Tales of Troy and Greece — Themes and Context
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The catalog record for Tales of Troy and Greece — Themes and Context provides practical reading context through 97,383 words, 7 hr 4 min estimated reading time, and 9 detected text sections.
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Ulysses was told about this, so, when he was a tall lad, he crossed the sea and drove in his chariot to the old man's house on Mount Parnassus. Everybody welcomed him, and next day his uncles and cousins and he went out to hunt a fierce wild boar, early in the morning. Probably Ulysses took his own dog, named Argos, the best of hounds, of which we shall hear again, long afterwards, for the dog lived to be very old. Soon the hounds came on the scent of a wild boar, and after them the men went, with spears in their hands, and Ulysses ran foremost, for he was already the swiftest runner in Greece.
He came on a great boar lying in a tangled thicket of boughs and bracken, a dark place where the sun never shone, nor could the rain pierce through. Then the noise of the men's shouts and the barking of the dogs awakened the boar, and up he sprang, bristling all over his back, and with fire shining from his eyes. In rushed Ulysses first of all, with his spear raised to strike, but the boar was too quick for him, and ran in, and drove his sharp tusk sideways, ripping up the thigh of Ulysses. But the boar's tusk missed the bone, and Ulysses sent his sharp spear into the beast's right shoulder, and the spear went clean through, and the boar fell dead, with a loud cry. The uncles of Ulysses bound up his wound carefully, and sang a magical song over it, as the French soldiers wanted to do to Joan of Arc when the arrow pierced her shoulder at the siege of Orleans. Then the blood ceased to flow, and soon Ulysses was quite healed of his wound. They thought that he would be a good warrior, and gave him splendid presents, and when he went home again he told all that had happened to his father and mother, and his nurse, Eurycleia. But there was always a long white mark or scar above his left knee, and about that scar we shall hear again, many years afterwards.
HOW PEOPLE LIVED IN THE TIME OF ULYSSES
When Ulysses was a young man he wished to marry a princess of his own rank. Now there were at that time many kings in Greece, and you must be told how they lived. Each king had his own little kingdom, with his chief town, walled with huge walls of enormous stone. Many of these walls are still standing, though the grass has grown over the ruins of most of them, and in later years, men believed that those walls must have been built by giants, the stones are so enormous. Each king had nobles under him, rich men, and all had their palaces, each with its courtyard, and its long hall, where the fire burned in the midst, and the King and Queen sat beside it on high thrones, between the four chief carved pillars that held up the roof. The thrones were made of cedar wood and ivory, inlaid with gold, and there were many other chairs and small tables for guests, and the walls and doors were covered with bronze plates, and gold and silver, and sheets of blue glass. Sometimes they were painted with pictures of bull hunts, and a few of these pictures may still be seen. At night torches were lit, and placed in the hands of golden figures of boys, but all the smoke of fire and torches escaped by a hole in the roof, and made the ceiling black. On the walls hung swords and spears and helmets and shields, which needed to be often cleaned from the stains of the smoke. The minstrel or poet sat beside the King and Queen, and, after supper he struck his harp, and sang stories of old wars. At night the King and Queen slept in their own place, and the women in their own rooms; the princesses had their chambers upstairs, and the young princes had each his room built separate in the courtyard.
There were bath rooms with polished baths, where guests were taken when they arrived dirty from a journey. The guests lay at night on beds in the portico, for the climate was warm. There were plenty of servants, who were usually slaves taken in war, but they were very kindly treated, and were friendly with their masters. No coined money was used; people paid for things in cattle, or in weighed pieces of gold. Rich men had plenty of gold cups, and gold-hilted swords, and bracelets, and brooches. The kings were the leaders in war and judges in peace, and did sacrifices to the Gods, killing cattle and swine and sheep, on which they afterwards dined.
They dressed in a simple way, in a long smock of linen or silk, which fell almost to the feet, but was tucked up into a belt round the waist, and worn longer or shorter, as they happened to choose. Where it needed fastening at the throat, golden brooches were used, beautifully made, with safety pins. This garment was much like the plaid that the Highlanders used to wear, with its belt and brooches. Over it the Greeks wore great cloaks of woollen cloth when the weather was cold, but these they did not use in battle. They fastened their breastplates, in war, over their smocks, and had other armour covering the lower parts of the body, and leg armour called 'greaves'; while the great shield which guarded the whole body from throat to ankles was carried by a broad belt slung round the neck. The sword was worn in another belt, crossing the shield belt. They had light shoes in peace, and higher and heavier boots in war, or for walking across country.
The women wore the smock, with more brooches and jewels than the men; and had head coverings, with veils, and mantles over all, and necklaces of gold and amber, earrings, and bracelets of gold or of bronze. The colours of their dresses were various, chiefly white and purple; and, when in mourning, they wore very dark blue, not black. All the armour, and the sword blades and spearheads were made, not of steel or iron, but of bronze, a mixture of copper and tin. The shields were made of several thicknesses of leather, with a plating of bronze above; tools, such as axes and ploughshares, were either of iron or bronze; and so were the blades of knives and daggers.
To us the houses and way of living would have seemed very splendid, and also, in some ways, rather rough. The palace floors, at least in the house of Ulysses, were littered with bones and feet of the oxen slain for food, but this happened when Ulysses had been long from home. The floor of the hall in the house of Ulysses was not boarded with planks, or paved with stone: it was made of clay; for he was a poor king of small islands. The cooking was coarse: a pig or sheep was killed, roasted and eaten immediately. We never hear of boiling meat, and though people probably ate fish, we do not hear of their doing so, except when no meat could be procured. Still some people must have liked them; for in the pictures that were painted or cut in precious stones in these times we see the half-naked fisherman walking home, carrying large fish.
The people were wonderful workers of gold and bronze. Hundreds of their golden jewels have been found in their graves, but probably these were made and buried two or three centuries before the time of Ulysses. The dagger blades had pictures of fights with lions, and of flowers, inlaid on them, in gold of various colours, and in silver; nothing so beautiful is made now. There are figures of men hunting bulls on some of the gold cups, and these are wonderfully life-like. The vases and pots of earthenware were painted in charming patterns: in short, it was a splendid world to live in.
The people believed in many Gods, male and female, under the chief God, Zeus. The Gods were thought to be taller than men, and immortal, and to live in much the same way as men did, eating, drinking, and sleeping in glorious palaces. Though they were supposed to reward good men, and to punish people who broke their oaths and were unkind to strangers, there were many stories told in which the Gods were fickle, cruel, selfish, and set very bad examples to men. How far these stories were believed is not sure; it is certain that 'all men felt a need of the Gods,' and thought that they were pleased by good actions and displeased by evil. Yet, when a man felt that his behaviour had been bad, he often threw the blame on the Gods, and said that they had misled him, which really meant no more than that 'he could not help it.'
There was a curious custom by which the princes bought wives from the fathers of the princesses, giving cattle and gold, and bronze and iron, but sometimes a prince got a wife as the reward for some very brave action. A man would not give his daughter to a wooer whom she did not love, even if he offered the highest price, at least this must have been the general rule, for husbands and wives were very fond of each other, and of their children, and husbands always allowed their wives to rule the house, and give their advice on everything. It was thought a very wicked thing for a woman to like another man better than her husband, and there were few such wives, but among them was the most beautiful woman who ever lived.
THE WOOING OF HELEN OF THE FAIR HANDS
This was the way in which people lived when Ulysses was young, and wished to be married. The worst thing in the way of life was that the greatest and most beautiful princesses might be taken prisoners, and carried off as slaves to the towns of the men who had killed their fathers and husbands. Now at that time one lady was far the fairest in the world: namely, Helen, daughter of King Tyndarus. Every young prince heard of her and desired to marry her; so her father invited them all to his palace, and entertained them, and found out what they would give. Among the rest Ulysses went, but his father had a little kingdom, a rough island, with others near it, and Ulysses had not a good chance. He was not tall; though very strong and active, he was a short man with broad shoulders, but his face was handsome, and, like all the princes, he wore long yellow hair, clustering like a hyacinth flower. His manner was rather hesitating, and he seemed to speak very slowly at first, though afterwards his words came freely. He was good at everything a man can do; he could plough, and build houses, and make ships, and he was the best archer in Greece, except one, and could bend the great bow of a dead king, Eurytus, which no other man could string. But he had no horses, and had no great train of followers; and, in short, neither Helen nor her father thought of choosing Ulysses for her husband out of so many tall, handsome young princes, glittering with gold ornaments. Still, Helen was very kind to Ulysses, and there was great friendship between them, which was fortunate for her in the end.
Tyndarus first made all the princes take an oath that they would stand by the prince whom he chose, and would fight for him in all his quarrels. Then he named for her husband Menelaus, King of Lacedaemon. He was a very brave man, but not one of the strongest; he was not such a fighter as the gigantic Aias, the tallest and strongest of men; or as Diomede, the friend of Ulysses; or as his own brother, Agamemnon, the King of the rich city of Mycenae, who was chief over all other princes, and general of the whole army in war. The great lions carved in stone that seemed to guard his city are still standing above the gate through which Agamemnon used to drive his chariot.
The man who proved to be the best fighter of all, Achilles, was not among the lovers of Helen, for he was still a boy, and his mother, Thetis of the silver feet, a goddess of the sea, had sent him to be brought up as a girl, among the daughters of Lycomedes of Scyros, in an island far away. Thetis did this because Achilles was her only child, and there was a prophecy that, if he went to the wars, he would win the greatest glory, but die very young, and never see his mother again. She thought that if war broke out he would not be found hiding in girl's dress, among girls, far away.
So at last, after thinking over the matter for long, Tyndarus gave fair Helen to Menelaus, the rich King of Lacedaemon; and her twin sister Clytaemnestra, who was also very beautiful, was given to King Agamemnon, the chief over all the princes. They all lived very happily together at first, but not for long.
In the meantime King Tyndarus spoke to his brother Icarius, who had a daughter named Penelope. She also was very pretty, but not nearly so beautiful as her cousin, fair Helen, and we know that Penelope was not very fond of her cousin. Icarius, admiring the strength and wisdom of Ulysses, gave him his daughter Penelope to be his wife, and Ulysses loved her very dearly, no man and wife were ever dearer to each other. They went away together to rocky Ithaca, and perhaps Penelope was not sorry that a wide sea lay between her home and that of Helen; for Helen was not only the fairest woman that ever lived in the world, but she was so kind and gracious and charming that no man could see her without loving her. When she was only a child, the famous prince Theseus, whose story is to be told later, carried her away to his own city of Athens, meaning to marry her when she grew up, and, even at that time, there was a war for her sake, for her brothers followed Theseus with an army, and fought him, and brought her home.
She had fairy gifts: for instance, she had a great red jewel, called 'the Star,' and when she wore it red drops seemed to fall from it and vanished before they touched and stained her white breast--so white that people called her 'the Daughter of the Swan.' She could speak in the very voice of any man or woman, so folk also named her Echo, and it was believed that she could neither grow old nor die, but would at last pass away to the Elysian plain and the world's end, where life is easiest for men. No snow comes thither, nor great storm, nor any rain; but always the river of Ocean that rings round the whole earth sends forth the west wind to blow cool on the people of King Rhadamanthus of the fair hair. These were some of the stories that men told of fair Helen, but Ulysses was never sorry that he had not the fortune to marry her, so fond he was of her cousin, his wife, Penelope, who was very wise and good.
When Ulysses brought his wife home they lived, as the custom was, in the palace of his father, King Laertes, but Ulysses, with his own hands, built a chamber for Penelope and himself. There grew a great olive tree in the inner court of the palace, and its stem was as large as one of the tall carved pillars of the hall. Round about this tree Ulysses built the chamber, and finished it with close-set stones, and roofed it over, and made close-fastening doors. Then he cut off all the branches of the olive tree, and smoothed the trunk, and shaped it into the bed-post, and made the bedstead beautiful with inlaid work of gold and silver and ivory. There was no such bed in Greece, and no man could move it from its place, and this bed comes again into the story, at the very end.
Now time went by, and Ulysses and Penelope had one son called Telemachus; and Eurycleia, who had been his father's nurse, took care of him. They were all very happy, and lived in peace in rocky Ithaca, and Ulysses looked after his lands, and flocks, and herds, and went hunting with his dog Argos, the swiftest of hounds.
THE STEALING OF HELEN
This happy time did not last long, and Telemachus was still a baby, when war arose, so great and mighty and marvellous as had never been known in the world. Far across the sea that lies on the east of Greece, there dwelt the rich King Priam. His town was called Troy, or Ilios, and it stood on a hill near the seashore, where are the straits of Hellespont, between Europe and Asia; it was a great city surrounded by strong walls, and its ruins are still standing. The kings could make merchants who passed through the straits pay toll to them, and they had allies in Thrace, a part of Europe opposite Troy, and Priam was chief of all princes on his side of the sea, as Agamemnon was chief king in Greece. Priam had many beautiful things; he had a vine made of gold, with golden leaves and clusters, and he had the swiftest horses, and many strong and brave sons; the strongest and bravest was named Hector, and the youngest and most beautiful was named Paris.
There was a prophecy that Priam's wife would give birth to a burning torch, so, when Paris was born, Priam sent a servant to carry the baby into a wild wood on Mount Ida, and leave him to die or be eaten by wolves and wild cats. The servant left the child, but a shepherd found him, and brought him up as his own son. The boy became as beautiful, for a boy, as Helen was for a girl, and was the best runner, and hunter, and archer among the country people. He was loved by the beautiful Oenone, a nymph--that is, a kind of fairy--who dwelt in a cave among the woods of Ida. The Greeks and Trojans believed in these days that such fair nymphs haunted all beautiful woodland places, and the mountains, and wells, and had crystal palaces, like mermaids, beneath the waves of the sea. These fairies were not mischievous, but gentle and kind. Sometimes they married mortal men, and Oenone was the bride of Paris, and hoped to keep him for her own all the days of his life.
It was believed that she had the magical power of healing wounded men, however sorely they were hurt. Paris and Oenone lived most happily together in the forest; but one day, when the servants of Priam had driven off a beautiful bull that was in the herd of Paris, he left the hills to seek it, and came into the town of Troy. His mother, Hecuba, saw him, and looking at him closely, perceived that he wore a ring which she had tied round her baby's neck when he was taken away from her soon after his birth. Then Hecuba, beholding him so beautiful, and knowing him to be her son, wept for joy, and they all forgot the prophecy that he would be a burning torch of fire, and Priam gave him a house like those of his brothers, the Trojan princes.
The fame of beautiful Helen reached Troy, and Paris quite forgot unhappy Oenone, and must needs go to see Helen for himself. Perhaps he meant to try to win her for his wife, before her marriage. But sailing was little understood in these times, and the water was wide, and men were often driven for years out of their course, to Egypt, and Africa, and far away into the unknown seas, where fairies lived in enchanted islands, and cannibals dwelt in caves of the hills.
Andrew Lang's Tales of Troy and Greece retells episodes from Homer and Greek mythology, but the excerpts reveal a narrative approach that freely expands on classical sources. The book opens with Ulysses as 'the Sacker of Cities,' and the text quickly moves beyond the Iliad and Odyssey to include the stories of Theseus, Perseus, and the Golden Fleece. Lang does not simply translate or abridge; he adds invented backstories, such as the Phoenician kidnapping of the swineherd Eumaeus, and includes details like the 'luck of Troy' that are absent from Homer. The illustrations by H. J. Ford, listed in the contents, provide visual counterparts to key scenes.
Expanding the Homeric Frame
The catalog subjects list 'Mythology, Greek' and 'Trojan War,' but the excerpts show that Lang's retellings go well beyond the Homeric epics. The table of contents includes sections on the Fleece of Gold, Theseus, and Perseus, which are not part of the Trojan War cycle. Even within the Ulysses narrative, Lang adds episodes like 'How Ulysses Stole the Luck of Troy,' a detail not found in the Iliad or Odyssey. The text also includes a map of Greece and a frontispiece captioned 'The Stealing of Helen,' indicating a visual and geographical framing. Readers expecting a strict Homeric translation will find instead a compilation that blends multiple myth cycles into a single narrative sequence.
Voice and Characterization
Lang's narrative voice is conversational and explanatory, often addressing the reader directly. For example, he describes Eumaeus as 'a very honest man, and, though he was a slave, he was the son of a prince in his own country.' This moralizing tone extends to the characterization of the wooers as 'proud' and 'insolent.' The excerpts also show a tendency to rationalize or expand on mythological details: the disguise of Ulysses is described in physical terms—'his skin seemed wrinkled, and his hair thin, and his eyes dull'—and the text includes a long backstory for Eumaeus that is not in the Odyssey. Lang's Ulysses is resourceful and cunning, but the narrative also emphasizes his piety, as when he 'prayed to the Naiads of the cave.'
The Role of Divine Intervention
Gods and goddesses play an active role in the excerpts, often guiding the plot directly. Athena (spelled 'Athênê') disguises Ulysses and fetches Telemachus from Lacedaemon. The text notes that 'the Goddess helped him to hide all his gold' and 'taught him how, being lonely as he was, he might destroy the proud wooers.' This divine machinery is presented without skepticism, as a natural part of the story world. Lang also includes supernatural elements like the 'luck of Troy' and the enchantress Circe, but the excerpts focus more on practical cunning than on magic. The balance between human agency and divine will is a recurring feature, with characters often praying or receiving direct aid from the gods.
The excerpts from Tales of Troy and Greece show a work that is both a retelling and an expansion of classical myths. Lang's additions, such as the backstory of Eumaeus and the episode of the luck of Troy, suggest a creative approach to the source material. Readers familiar with Homer will notice divergences, while newcomers may find the narrative accessible and self-contained. The illustrations by H. J. Ford, listed in the contents, offer a visual dimension that complements the text.
I found myself thinking of the old Seneca tales again while reading about Eumaeus’s Phoenician childhood, that quiet backstory woven into the Trojans’ noise. Both collections share a fondness for the unspoken life beneath the familiar, the stranger’s hidden history. It’s a gentle feeling of meeting old friends in unexpected places, as with Seneca Fiction, Legends, and Myths Thirty-Second Annual Report of the Bureau of American Ethnology; 1910-1911 — Context and Discussion, whose legends murmur just as softly.
Henry Johnson
4 weeks agoLiam Williams
2 weeks agoOliver Nguyen
1 month agoDylan Lopez
2 weeks ago-
Shawn Brad Taylor - 1 month ago
{'review_type': 'Positive', 'text': 'Andrew Lang brings the epic tales of Troy and Greece to life with vivid storytelling that captures the imagination. The book weaves together heroic adventures, mythical gods, and legendary battles in a way that is both scholarly and accessible. His prose is elegant, yet clear, making these ancient stories feel fresh and exciting. A perfect introduction to Greek mythology and a treasure for anyone who loves classic literature.'} -
Leslie Barajas - 4 weeks ago
{'review_type': 'Neutral', 'text': "This collection offers a comprehensive look at Greek and Trojan legends, with Lang's characteristic attention to detail. The stories are engaging and well-researched, but at times the sheer number of characters can be overwhelming. The old-fashioned language may also feel a bit dated to modern readers. Still, it's a valuable resource for mythology enthusiasts who appreciate deep context."} -
Tracy Boone - 2 weeks ago
{'review_type': 'Negative', 'text': "While the content is historically rich, the prose is dense and often slow-paced. The book reads more like a scholarly text than a thrilling narrative, lacking the emotional depth of more modern retellings. It may appeal to academics, but for the casual reader, it's a tough slog. The constant name-dropping and genealogical details detract from the stories' excitement."}
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Charlotte Ramirez
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