were celebrating a new find with liberal potations and a dance in the saloon when, high above the crash of boots, the shouted jokes, the laughter, and the clink of glasses, came a sound of falling, a scream-then silence. They hurried into the road. There lay Brandon's rifle, and a pick and shovel with "T. B." cut in the handles. Jim returned no more, and the sluice is running every night on Misery Hill.

THE QUEEN OF DEATH VALLEY

In the southern part of California, near the Arizona line, is the famous Death Valley--a tract of arid, alkaline plain hemmed in by steep mountains and lying below the level of the sea. For years it was believed that no human being could cross that desert and live, for horses sink to their knees in drifts of soda dust; there is no water, though the traveller requires much drink; and the heat is terrific. Animals that die in the neighborhood mummify, but do not decay, and it is surmised that the remains of many a thoughtless or ignorant prospector lie bleached in the plain. On the east side of Dead Mountain are points of whitened rock that at a distance look like sheeted figures, and these, the Indians say, are the ghosts of their brethren.

In the heart of this desert is said to be the ruin of a pueblo, or village, though the shape and size of it suggest that it was made for a few persons rather than for a tribe or family. Long ago, the tale runs, this place of horrors was a fair and fertile kingdom, ruled by a beautiful but capricious queen. She ordered her subjects to build her a mansion that should surpass those of her neighbors, the Aztecs, and they worked for years to make one worthy of her, dragging the stones and timbers for miles. Fearing lest age, accident, or illness should forbid her to see the ending of her dream, she ordered so many of her subjects to assist that her tribe was reduced to practical slavery.

In her haste and heartlessness she commanded her own daughter to join the bearers of burdens, and when the toilers flagged in step in the noonday heat she strode among them and lashed their naked backs. As royalty was sacred, they did not complain, but when she struck her daughter the girl turned, threw down her load of stone, and solemnly cursed her mother and her kingdom; then, overcome by heat and weariness, she sank to the earth and died. Vain the regrets and lamentations of the queen. The sun came out with blinding heat and light, vegetation withered, animals disappeared, streams and wells dried up, and at last the wretched woman gave up her life on a bed of fever, with no hand to soothe her dying moments, for her people, too, were dead. The palace, half-completed, stands in the midst of this desolation, and sometimes it seems to lift into view of those at a distance in the shifting mirage that plays along the horizon.

The vast ravine of Yo Semite (Grizzly Bear), formed by tearing apart the solid Sierras, is graced by many water-falls raining down the mile-high cliffs. The one called Bridal Veil has this tale attached to it. Centuries ago, in the shelter of this valley, lived Tutokanula and his tribe--a good hunter, he, a thoughtful saver of crops and game for winter, a wise chief, trusted and loved by his people. While hunting, one day, the tutelary spirit of the valley--the lovely Tisayac--revealed herself to him, and from that moment he knew no peace, nor did he care for the well-being of his people; for she was not as they were: her skin was white, her hair was golden, and her eyes like heaven; her speech was as a thrush-song and led him to her, but when he opened his arms she rose lighter than any bird and vanished in the sky.

Lacking his direction Yo Semite became a desert, and when Tisayac returned she wept to see the corn lands grown with bushes and bears rooting where the huts had been. On a mighty dome of rock she knelt and begged the Great Spirit to restore its virtue to the land. He did so, for, stooping from the sky, he spread new life of green on all the valley floor, and smiting the mountains he broke a channel for the pent-up meltings of the snows, and the water ran and leaped far down, pooling in a lake below and flowing off to gladden other land. The birds returned, the flowers sprang up, corn swayed in the breeze, and the people, coming back, gave the name of Tisayac to South Dome, where she had knelt.

The eight stories excerpted here share a striking structural pattern: a supernatural being or natural force punishes human cruelty, and a landmark—a waterfall, a desert ruin, a mountain—is left as evidence. In 'The Voyager of the Whulge,' a radiant stranger preaching love is nailed to a tree, then resurrected; in 'Bridal Veil Fall,' a chief leaps into a waterfall after a spirit. The catalog subject 'Folklore -- United States' is accurate but incomplete: these are not purely indigenous tales but hybrid narratives where Christian motifs (a crucified teacher, a resurrected figure) are adapted into Native American frameworks. Skinner's own preface notes that 'the point of division cannot be indicated.'

The Recurring Punishment of Cruelty

Three of the eight excerpted tales hinge on a cruel act that triggers supernatural retribution. In 'The Voyager of the Whulge,' the Siwash nail the stranger to a tree; in 'The Queen of Death Valley,' a queen lashes her own daughter, who then curses the kingdom; in 'Bridal Veil Fall,' the chief neglects his people after falling in love with a spirit. In each case, the punishment is environmental: a storm and earthquake, a drought that turns a fertile land into desert, or a valley that becomes barren. The pattern is consistent: human cruelty disrupts the natural order, and the landscape itself records the transgression. The queen's daughter 'threw down her load of stone, and solemnly cursed her mother and her kingdom'—and immediately 'vegetation withered, streams dried up.' These are not arbitrary myths but moral fables where the land becomes a permanent witness.

Hybrid Narratives: Indigenous and Christian Elements

Skinner's introduction to 'The Voyager of the Whulge' explicitly notes that 'across these fantastic reports of older time there come echoes of a later instruction, adapted and blended into native legend so that the point of division cannot be indicated.' The story itself is a transparent adaptation of the Gospel: a stranger in a 'copper canoe' preaches love, is nailed to a tree, dies, is resurrected, and then converts his persecutors. Yet the setting—the Whulge (Puget Sound)—and the details (the devil-dance, the tamanous spirits) are indigenous. Similarly, 'Bridal Veil Fall' features a white-skinned, golden-haired spirit named Tisayac who 'vanished in the sky' and a chief who carves his likeness with a hunting knife. These are not pure Native American myths but colonial-era composites. The catalog subject 'Folklore -- United States' thus masks a more complex cultural negotiation.

Landmarks as Moral Evidence

Every tale in this volume explains a specific geographic feature as the residue of a moral event. The Dalles of the Columbia are 'rocks flung by Tacoma' during a spirit battle. Death Valley's 'ruin of a pueblo' is the unfinished palace of a cruel queen. Bridal Veil Fall is where the chief 'sprang into the fall and disappeared with Tisayac.' The stories do not simply name places; they argue that the landscape is evidence. The queen's palace 'stands in the midst of this desolation, and sometimes it seems to lift into view... in the shifting mirage.' The implication is that the land itself tells a story—if you know how to read it. Skinner's collection thus functions as a kind of moral geography, where every rock and waterfall is a fossilized lesson. The reader is invited to see the Pacific Slope not as wilderness but as a text written by supernatural events.

Readers should approach this volume as a document of cultural fusion rather than a record of authentic Native American mythology. The stories are valuable precisely because they reveal how indigenous narratives were reshaped by contact with European Christianity. Pay attention to the moments where the two traditions collide—the resurrected teacher, the white spirit, the moralizing tone—and consider what they tell us about the storytellers who adapted these tales. The landscape of the Pacific Slope, in Skinner's telling, is never neutral: it is always bearing witness.

Years amongst these shelves, I've noticed how the Pacific Slope's stern tales—where a mountain is a frozen punishment—share a quieter breath with Plant Lore, Legends, and Lyrics Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom — Reading Companion. Both trust that a leaf or a stone remembers what we have done. A kinship of consequence, whispered gently.

Sofia Martinez
3 weeks ago

Daniel Moore
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