Old Celtic Romances — Background and Themes
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BOVE DERG CHOSEN KING OF THE DEDANNANS.
After the battle of Tailltenn,[VII.] the Dedannans[1][VIII.] of the five provinces of Erin assembled in one place of meeting, to consider on their state, and to choose a king. For their chiefs said it was better for them to have one king over all, than to be divided, as they were, serving sundry lords and princes.
Now of those who expected the sovereignty for themselves, the following chiefs were the noblest, namely:--Bove Derg,[IX.] son of the Dagda; his brother Angus, of Bruga on the Boyne, who, however, had no earnest wish to become king, preferring to remain as he was; Ilbrec of Assaroe; Lir of Shee Finnaha; and Midir the Haughty of Bri-Leth.[1]
Then the chief people went into council, all except the five above named; and the decision they came to was to elect Bove Derg, son of the Dagda, king over the whole of the Dedannan race. When the election was made known, none of those who were disappointed took the matter to heart except Lir of Shee Finnaha alone. And when Lir found that the chiefs had chosen Bove Derg, he was greatly offended, and straightway left the assembly in anger, without taking leave of any one, and without showing any mark of respect or obedience to the new king.
When the chiefs heard this, they were wroth; and they said they would follow him to Shee Finnaha,[X.] and slay him with spear and sword, and burn his house, because he did not yield obedience to the king they had elected in lawful council.
But Bove Derg would not permit them to do so. "This man," he said, "will defend his territory, and many will be slain; and I am none the less your king, although he has not submitted to me."
Matters remained so for a long time. But at last a great misfortune happened to Lir, for his wife died after an illness of three days. This weighed heavily on him, and his heart was weary with sorrow after her. Her death, moreover, was a great event at that time, and was much spoken of throughout Erin.
When the tidings reached the mansion of Bove Derg, where the chief men of the Dedannans were then assembled, the king said--
"As Lir's wife is now dead, my friendship would be of service to him, if he were willing to accept it. For I have in my house three maidens, the most beautiful and the best instructed in all Erin, namely, Eve, Eva, and Alva, my own foster children, and daughters of Allil of Ara."[XI.]
The Dedannans agreed to this, and said that their king had spoken wisely and truly.
Messengers were accordingly sent to Lir, and they were told to say to him--
"If thou art willing to submit to the king, he will give thee for a wife one of his three foster children; and thou shalt have his friendship for ever."
It was pleasing to Lir to make this alliance; and accordingly he set out next day from Shee Finnaha with a company of fifty chariots; and they never halted or turned aside till they reached the palace of Bove Derg, on the shore of the Great Lake.[XII.] Their arrival gave much joy and happiness to the king and his household; for although Lir did not submit at first to Bove Derg, he was a good man, and was greatly beloved by the king himself and by all his subjects. So Lir and his followers got a kindly welcome; and they were supplied with everything necessary, and were well attended to that night.
Next day, the three daughters of Allil of Ara sat on the same couch with the queen their foster mother; and the king said to Lir--
"Take thy choice of the three maidens, and whichever thou choosest, she shall be thy wife."
"They are all beautiful," said Lir, "and I cannot tell which of them is best; but I will take the eldest, for she must be the noblest of the three."
Then the king said, "Eve is the eldest, and she shall be given to thee if it be thy wish."
So Lir chose Eve for his wife, and they were wedded that day.
Lir remained a fortnight in the king's palace, and then departed with his wife to his own house, Shee Finnaha, where he celebrated his marriage by a great royal wedding feast.
[VII.] Now Teltown, on the river Blackwater, between Kells and Navan, in Meath. (See note 1 at the end, for this battle.)
[VIII.] The numbers refer to the notes at the end of the book.
[IX.] At the end of the book will be found an alphabetical list of all the names of persons and places mentioned through the volume, with their Gaelic forms, and, in many cases, their meanings.
[X.] Shee Finnaha, Lir's residence, is thought to have been situated near the boundary of Armagh and Monaghan, not far from Newtown Hamilton.
[XI.] Ara, the islands of Aran, in Galway Bay.
[XII.] The Great Lake, _i.e._ Lough Derg, on the Shannon, above Killaloe.
In course of time, Lir's wife bore him two children at a birth, a daughter and a son, whose names were Finola and Aed. A second time she brought forth twins, two sons, who were named Ficra and Conn: and she died in giving them birth. This was a cause of great anguish to Lir; and he would almost have died of grief, only that his mind was turned from his sorrow by his great love for his four little children.
When the news of Eve's death reached the mansion of Bove Derg, the king was in deep grief, and the people of his household raised three great cries of lamentation for her. And when their mourning was ended, the king said--
"We grieve for our foster child, both on her own account, and for the sake of the good man to whom we gave her; for we are thankful for his alliance and his friendship. But our acquaintance shall not be ended, and our alliance shall not be broken; for I will give him her sister to wife, my second foster child, Eva."
Messengers were sent to Lir to Shee Finnaha, to tell him of this; and he consented. So after some time he came to the king's house to espouse her, and they were united; and he brought her home with him to his own house.
The four children grew up under Eva's care. She nursed them with great tenderness, and her love for them increased every day. They slept near their father; and he would often rise from his own bed at the dawn of morning, and go to their beds, to talk with them and to fondle them.
The king, Bove Derg, loved them almost as well as did their father. He went many times every year to Shee Finnaha to see them; and he used to bring them often to his palace, where he kept them as long as he could on each occasion, and he always felt sad when he sent them home.
At this time, too, the Dedannans used to celebrate the Feast of Age[2] at the houses of their chiefs by turns; and whenever it happened that the festival was held at Shee Finnaha, these children were the delight and joy of the Dedannans. For nowhere could four lovelier children be found; so that those who saw them were always delighted with their beauty and their gentleness, and could not help loving them with their whole heart.
THE FOUR CHILDREN OF LIR ARE TURNED INTO FOUR WHITE SWANS BY THEIR STEPMOTHER.
Now when Eva saw that the children of Lir received such attention and affection from their father, and from all others that came to his house, she fancied she was neglected on their account; and a poisonous dart of jealousy entered her heart, which turned her love to hatred; and she began to have feelings of bitter enmity for her sister's children.
Her jealousy so preyed on her that she feigned illness, and lay in bed for nearly a year, filled with gall and brooding mischief; and at the end of that time she committed a foul and cruel deed of treachery on the children of Lir.
One day she ordered her horses to be yoked to her chariot, and she set out for the palace of Bove Derg, bringing the four children with her.
Finola did not wish to go, for it was revealed to her darkly in a dream that Eva was bent on some dreadful deed of fratricide;[XIII.] and she knew well that her stepmother intended to kill her and her brothers that day, or in some other way to bring ruin on them. But she was not able to avoid the fate that awaited her.
When they had gone some distance from Shee Finnaha on their way to the palace, Eva tried to persuade her attendants to kill the children. "Kill them, and you shall be rewarded with all the worldly wealth you may desire; for their father loves me no longer, and has neglected and forsaken me on account of his great love for these children."
But they heard her with horror, and refused, saying, "We will not kill them. Fearful is the deed thou hast contemplated, O Eva; and evil will surely befall thee for having even thought of killing them."
Then she took the sword to slay them herself; but her woman's weakness prevented her, and she was not able to strike them.
So they set out once more, and fared on till they came to the shore of Lake Darvra,[XIV.] where they alighted, and the horses were unyoked.
She led the children to the edge of the lake, and told them to go to bathe; and as soon as they had got into the clear water, she struck them one by one with a druidical[3] fairy wand, and turned them into four beautiful snow-white swans. And she addressed them in these words--
Out to your home, ye swans, on Darvra's wave; With clamorous birds begin your life of gloom: Your friends shall weep your fate, but none can save; For I've pronounced the dreadful words of doom.
After this, the four children of Lir turned their faces to their stepmother; and Finola spoke--
"Evil is the deed thou hast done, O Eva; thy friendship to us has been a friendship of treachery; and thou hast ruined us without cause. But the deed will be avenged; for the power of thy witchcraft is not greater than the druidical power of our friends to punish thee; and the doom that awaits thee shall be worse than ours."
Our stepmother loved us long ago; Our stepmother now has wrought us woe: With magical wand and fearful words, She changed us to beautiful snow-white birds; And we live on the waters for evermore, By tempests driven from shore to shore.
Finola again spoke and said, "Tell us now how long we shall be in the shape of swans, so that we may know when our miseries shall come to an end."
"It would be better for you if you had not put that question," said Eva; "but I shall declare the truth to you, as you have asked me. Three hundred years on smooth Lake Darvra; three hundred years on the Sea of Moyle, between Erin and Alban;[XV.] three hundred years at Irros Domnann and Inis Glora[XVI.] on the Western Sea. Until the union of Largnen, the prince from the north, with Decca, the princess from the south; until the Taillkenn[XVII.] shall come to Erin, bringing the light of a pure faith; and until ye hear the voice of the Christian bell. And neither by your own power, nor by mine, nor by the power of your friends, can ye be freed till the time comes."
Then Eva repented what she had done; and she said, "Since I cannot afford you any other relief, I will allow you to keep your own Gaelic speech; and ye shall be able to sing sweet, plaintive, fairy music, which shall excel all the music of the world, and which shall lull to sleep all that listen to it. Moreover, ye shall retain your human reason; and ye shall not be in grief on account of being in the shape of swans."
And she chanted this lay--
Depart from me, ye graceful swans; The waters are now your home: Your palace shall be the pearly cave, Your couch the crest of the crystal wave, And your mantle the milk-white foam!
Depart from me, ye snow-white swans With your music and Gaelic speech: The crystal Darvra, the wintry Moyle, The billowy margin of Glora's isle;-- Three hundred years on each!
Victorious Lir, your hapless sire, His lov'd ones in vain shall call; His weary heart is a husk of gore, His home is joyless for evermore, And his anger on me shall fall!
Through circling ages of gloom and fear Your anguish no tongue can tell; Till Faith shall shed her heavenly rays, Till ye hear the Taillkenn's anthem of praise, And the voice of the Christian bell!
Then ordering her steeds to be yoked to her chariot she departed westwards, leaving the four white swans swimming on the lake.
Our father shall watch and weep in vain; He never shall see us return again. Four pretty children, happy at home; Four white swans on the feathery foam; And we live on the waters for evermore, By tempests driven from shore to shore.
[XIII.] The word "fratricide" is the nearest English equivalent to the original word, _fionghal_, which means the murder of a relative.
[XIV.] Lake Darvra, now Lough Derravaragh, in Westmeath.
[XV.] The sea between Erin and Alban (Ireland and Scotland) was anciently called the Sea of Moyle, from the Moyle, or Mull, of Cantire.
[XVI.] Irros Domnann; Erris, in the county Mayo. Inis Glora; a small island about five miles west from Belmullet, in the same county, still known by the same name.
[XVII.] Taillkenn, a name given by the druids to St. Patrick.
THE FOUR WHITE SWANS ON LAKE DARVRA.
When Eva arrived at the house of Bove Derg, the chiefs bade her welcome; and the king asked her why she had not brought the Children of Lir to him.
"Because," she replied, "Lir no longer loves thee; and he does not wish to intrust his children to thee, lest thou shouldst harm them."
The king was greatly astonished and troubled at this, and he said, "How can that be? For I love those children better than I love my own."
But he thought in his own mind that Eva had played some treachery on them. And he sent messengers with all speed northwards to Shee Finnaha, to inquire for the children, and to ask that they might be sent to him.
When the messengers had told their errand, Lir was startled; and he asked, "Have the children not reached the palace with Eva?"
They answered, "Eva arrived alone, and she told the king that you refused to let the children come."
A sad and sorrowful heart had Lir when he heard this; and he now felt sure that Eva had destroyed his four lovely children. So, early next morning, his chariot was yoked for him, and he set out with his attendants for the king's palace; and they travelled with all speed till they arrived at the shore of Lake Darvra.
The children of Lir saw the cavalcade approaching; and Finola spoke these words--
I see a mystic warrior band From yonder brow approach the strand; I see them winding down the vale, Their bending chariots slow advancing; I see their shields and gilded mail, Their spears and helmets brightly glancing.
Ah! well I know that proud array; I know too well their thoughts to-day: The Dannan host and royal Lir; Four rosy children they are seeking: Too soon, alas! they find us here, Four snowy swans like children speaking!
Come, brothers dear, approach the coast, To welcome Lir's mysterious host. Oh, woful welcome! woful day, That never brings a bright to-morrow! Unhappy father, doomed for aye To mourn our fate in hopeless sorrow!
When Lir came to the shore, he heard the birds speaking, and, wondering greatly, he asked them how it came to pass that they had human voices.
"Know, O Lir," said Finola, "that we are thy four children, who have been changed into swans and ruined by the witchcraft of our stepmother, our own mother's sister, Eva, through her baleful jealousy."
When Lir and his people heard this, they uttered three long mournful cries of grief and lamentation.
After a time, their father asked them, "Is it possible to restore you to your own shapes?"
"It is not possible," replied Finola; "no man has the power to release us until Largnen from the north and Decca from the south are united. Three hundred years we shall be on Lake Darvra; three hundred years on the sea-stream of Moyle; three hundred years on the Sea of Glora in the west. And we shall not regain our human shape till the Taillkenn come with his pure faith into Erin, and until we hear the voice of the Christian bell."
And again the people raised three great cries of sorrow.
"As you have your speech and your reason," said Lir, "come now to land, and ye shall live at home, conversing with me and my people."
"We are not permitted to leave the waters of the lake, and we cannot live with our people any more. But the wicked Eva has allowed us to retain our human reason, and our own Gaelic speech; and we have also the power to chant plaintive, fairy music, so sweet that those who listen to us would never desire any other happiness. Remain with us to-night, and we will chant our music for you."
Lir and his people remained on the shore of the lake; and the swans sang their slow, fairy music, which was so sweet and sad, that the people, as they listened, fell into a calm, gentle sleep.
At the glimmer of dawn next morning, Lir arose, and he bade farewell to his children for a while, to seek out Eva.
The time has come for me to part:-- No more, alas! my children dear, Your rosy smiles shall glad my heart, Or light the gloomy home of Lir.
Dark was the day when first I brought This Eva in my home to dwell! Hard was the woman's heart that wrought This cruel and malignant spell!
I lay me down to rest in vain; For, through the livelong, sleepless night, My little lov'd ones, pictured plain, Stand ever there before my sight.
Finola, once my pride and joy; Dark Aed, adventurous and bold; Bright Ficra, gentle, playful boy; And little Conn, with curls of gold;--
Struck down on Darvra's reedy shore, By wicked Eva's magic power: Oh, children, children, never more My heart shall know one peaceful hour!
Lir then departed, and travelled south-west till he arrived at the king's palace, where he was welcomed; and Bove Derg began to reproach him, in presence of Eva, for not bringing the children.
"Alas!" said Lir; "it was not by me that the children were prevented from coming. But Eva, your own foster child, the sister of their mother, has played treachery on them; and has changed them by her sorcery into four white swans on Lake Darvra."
The king was confounded and grieved at this news; and when he looked at Eva, he knew by her countenance that what Lir had told him was true; and he began to upbraid her in a fierce and angry voice.
"The wicked deed thou hast committed," said he, "will be worse for thee than for the children of Lir; for their suffering shall come to an end, and they shall be happy at last."
Again he spoke to her more fiercely than before; and he asked her what shape of all others, on the earth, or above the earth, or beneath the earth, she most abhorred, and into which she most dreaded to be transformed.
And she, being forced to answer truly, said, "A demon of the air."[XVIII.]
"That is the form you shall take," said Bove Derg; and as he spoke he struck her with a druidical magic wand, and turned her into a demon of the air. She opened her wings, and flew with a scream upwards and away through the clouds; and she is still a demon of the air, and she shall be a demon of the air till the end of time.
P.W. Joyce's translations of Old Celtic Romances present a deliberate choice to render Gaelic prose tales into an English that echoes the oral tradition from which they sprang. The preface describes professional story-tellers—ollaves, shanachies, filès—who memorized and recited tales at gatherings, and Joyce's diction often mimics that performative cadence. In the excerpt from the tale of Dermat O'Dyna, the narrator repeats the phrase 'the wizard-champion' with formulaic regularity, and the combat scenes unfold in near-identical daily cycles: a deer killed, water drunk from a horn, a fight from morning till dusk. This repetition is not a flaw but a structural marker of the genre, where variation emerges through incremental detail—the wizard's growing anger, Dermat's eventual grapple.
Repetition as Narrative Architecture
The excerpt from Dermat's story shows a clear three-day pattern: each morning the wizard-champion stands by the pillar-stone, each day they fight until dusk, and each evening he escapes into the well. Joyce's translation preserves this iterative structure without smoothing it into modern variety. The fourth day breaks the pattern only when Dermat physically locks his arms around the wizard. The descent into the well is described with a rhythmic, almost hypnotic repetition: 'Down they went... down, down, deeper and deeper they went.' This is not accidental; it reflects the oral storyteller's technique of building anticipation through parallel phrasing. Joyce's choice to keep these repetitions intact—rather than condensing them—gives the reader a sense of the tale's original pacing, where the audience would have savored each repeated encounter.
Similes That Pile and Surge
When Dermat charges the knights in Tir-fa-tonn, Joyce translates a cascade of similes: 'as a hawk rushes among a flight of sparrows, or like a whale through a shoal of little fishes, or like a raging wolf among a flock of sheep, or like a vast billow among a fleet of small vessels, or like a great brown torrent.' This accumulation is characteristic of the Irish epic style, where a single action is magnified through multiple comparisons. Joyce does not prune the list to one or two; he gives all five, preserving the rhetorical excess that signals heroic intensity. The similes move from air to sea to land, each image escalating in scale. A modern editor might call this overwritten, but Joyce's fidelity to the Gaelic original shows his respect for the tradition's own aesthetic of abundance.
The Translator's Voice in the Preface
Joyce's preface frames the collection with a scholar's precision and a storyteller's warmth. He classifies the tales into Battles, Voyages, Cattle-Raids, and other categories, noting that even fictitious tales center on historical figures like Conor Mac Nessa or Finn. He draws an explicit parallel to 'the Welsh legends of Arthur and his Round Table, or the Arabian romances of Haroun-al-Raschid.' This comparison is not mere ornament; it signals Joyce's intention to place Irish material in a world literary context. His language is plain—'story-telling has always been a favourite amusement'—but his taxonomy is meticulous. The preface also reveals that many prose tales contain embedded verse, a feature Joyce preserves in translation. This dual structure of prose and poetry is a key authorial choice in the original compositions, and Joyce's edition respects it.
Descent as Threshold to the Otherworld
Dermat's fall into the well with the wizard-champion is a classic otherworld journey, and Joyce's translation emphasizes the sensory shift: 'nothing could he see save darkness and dim shadows' followed by 'a glimmer of light; then the bright day burst suddenly upon them.' The transition is abrupt, and the landing is described as 'gently and without the least shock'—a detail that contrasts with the violent struggle above. The otherworld itself is a 'lovely country' with 'green-sided hills,' 'woods of red yew trees,' and 'plains laughing all over with flowers.' Joyce's diction here is deliberately archaic and pastoral, matching the tone of the original. The wizard's escape into a palace and the knights' hostile formation create a new tension. This threshold moment is a recurring motif in Celtic romance, and Joyce's translation handles it with clarity and a touch of wonder.
Readers approaching this collection should listen for the oral rhythms beneath Joyce's prose. The repeated phrases, the stacked similes, and the formalized dialogue are not redundancies but fingerprints of a living tradition. Joyce's role as translator is not to modernize but to mediate—to let the old ollaves speak through his English. The tales reward slow reading, where the patterns become audible. Pay attention to the verse fragments embedded in the prose; they often carry the emotional climax. And note how the landscape—wells, pillar-stones, yew woods—functions as both setting and threshold. This is a book to be heard as much as read.
Reading Joyce’s translations, I kept hearing the shanachy’s pause before a descent into the otherworld. It reminded me of a quieter collection on my shelf, where Polynesian winds carry their own sudden magic. The Legends and Myths of Hawaii: The fables and folk-lore of a strange people — A Reader’s Guide holds that same patient breath, waiting for the tale to turn.
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